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| How Did That Get In My Locker? by Andrew M. Frodahl |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 63 minutes. [Estimated!] |
| Music | None. |
| Style | A one act school play - chiefly American in theme and content, though could be adapted for other audiences. |
| Synopsis | When prom queen Emily goes missing and her bra turns up in Dullon Bland’s locker, only teen PI Ithaca Shue can help him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Have A Vision by Stewart Boston |
| Roles | Minimum Male roles = 5. Minimum Female roles = 1. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in two acts, informed by the three years the author spent working on two reserves in Saskatchewan. |
| Synopsis | Two years on a reservation in Canada, as the elections bring a new chief with a new vision, but Richard can't offer the people the same good times his predecessor Gerald did. He wants them to think long term and to make changes for their children's future.
A moving play, throwing new light on an old struggle. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Stand Alone by Kevin Broughton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in two acts. Four locations, but designed for minimal staging. Contains mild swearing. |
| Synopsis | An allegorical play.
In the far future, Britain has been ravaged by an external conflict and a civil war between the returning Celts, who restored the country, and the native Saxons who feel they have been pushed aside. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Impatience and Improbability by Nic Dawson |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (hotel terrace) setting. A witty and clever intertwining of the mannered world of the eighteenth century and modern day mores - with a bit of farce thrown in. |
| Synopsis | This diversion in One Act, dedicated with respectful admiration to Miss Jane Austen - with humble apologies for any liberties taken - sees Julia providing eighteenth century elegance and ambience in her unique hotel. The idyllic, mannered world descends into infidelity and recrimination as the modern day intrudes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In The White Time by Tony Frier |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 25. No chorus. |
| Run Time | Around 62 minutes. [Estimated!] Structurally in one act, but could be performed as a full evening's entertainment. |
| Music | None. |
| Style | A Victorian historical drama, based on a true murder case |
| Synopsis | As a young teenager Mary Wheeler had witnessed her father being convicted and hanged for murder. The trauma resulted in her having intermittent blackouts which she termed her ‘White Time’. Mary invites her lover's mistress Phoebe around one afternoon, leading to her disappearance. Mary is trialled for murder, and only a mysterious letter may reveal the truth of the case. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Isaac and Ishmael by Christopher Kent |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | A powerful play for a small cast in a single living-room set. Contains mild swearing. |
| Synopsis | Adam is waiting for the reading of his father's will, but that won't take place until the attorney arrives and Adam's institutionalised brother David is brought to the house. The noises only Adam can hear are scaring him, as does the fear his brother's madness may be genetic... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| It's a Farce by George Freek |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | Does exactly what it says on the label, in two short acts (though of one-act length) with clever dialogue and physical comedy. Single living-room set. Contains mild swearing. |
| Synopsis | A professional meeting between teacher Ernest and the head of his department, Janice, is misinterpreted as a clandestine romantic liaison. Unfortunately for Ernest, the misinterpreter is his wife's best friend who cannot help reporting her observations. Add in neighbour Bob, who has suicidal tendencies, and cookie 'therapist' Marcia who has arrived to offer Ernest a massage and we have a recipe for farcical mayhem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Julius Caesar [75-Minute Abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 7. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 32. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A 75-minute abridgement of Shakespeare's Roman history.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | 'Beware the Ides of March!'
'Caesar shall go forth.'
'Et tu, Brute?'
'Brutus is an honourable man.'
'Revenge!'
'This was the noblest Roman of them all.' |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Keep Smiling Through by Suzan Holder |
| Roles | Minimum Male roles = 14. Minimum Female roles = 15. Minimum total with doubling = 33. Minimum total without doubling = 33. Chorus. Chorus size at Producer's discretion |
| Run Time | Around 75 minutes. [Estimated!] Variable timing possible with songs used |
| Music | Well known songs from the wartime era. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A play for schools, with songs, set in a theatre in Britain in World War 2. |
| Synopsis | A Theatre Company preparing and presenting a variety show evokes life in wartime Britain through drama, song, dance and some pathos. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| King Henry IV, Part 1 [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 10. Minimum total without doubling = 23. No chorus. Most of the doubled roles are male (so the numbers without doubling are 18M, 2F, 3 Either), but of course you can cast whoever you like. There are options to increase the cast size with non-speaking court retinue. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | A 60-minute abridgement of the Shakespeare history.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | King Henry, two years after seizing the throne, is looking less secure as his erstwhile supporters, principally the Percy family from Northumberland, turn against him. The play follows the course of their rebellion until the decisive Battle of Shrewsbury. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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