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| The Nearly New Sale by Paul Townsend |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act psychological Faustian drama with a single (village hall) setting. |
| Synopsis | After two long and painful years recovering from the death of their unborn child, Harry and Liz are presented with the opportunity to reverse their misery and grief. They need only sign it away to a dealer prepared to buy anything. With this prospect, however, comes the chance to correct more than just those few short years, as they realise that they can negotiate for better lives independently than they might have together. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Necessity Of Atheism by Seán Lang |
| Roles | Minimum Male roles = 6. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | None. |
| Style | A one act historical play |
| Synopsis | Oxford, 1811. Amidst harsh laws restricting the freedom of the press, Percy Bysshe Shelley, a rather unorthodox, flamboyant undergraduate, publishes a short pamphlet called The Necessity of Atheism. The Master of his college is inclined to dismiss it as a bit of undergraduate exuberance but Lord Eldon, Lord Chancellor of England and old member of the college, takes a much more serious view. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Not 2B by George Freek |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Excellent characters. Amanda especially would be a joy of a part - a scatty woman who's raised two wildly ambitious children, kind and soft except when she gets onto the subject of her ex-husband when she becomes positively possessed. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Two-act play (but on the shorter side of that form). Single domestic set. Contains mild swearing. |
| Synopsis | Amanda worries that her children, Tom and Laura, are too ambitious. Tom sets Laura up with a guy from his company, but the evening takes a few twists that no one was expecting. Luckily it all goes over Amanda's head, and she tells herself she's got a happy ending after all. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Nothing Old Nothing New by Anne Graham |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | A farce with a single-setting - set over two acts, though could be performed in one. Some strong language |
| Synopsis | Valerie is dead but unable to leave her house, now occupied by her son and his wife Zoe - the cause of her fury and her enforced sit-in. Her grandson arrives to find his mother making plans for his sister’s wedding. When the bride and groom and his father arrive for the weekend along with the groom’s psychic mother, scandalous revelations lead to the wedding plans being blown apart and a ruined weekend, although chaotic events lead to Valerie’s happy release. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Oscar's Sale by Horry Parsons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | Farce. Two acts in structure, but of one-act length. |
| Synopsis | As Punch and Judy intrude, the staff meeting at Oscars Department Store soon descends into chaos as long standing inter departmental frictions come to the fore. These tensions are soon forgotten however when news comes of a take over of the store by a multi-national company which will mean the long serving, loyal staff's well established work routine and perks are to be seriously curtailed. The solution to their problems comes in a surprising final twist. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Our Little Secret by Rollin Jewett |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 52 minutes. [Estimated!] |
| Music | None. |
| Style | A comic drama with a single apartment setting. |
| Synopsis | Darlene is surprised by an armed intruder entering her apartment. Tensions build as police arrive in force to the neighbourhood, searching for the miscreant. She soon discovers that the intruder is not quite what he seems and a relationship develops between them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Out Of Hours by Robin Wilson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 52 minutes. [Estimated!] |
| Music | None. |
| Style | A one act, farce-like play. |
| Synopsis | John Williams is relieved his wife has had to dash off to her mother's - because he has some work to do. He calls his secretary, even though it's outside work hours, to help him calibrate the new technologically advanced bed he's been given... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Outside the Box by JPS Yates
Performance by Tarrystone Players won the John Rigg Award for Best Comedy and the South of England Building Society Award for Best Stage Presentation at the Maidenhead Drama Festival 2011. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Six on--stage actors plus three offstage voices appearing briefly at the start (so could be recordings). |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | A play for adults, satirising office life - where the office workers are nursery toys. Single set. Written in one act, but quite long. A cracking pace might get it down to one-act-play festival length. Contains mild swearing. |
| Synopsis | The nursery toys are mostly happy with their lot in life - only Ragdoll feels unwanted, so it doesn't surprise her when bureaucratic Fairy Crackernuts arrives and announces they're having 'a re-shuffle'. What does surprise her is that Teddy is the who's been made redundant... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Palmy Balmy Days by Richard Morris |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. All characters are senior citizens. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | The Producer's copy of the script suggests music and songs - including gospel songs, spirituals and hymns. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Long one-act play (or a full-length play designed to be played as a single act). Single (minimal) set, few props. Contains swearing and recreational vegetation. |
| Synopsis | On the threshold of the afterlife, Divine Intervention greets the newly arrived (or recently departed), the start of a reconciliation process, and a review of the lot each was dealt in life.
A meditation on the vagaries of getting old and the expectations, frustrations and disappointments of the participants. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Pawn by Brian Marchbank |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 72 minutes. [Estimated!] Experiential run time (first production) 1 hour, 2 minutes. |
| Music | None. |
| Style | Character comedy structured as a thriller. Single pawn shop setting. On the boundary between a full-length and a one-act play. |
| Synopsis | The robbery of a Manchester pawn shop goes wrong and becomes a hostage situation, trapped together the hostages and hostage takers realise there is history between them, the resulting friction requires the novice police negotiator to deal with both volatile groups to resolve the situation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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