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| The Twa Sisters by Tom Guest |
| Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | Lyrics for four (out-of-copyright) Northumbrian folk songs are included in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A grim but well told tale, with some nice moments of black humour. Five locations, but with minimal sets. |
| Synopsis | Jealousy and resentment leads Ailsa and Blyth to murder their sister Corinne. But Corinne’s absence doesn't get Blyth the respect she craves from their mother, nor does it win back Duncan for Ailsa.
Based on a North East folk tale, with a backdrop of folk songs from the region. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Gentlemen of Verona by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 16. No chorus. Flexible numbers of soldiers and outlaws |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A humorous retelling of Shakespeare's story as a modern-language one-act play. |
| Synopsis | When Proteus follows his best friend Valentine to fashionable Milan, he finds himself attracted to the Duke of Milan's daughter, Silvia, upon whom Valentine has already set his sights. Hatching a plot to remove Valentine from the scene and move in on Silvia, he does not realise that he is being followed by Julia, the girl he left behind in Verona and to whom he has sworn everlasting devotion. Will the faithless scoundrel succeed with Silvia or will his efforts founder? A no-brainer, really. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Universal Sorrow by Graham J Evans |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. Ten on-stage roles plus two offstage voices. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Powerful, emotional one-act drama about a Welsh mining disaster in 1913. |
| Synopsis | Warning signs of an impending disaster are ignored by the mine owners and the colliers are left to deal with the consequences of over 400 of their colleagues, including a 14 year old boy, being trapped underground. The effect on the community of Senghenydd is poignantly brought to life as rescue attempts proceed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Waiting for Mr G by Bob Hammond |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy set on and around a park bench. |
| Synopsis | Small time crooks Arthur and Willie have been told to meet Mr G, the Mr Big of the local underworld. Willie has just pulled off a lucrative job involving 50 fake Rolex watches which, much to his amazement, turn out to be the genuine article. Unfortunately Willie has unwittingly crossed the line into Mr G's territory. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Waiting in Soho by Christopher Morgan |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One act play with a single bar-room set. An ensemble piece with seven overlapping stories. Contains a range of adult themes. |
| Synopsis | A disparate group are sharing space in a Soho bar at the weekend - their only common ground. Through voicing streams of overlapping thoughts, they open up and reveal the experiences that brought them to where they are. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| What Manner of Man by Mike Smith |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 9. No chorus. Prince Charles Edward Stuart was regarded as having feminine looks and could be played by a woman. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act historical drama, set in the Jacobite rebellion of 1745. Most of the action takes place in a single interior set. Two exterior scenes could be played on bare stage. |
| Synopsis | Having reached the English town of Derby, Adjutant General of Bonnie Prince Charlie's forces, Lord George Murray agonises over the need to tell the Prince that taking London is not possible. He must win over two other members of the Prince's council to carry the day and force retreat. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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When Darkness Falls by Sam Simkin
On the evidence of this script, the author won the award for Most Promising Young Playwright, Trinity College London's International Playwriting Competition, 2013-14 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 18. Minimum total without doubling = 32. Chorus. Intended for performance by a Youth Theatre company or by a mix of adults and teenagers. |
| Run Time | Around 42 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, very much from the perspective of the central character. |
| Synopsis | Teenager Alex lives with his dysfunctional family in a state of teenage confusion and angst. His witnessing of a murder has a profound effect on his already troubled mind leading to his leaving home. His encounter with homeless people is inspirational and leads him down the right path. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| When Rob Met Artie by Richard Crawley |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | An enjoyable comedy which offers good roles to a well-balanced cast. |
| Synopsis | April has lived with her AI partner Rob for five years, and the time has come to replace him with a newer model, Artie. But Artie's ability to replicate male behaviour causes more problems than expected, while Rob finds happiness in his new home with April’s employee Lisa. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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White Lies by Richard James
Production by Alternate Shadows won 1st Place, Best Actress, Best Set at 2016 Duncan Rand One Act Play Festival |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. If necessary, the Waitress could be cast as a waiter. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy. Single simple set (so easy to do as a competition piece). Simple props. Contains mild swearing. |
| Synopsis | Four old University chums meet up again after thirty years for a meal and talk. Bea is concerned only with herself and her own success, and doesn't care about the casual way she has hurt or used the others in the past, and the other ladies decide it's time for payback. But their little revenge stunt goes a little further than they planned. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Who Was That by Charlie Cook |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act farce. A fast moving one-act comedy full of mistaken and doubly mistaken identities. Contains mild swearing. |
| Synopsis | We are fully aware of who Tom, Sylvia, Richard and Harriet are - or is it Harry? - but they are not. We relish their confusion as the merriment gathers speed and they struggle to come to terms with who's who and who is having an affair with whom. The appearance of the unintelligible Michael adds to the misunderstanding but eventually leads to realisation... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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