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The Highwayman by Martin Sims |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 22 minutes. [Estimated!] |
Music | None. |
Style | One-act ghost story. Single set of just a woodland camp fire. |
Synopsis | Two strangers meet by the road one dark and cold night in 1750. They talk of the legend of Black Tom, the ghostly highwayman said to haunt the area, and soon they are plagued by phantom noises and fears. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** Zip file containing two sound effects (with two options for one of them) for 'The Highwayman' by Martin Sims
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Click here to read the script or Click here for more details. |
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Hope - A Monologue by Frank Flynn |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | One-act monologue. Single outdoor set (which can be implied rather than fully built). Written in Canadian English. |
Synopsis | Young mother Hope waits in the park for a meeting that will change her life. She tries to comfort her tiny baby, though she has no new clothes, nor food for her. A very emotive piece. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Horseplay by Graham Jones The precursor full-length version of this play won the Drama Association of Wales playwriting competition in 1980. |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | Compelling one-act drama. Single set - just a committee room table and chairs. Contains adult themes. |
Synopsis | After a post-match celebration, three rugby players are accused of raping a girl. Through the old boys' network, the matter is dropped, but the club barmaid won't let it rest. Thanks to her persistence, one of the other members starts to see things in a different light too. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Hot and Sweet by Liz Dobson |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Single domestic set. |
Synopsis | Janet is trying to persuade her mother Ivy, who is suffering from the first stages of Alzheimer's, to come and live with her. Janet's concerns are increased when she hears about a con man operating in the area. Ivy refuses to consider her daughter's request, stating that her late husband Harry will protect her. Janet responds by saying to her mother, 'He can’t look after you if he's not here'... but can he? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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How Did That Get In My Locker? by Andrew M. Frodahl |
Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
Run Time | Around 63 minutes. [Estimated!] |
Music | None. |
Style | A one act school play - chiefly American in theme and content, though could be adapted for other audiences. |
Synopsis | When prom queen Emily goes missing and her bra turns up in Dullon Bland’s locker, only teen PI Ithaca Shue can help him. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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How Things Turn Out by Bob Hammond |
Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Three principal female roles and two small roles (1M, 1F). |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | An engaging single set one-act drama with good dialogue, this digs deep into the apparent relationships between three women before a couple of well-placed reveals make us reassess them. |
Synopsis | Judith and Sarah have been invited to a meeting with the solicitor of their sister Pauline, and don’t know why. Pauline’s neighbour and best friend Lisa is also invited. As the three wait to be called in to the conference room, tensions simmer. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus. Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Awards | Click here to see the awards won by (productions of) this script. |
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I Believe In Angels by Tony Domaille Octopus Youth. Bristol One Act Festival Best Youth Play award 1994. Runner up in the Five Counties One Act Festival 1994. |
Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 22 minutes. [Estimated!] |
Music | None. |
Style | A one act play, suitable for youth theatre, with a single (garden of remembrance) setting. |
Synopsis | A group of teenagers meet to have a séance and call up the spirit of Steve, their friend who has died. Between them they confront their grief, fear, and what they can and cannot believe. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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I Have A Vision by Stewart Boston |
Roles | Minimum Male roles = 5. Minimum Female roles = 1. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Drama in two acts, informed by the three years the author spent working on two reserves in Saskatchewan. |
Synopsis | Two years on a reservation in Canada, as the elections bring a new chief with a new vision, but Richard can't offer the people the same good times his predecessor Gerald did. He wants them to think long term and to make changes for their children's future. A moving play, throwing new light on an old struggle. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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I Love You When It's Raining, Roy G Biv by Martin R. Collin |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 14. Chorus. The chorus covers a school class, a choir and a funeral congregation, so very flexible numbers! The structure of the story implies a mixture of adults and children, but of course it could be performed by a youth company. |
Run Time | Around 40 minutes. [Estimated!] |
Music | A couple of public domain songs are suggested for use in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | One-act play with various simple settings. |
Synopsis | Roy is that inspirational teacher everyone remembers. He arrives at a small school in Ohio and immediately makes a mark on every pupil he comes into contact with. His death is sudden and unexpected but his spirit lives on as his pupils move into adulthood. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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