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The Guests by Carolyn Drury |
Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 38 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy drama with a single (living room) setting. |
Synopsis | Feeling the financial pinch after a generous Christmas, pensioner and former child movie star Mary opens her house to some visiting actors. Two are pleasant enough characters, but Louise is more of a handful. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Guidance by Bob Tucker |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | A neat one-act play in the best tradition of the British sexy farce. Three doors, two sofas, that sort of thing. Contains adult themes (such as marriage and disagreement!) |
Synopsis | A married couple involved in an almighty row prove to be Marriage Guidance Counsellors. Their next clients are due but are they in any condition to help? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Harpington Toad Fanciers' Social by John Waterhouse |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 43 minutes. [Estimated!] |
Music | None. |
Style | One-act social comedy with a single living-room setting |
Synopsis | It's the night of The Harpington Toad Fanciers' Social, but there's some debate about whether it's a social event or a toading event, and, indeed, whether the members have more in common than just toads. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Hats Off! - The Play by Sue Gordon |
Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | Play for children (could also be staged by adults for kids). Whilst by length we would class this as a one-act play, it is split into two acts and an interval is advised so that the single set can be redressed to mark the passage of time! |
Synopsis | Mrs. Green is the real driving force behind 'Barker's Bonnets' a milliner's shop in Victorian England. However, she faces unemployment when Mr. Barker sells up to emigrate. A secret scheme is hatched to allow her to continue - and to thrive in the modern world of the 1870s. (The script tells an engaging story whilst exploring the novelties, inventions and social nuances of the Victorian world. This would fit well with the English National Curriculum Key Stage 2 History Topic, 'The Victorians'.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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I Don’t Think I’ll Be Here Next Christmas by Dawn Cairns |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. One character (Laura) appears as an off-stage voice only. |
Run Time | Around 41 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy with a single setting. |
Synopsis | Cantankerous pensioner Jean always spends Christmas with her son John and his wife Sheila. The mutual dislike between Sheila and Jean constantly bubbles under the surface and is reflected in the presents they give each other. Everything threatens to boil over after an incident involving sixpences in the Christmas pudding (and a toenail in the Bombay mix). Fortunately for Sheila, their daughter Laura comes to the rescue. The play features the same characters as You Won't Know I'm Here - though works perfectly well as a standalone piece. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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I Now Pronounce You by David Titchener |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Five on-stage characters plus the off-stage voice of a police officer (who might be recorded). |
Run Time | Around 36 minutes. [Estimated!] |
Music | None. |
Style | One-act play in a single (living room) setting. |
Synopsis | Eddie, Big Chris and Jono are preparing for the upcoming double wedding of Eddie to Trudy and Big Chris to Maureen, but they need to cut costs. Surely getting Jono to perform the ceremony couldn't backfire, could it? (The core characters appear in Flaming Liberty and The Next Big Thing. The pieces are independent, but could be used together.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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I Remember When by Dawn Cairns |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Three on-stage characters plus four off-stage (including two children) who might be recorded. |
Run Time | Around 44 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy in a single camp-site setting. |
Synopsis | John looks forward to re-visiting his childhood holiday campsite but his wife Sheila is not so sure, particularly when John insists his curmudgeonly mother come along too. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Iceberg by Dawn Cairns |
Roles | Minimum Male roles = 3. Minimum Female roles = 7. Minimum total with doubling = 10. Minimum total without doubling = 14. No chorus. One male and one female character are voice-only so can be pre-recorded. |
Run Time | Around 41 minutes. [Estimated!] |
Music | Three tracks, to be played but not performed by cast, are suggested in the producer's copyof the script. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one-act comedy with a single (doctors’ waiting room) setting. |
Synopsis | Doctors’ receptionist Paula believes all patients are time-wasters and is known as ‘The Iceberg’. She resents the arrival of new manager Michelle, who intends to implement a patient-friendly regime, and trainee receptionist Debbie. But Debbie and Paula soon hit it off and Michelle’s plans are thwarted. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Importance Of Being Belinda by John Garforth |
Roles | Minimum Male roles = 0. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 37 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy with a single (garden) setting. Adult themes and strong language abound! |
Synopsis | The feminist Sapphire Theatre Collective is in final rehearsal for Oscar Wilde’s ‘The Importance Of Being Earnest’. Wilde’s script has been revised and updated to cater for an all female cast and political correctness by Belinda. The opening is in doubt as Belinda has been arrested for gross indecency on stage during a previous performance, but the show must go on! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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In a League of His Own by Mark Griffin Finalist in the Cambridge Theatre Challenge (International play-writing competition) 2014 |
Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and an offstage (or recorded) soccer commentator. |
Run Time | Around 38 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy play set in an Irish student flat (the main features of which are a couch and a TV set). |
Synopsis | Soccer-obsessed student Eamo is unhappy with the progress of a local team because they're ruining his standing in the Fantasy Football league. And Eamo has a lot of money riding on the outcome. His flatmate, John, thinks Eamo should calm down, but then Mazza, a self-proclaimed legend, arrives to really stir things up. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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