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Saving The Planet, Maybe by Eric Scott |
Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. All characters are high school students aged thirteen plus. |
Run Time | Around 37 minutes. [Estimated!] |
Music | None. |
Style | A one act play suitable for youth theatre, with a simple set. |
Synopsis | Allison has written a play she's planning to direct, but her cast are a mixed bunch - either too professional or not nearly professional enough. Her would-be boyfriend David is on hand to help, but real environmental issues get in the way of this play about environmental issues. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Scene Six by Andrew McGuirk |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. The 'director' is an offstage voice and could be doubled by 'David'. The characters appear in a flashback as their childhood selves. |
Run Time | Around 55 minutes. [Estimated!] |
Music | None. |
Style | Character drama with plenty of acting challenges. Structured in two acts, but, at around 55 minutes, of one-act length. (Includes some swearing.) |
Synopsis | Two old friends and a new acquaintance decide to put on a play, but the assigned parts, emotional attachments, and the ruthlessness of the director cause rifts between the three. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sent Back Standing by Jenny Gilbert |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. An uneven distrubution of roles, with the play dominated with the director (though, unusually in these circumstances, the director is on stage). |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single set (pretty much a bare stage). |
Synopsis | A director struggles to keep her sanity through the stresses of a Tech rehearsal in a venue that's being rebuilt around the company. She's also haunted by her husband's affair, and trying to work through her private grief in a very public place. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Set to and Build by Peter Appleton |
Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy during which parts of the set are built on-stage - sort of. |
Synopsis | An AmDram crew meets ahead of the new show to build the set. Arguments over creative vision versus available materials, colours and building techniques, not to mention accidents, strain relations. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Seven Ages of Love by Robert Burns |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One act play with an interesting structure. (As our reviewer remarked, 'It's what you'd get if MC Escher was a playwright'.) Several locations, but can be done with indicative sets. Contains a mild swearword. |
Synopsis | Mike's written a play about his failed love, telling the story in reverse for the benefit of his friend Phil. If you run a sad love story backwards, you end up with a happy ending, don't you? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Shadows In The Middle by Patti Veconi |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 11. Minimum total without doubling = 34. No chorus. Contains scenes altered for either predominantly male or female casts. |
Run Time | Around 51 minutes. [Estimated!] |
Music | None. |
Style | A Shakespearean themed play for youth theatre (American English). |
Synopsis | Puck's final monologue from A Midsummer Night's Dream is dramatically examined in the context of modern school life and everyday teenage angsts and relationships. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Tabbed by Bob Tucker |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 12. Chorus. The script is about a group performing a British Pantomime, therefore Widow Twankey is intended to be played by a man, and Aladdin by a young woman. The chorus is optional (the chorus part could probably be doubled by a couple of the principals.) |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy, set in the middle of a (disastrous) pantomime performance. |
Synopsis | It's Panto time again for the Witherington Over Mired Brook Amateur Theatrical Society (WOMBATS), but things aren't going well... Aladdin's had a nasty accident and had to be replaced at short notice, the script is illegible, the stage crew are in revolt and the lights and curtain aren't behaving themselves either. Can Widow Twankey hold things together? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Talky Bits by TLC Creative |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 37. No chorus. Many of the characters are written with a specific gender, but most can be changed! |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | A collection of ten comedy sketches requiring little in the way of set or props (the most complex sketch requires a table, chairs and a few pieces of paper.) Most could be run front-of curtain. |
Synopsis | Ten comedy sketches with a theatrical theme, designed to be interspersed between other material in a drama and dance showcase. The sketches cover the theatrical process from pitching a show concept through to first night nerves. Most of the sketches are available individually. This collection is available at a discount to the sum of the individual prices. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Under the Hood by Damian Trasler |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | One-act drama (on the lower boundary of two-act length). Simple sets. |
Synopsis | Rose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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What A Performance! by Trevor Suthers |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | A one act play set in a theatre (stage and dressing room). Some adult language. |
Synopsis | A small group of actors are in a small provincial theatre as their performance ends - the action follows them to the (shared) dressing room. Petty jealousies give way to their assessments of what acting and theatre are all about. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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