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He's Coming To Dinner by JPS Yates |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Cast are two adults and two teenage children. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | One-act drama about family life! Single interior setting. |
Synopsis | Marianne is trying to get her teenage children ready for an evening with the new man in her life. Her son is happy that it's anyone but his father, but his sister isn't convinced. When their Dad walks in, no one is quite sure how they feel about it. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Heksejag by S. Ardern (vertaal deur Ronèl de Beer) |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. Minimum mansrolle = 4. Minimum vrouerolle = 2. Minimum totaal met doeblering = 12. Minimum totaal sonder doeblering = 14. Koor. Alle karakters is volwassenes, maar die teks is geskryf vir tieners. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | 'n Eenakter met basiese rekwisiete en geen dekorvereistes nie. Baie koorwerk. |
Synopsis | Wanneer 'n ou tannie in haar gehuggie intrek, word sy eers met vyandigheid begroet. Mettertyd veroorsaak haar kennis van natuurlike medisyne egter dat sy die gemeenskap se respek wen. Die moeilikheid begin wanneer siektes en hongersnood uitbreek en die ou tannie van heksery beskuldig word. (Heksejag is an Afrikaans translation of Witch Hunt by Stuart Ardern.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Hobby Room by David Lewis |
Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 49 minutes. [Estimated!] |
Music | None. |
Style | A one act mystery play, set initially in an empty room - which gradually becomes furnished. |
Synopsis | Sisters Florence and Josie inherit a large old house and decide to convert the top floor into a space for their hobbies. The atmosphere becomes tense and heightens as they make some surprising discoveries about the previous occupants. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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How Things Turn Out by Bob Hammond |
Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Three principal female roles and two small roles (1M, 1F). |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | An engaging single set one-act drama with good dialogue, this digs deep into the apparent relationships between three women before a couple of well-placed reveals make us reassess them. |
Synopsis | Judith and Sarah have been invited to a meeting with the solicitor of their sister Pauline, and don’t know why. Pauline’s neighbour and best friend Lisa is also invited. As the three wait to be called in to the conference room, tensions simmer. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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I Am Hamlet by Richard James Performance by Portree ADS won the Wakefield Quaich Award for Presentation, Scottish One Act Festival, 2011, Performance by Thurso Players won Best Play award at the SCDA One Act Play Festival, 2012, |
Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy thriller, single bare-stage set. |
Synopsis | An amateur actor auditions for the lead role in a local production of Hamlet. There is some fun to be had as the director puts him through his acting paces, but slowly we learn that the actor has more in common with the Prince of Denmark than meets the eye... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Exclusions | Due to professional performances, this script is not available for performance in the following places at the following times:- Spain, ES from the first day of January, 2022 to the last day of January, 2026 50 mile radius of Mexico City, MX from the first day of April, 2024 to the last day of October, 2024 |
Click here to read the script or Click here for more details. |
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I Don’t Think I’ll Be Here Next Christmas by Dawn Cairns |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. One character (Laura) appears as an off-stage voice only. |
Run Time | Around 41 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy with a single setting. |
Synopsis | Cantankerous pensioner Jean always spends Christmas with her son John and his wife Sheila. The mutual dislike between Sheila and Jean constantly bubbles under the surface and is reflected in the presents they give each other. Everything threatens to boil over after an incident involving sixpences in the Christmas pudding (and a toenail in the Bombay mix). Fortunately for Sheila, their daughter Laura comes to the rescue. The play features the same characters as You Won't Know I'm Here - though works perfectly well as a standalone piece. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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I Now Pronounce You by David Titchener |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Five on-stage characters plus the off-stage voice of a police officer (who might be recorded). |
Run Time | Around 36 minutes. [Estimated!] |
Music | None. |
Style | One-act play in a single (living room) setting. |
Synopsis | Eddie, Big Chris and Jono are preparing for the upcoming double wedding of Eddie to Trudy and Big Chris to Maureen, but they need to cut costs. Surely getting Jono to perform the ceremony couldn't backfire, could it? (The core characters appear in Flaming Liberty and The Next Big Thing. The pieces are independent, but could be used together.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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I Remember When by Dawn Cairns |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Three on-stage characters plus four off-stage (including two children) who might be recorded. |
Run Time | Around 44 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy in a single camp-site setting. |
Synopsis | John looks forward to re-visiting his childhood holiday campsite but his wife Sheila is not so sure, particularly when John insists his curmudgeonly mother come along too. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Iceberg by Dawn Cairns |
Roles | Minimum Male roles = 3. Minimum Female roles = 7. Minimum total with doubling = 10. Minimum total without doubling = 14. No chorus. One male and one female character are voice-only so can be pre-recorded. |
Run Time | Around 41 minutes. [Estimated!] |
Music | Three tracks, to be played but not performed by cast, are suggested in the producer's copyof the script. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one-act comedy with a single (doctors’ waiting room) setting. |
Synopsis | Doctors’ receptionist Paula believes all patients are time-wasters and is known as ‘The Iceberg’. She resents the arrival of new manager Michelle, who intends to implement a patient-friendly regime, and trainee receptionist Debbie. But Debbie and Paula soon hit it off and Michelle’s plans are thwarted. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Importance Of Being Belinda by John Garforth |
Roles | Minimum Male roles = 0. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 37 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy with a single (garden) setting. Adult themes and strong language abound! |
Synopsis | The feminist Sapphire Theatre Collective is in final rehearsal for Oscar Wilde’s ‘The Importance Of Being Earnest’. Wilde’s script has been revised and updated to cater for an all female cast and political correctness by Belinda. The opening is in doubt as Belinda has been arrested for gross indecency on stage during a previous performance, but the show must go on! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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