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| King Henry IV, Part 2 [60-Minute Abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 8. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 35. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | A 60-minute abridgement of the Shakespeare history.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | After the Battle of Shrewsbury, Falstaff is sent with Lord John of Lancaster to deal with the rebellion in the north. King Henry, who has been ill for some time, dies after a reconciliation with Prince Hal, who, as Henry V, abjures his former friendships. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| King Henry V [60-Minute Abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 8. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 26. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | A 60-minute abridgement of the Shakespeare history.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | King Henry is intent on reclaiming his entitlement to France. He invades Harfleur and then, with his troops exhausted and ill, wants to take his army to the English-ruled Calais - but the French bar his way and engage him in battle. On the fields of Agincourt, Henry achieves a surprising victory. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| King Lear by Geoff Bamber |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. The number of roles can be increased by adding soldiers (the King of France in particular would make good use of them.) |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | Short modern-English version of Shakespeare's tragedy. (Whilst the plot is all there, there are more comic moments than the bard envisaged.) The author has structured this in 13 acts, but don't let that fool you. |
| Synopsis | An ageing King Lear intends to retire and hand over his throne to one of his squabbling daughters. The Earl of Gloucester, on the other hand, does not intend to retire but his scheming son, Edmund, wants to take over the title anyway, even if it means by-passing the rightful heir, his brother Edgar. The two families' affairs become linked and a violent tale of treachery, jealousy and blind ambition ensues.
Despite the body count running into double figures, this is a comedy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| King Richard the Second [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 8. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 26. No chorus. All the doubled roles are male (so the numbers without doubling are 22M, 4F), but of course you can cast whoever you like. There are options to increase the cast size with non-speaking court retinue. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | A 60-minute abridgement of the Shakespeare history.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | King Richard II, badly advised, banishes Henry Bolingbroke. When Richard seizes the property of John of Gaunt, Henry's father, Henry returns to get restitution. He builds a strong following against the unpopular Richard, who surrenders the crown, is imprisoned, and murdered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last Train to Sleepy Hollow by David Pemberton |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 15. Minimum total without doubling = 19. Chorus. Variable Chorus size at the Producer's discretion. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | Music and song suggestions for eight pieces are provided in the Producer's copy of this script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A comedy spoof play, with music, in various settings. |
| Synopsis | When Arthur is summoned by his Godmother to exorcise her house of spooks, he discovers a dastardly plot to frighten her off her valuable real estate. In the ultimate battle of innocence against the powers of darkness, Arthur destroys the black heart of the Bigwitch, finds true love, restores Spooky Hollow to his Godmother and catches the last train home! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Laughter Lines by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, death, relationships and cream cakes.
Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Life Imitating Art by Joan Greening |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | A two act drama, with a one act length, and with a single (art gallery) set. |
| Synopsis | Mature art student Dorothy surprises Pete in the art gallery, confusing him for her tour guide. For his own reasons he goes along with Dorothy's mistaken belief that he is a professor of art. The whole experience enriches them both. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Limbo Café by Stewart Boston |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 12. No chorus. 3 voices are offstage characters, and could be recorded. |
| Run Time | Around 52 minutes. [Estimated!] |
| Music | None. |
| Style | A two act satirical fantasy drama in a one act length, various settings. |
| Synopsis | Hard-headed Canadian businessman Michael and his currency-market speculator partner Joan, are killed in a car crash. In their attempts to vacate Limbo their lives are put on trial - by figures from history, to determine their future. They find that Hell has no limits. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Living Room by Clive David Lloyd Williams |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 54 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama of paranormal events in a single living room set (with two practical doors). |
| Synopsis | After the death of Joe's wife, his neighbour Amy visits to give him support. This is followed by a series of unexplained events, with paranormal investigators who themselves fall prey to the events. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Jpeg image by Jo Goodberry designed to form the basis for a poster for 'The Living Room' by Clive David Lloyd Williams
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| Click here to read the script or Click here for more details. |
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| Love at Twilight [One-Act Play] by Bob Hammond |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 67 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy drama with a single (garden bench) setting. An extended version of the short play of the same name. |
| Synopsis | The residents and management at Glossop Hall care home are discomforted by single residents Clive and Liz firstly sharing a bed and then deciding to run off together. However, all become reconciled to it and enlightened to the possibilities open to them, even at their age. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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