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| Scabs by Naomi Elster |
| Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 43 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a flexible set. |
| Synopsis | The 1913 transport strike in Dublin, its harrowing consequences and the rise of women’s political participation is vividly brought to life through the eyes of one activist working class family. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The School for Scandal (abridged) by Sheridan abridged by George Freek |
| Roles | Minimum Male roles = 9. Minimum Female roles = 4. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Eighteenth century comedy of manners, abridged to one-act play length. |
| Synopsis | Plots and intrigues abound to blacken names and ruin reputations, but when true love is expressed it awakens the good characters of some of the school's members. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| School Night by Amir Rahimzadeh |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play with a simple restaurant set. Contains swearing (but a lot else beside). |
| Synopsis | We meet four couples whose individual stories unfold in front of us as well as new, hapless waitress Amy. We are introduced to young couple Steven and Sally whose relationship seems a little precarious, John and Hamish having difficulty with a homophobic neighbour, Trevor and Margaret who are movingly dealing with Trevor's serious illness and Derek and Stacey on the look out for recruits for their swingers party. The dialogue is realistic, touching and amusing and the serendipitous connection between Trevor and Stephen adds a surprising final twist. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Screw Your Courage by Keith Badham |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 22. Minimum total without doubling = 26. Chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A five-act play for youth theatre in one-act! |
| Synopsis | An enthralling new look at Shakespeare's Macbeth, set in the modern world of teenage gang culture, which loses none of the power and excitement of the original. The Bard's plot and characters are given new life in this masterful interpretation as contemporary themes merge with age old human emotions. The audience are welcomed in to the action with imaginative use of asides and stage directions. An ideal piece for Youth Theatre with exciting and challenging opportunities for all involved, 'Screw Your Courage' provides a theatrical experience which will be long remembered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Seeing Red by Karen Ankers
Production by Dingwall Players won Best Play, SCDA One Act Festival (Moray Firth District) 2019 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with humorous undertones, with a single, park bench setting. |
| Synopsis | With a strong touch of satire, we find Nellie brazenly committing the supposed heinous offence of knitting. Young Belinda is horrified as she discovers Nellie openly and defiantly knitting in such a public place... but is liberated as Nellie's past experiences come to light. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Self Defence by Laura Belcher |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 43 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with various settings - a split stage could be used. |
| Synopsis | A victim of domestic abuse, Hannah decides to join a self-defence class - as much as for a social outlet as for a means of defending herself. With the support of her fellow class mates, whose light touch relieves the tense atmosphere she is living in, Hannah is empowered to assert herself. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Senior Speed Date by Jeff Bray |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 8. No chorus. One character is voice-only and can be voiced live or pre-recorded. |
| Run Time | Around 39 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (pub room) setting. |
| Synopsis | Recently separated from her husband, Joan has been persuaded by her daughter to attend a speed dating evening. She is confronted by a procession of highly unsuitable candidates. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Sequence of Events by Juliet Devon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 8. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. Two (male) characters are voice-only and could be pre-recorded. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | 3 tracks, to be played at the closing of scenes, are suggested in the producer's copy of the script Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A 50-minute drama, structured into two acts with set redecoration required between them. |
| Synopsis | The loss of her father when she was just sixteen really affected Anne, but the unplanned pregnancy that followed was even more of a blow. Putting the child up for adoption, she tried to forget it all, but thirty years later she receives a letter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shakespeare - It's All Greek To Me! by Sarah Brown |
| Roles | Minimum Male roles = 6. Minimum Female roles = 11. Minimum total with doubling = 27. Minimum total without doubling = 33. Chorus. Various doubling options possible, depending on cast number available. |
| Run Time | Around 46 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play for older children, with various simple settings. |
| Synopsis | Rosie and her classmates are struggling with understanding the works of William Shakespeare. Rosie gets help with her project - not only from her teacher and her family but also from the Bard himself, along with Hermia and Lysander - who appear to her in an animated dream and the magic of Shakespeare's work is revealed to her... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shakespeare's Last Act by Joan Greening |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Three male characters (so possibly a counterpoint to the three female characters in Joan Greening's Three Women and Shakespeare's Will.) |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | Witty one-act comedy play in a single set (and not much of that), with plenty of Shakespeare references and a poignant ending. |
| Synopsis | Shakespeare is working on his final play, Henry VIII, collaborating with John Fletcher. The working relationship is tetchy. Shakespeare's friend, Richard Burbage, assumes he will get the lead, but Fletcher has other ideas. Shakespeare comes up with a plot to get his friend the part. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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