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| The Depot by Henry P. Gravelle |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A tightly scripted one-act comedy with good characters and wordplay. comedy. US English. |
| Synopsis | The ticket agent and porter at a desolate train station in the 1900s become concerned over a growing odor within the stacked freight and decide to solve the mystery rather than await the Sheriff's arrival. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Der Vordere Platz (The Forward Place) by Henry P. Gravelle
Winner - Avalonia monologue competition, November 14, 2017. 'Captains monologue Der Vordere Platz' |
| Roles | Minimum Male roles = 11. Minimum Female roles = 2. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama set in a submarine and a bedroom. US English. Some adult content. |
| Synopsis | The crew of a WW2 German U-boat under enemy fire contemplate their bleak future. Each individual battles to find his own ‘forward place’ and one of them leaves a surprising final legacy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Detour by Kev Salter |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Four characters must be played by the same (male) actor. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single airport lounge setting. |
| Synopsis | Stranded in a remote Latvian airport as their plane undergoes a bizarre series of repairs, a group of passengers regret choosing a budget airline. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Devil of a Job by Stewart Boston |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set, divided into earth and hell (as so many sets are). |
| Synopsis | Mephistopheles and Lucifer plan to corrupt the soul of an intellectual former demonologist. The demonologist recognises what Mephistopheles is trying to do and succeeds not only in turning him away, but convinces him to do some charity work. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Dial Conspiracy by Bob Tucker |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Stage crew - optimum number 2, are non-speaking roles. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A short-ish one act comedy/farce, with a single (hotel room) setting. |
| Synopsis | A crime caper at a remote hotel in the Highlands of Scotland, where weird and wonderful stratagems are used - as a succession of unlikely characters including a surly porter and the driver of a lime green Ferrari, vie with National Security officers. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dialogue by Stewart Boston |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The two characters are written as male, but could be played female without changing the nature of the piece. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Unnerving and disturbing, but gripping one-act play. Single simple set. |
| Synopsis | Two immortal beings argue about the pros and cons of passing the time by experimenting with creation. Eventually the one who has worked hard on his people and his vision has to admit it's all gone horribly wrong. The other is happy to bring things to a close. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Different League by Jonathan Edgington |
| Roles | Minimum Male roles = 5. Minimum Female roles = 10. Minimum total with doubling = 15. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy on three simple sets. This is the sequel to Three Nil Down At Half Time, also published by Lazy Bee Scripts. The two can be performed individually or together. |
| Synopsis | A football team are looking forward to the new season when disaster strikes and the girls' league they are due to play in is disbanded. Fortunately (although much to the consternation of several parents), the team receive an unexpected invitation to play in a boy's league. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Director by Jos Biggs |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act, light comedy, with a potentially collapsible set. |
| Synopsis | A harassed director is trying to get an advert filmed, but the actors have left. Using handy studio audience members, the roles are filled and directions given to bring off the perfect take. Except the cameraman wasn't filming that one! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Director's Cut by Chris de Vere Hunt |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (village hall) setting. |
| Synopsis | The Huntscombe Valley Players are rather unambitious and set in their ways when it comes to choosing the annual village play. Newcomer Tristram, an experienced director, puts the cat amongst the pigeons - with his bold attempts to break the mould. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Disguise by David Pemberton |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 31 minutes. [Estimated!] |
| Music | None. |
| Style | A modern comedic reworking of The Siena Academy's Gl'ingannati, the principal source for Shakespeare's Twelfth Night. |
| Synopsis | A twin sister disguises herself as a boy to get the man she loves, only to find that when her identical twin brother shows up, he is mistaken for her. This play forms act two of Amore by the same author. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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