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| Bunkers by Peter Lancaster Walker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Whilst there isn't a formal chorus, there is a party going on in one corner of the set, into which extras could be added. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act comedy play. Single set (indicative of a newspaper office). Written as a verbal comedy, but since one of the characters is accident-prone there is plenty of opportunity for development of a physical side. |
| Synopsis | Delphine has arranged a job at the newspaper where she works for her accident-prone flat-mate, Sally. Now the job of Foreign Correspondent is up for grabs and Sally has applied! Here comes Armageddon! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Burden of Proof by Ian Dixon Potter
New |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A tough one-act play which deals with issues of racism, homophobia and police corruption. Multiple settings, but can be achieved using furniture and lighting. |
| Synopsis | Detective Sergeant Dunderdale, a racist, corrupt police officer, is determined to convict Joseph Wade for a brutal double murder, but doesn't have any real evidence. He sees no problem in bending the rules in order to secure the conviction. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Busted by Kev Salter |
| Roles | Minimum Male roles = 5. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy on a single police station set. |
| Synopsis | You'd think working in a rural outback police station would be boring, but with a serial thief on the loose, these three cops get themselves mixed up in all sorts of trouble. Plus, their boiler's broken. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Cabbage Consortium by Jim Pinnock |
| Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single pub setting. |
| Synopsis | A disparate group of pub regulars join forces to develop Harry’s sure fire money making scheme involving the cabbage futures market. Things go well until the Russian Mafia get wind of the machinations and the consortium find themselves in difficulties with the gangsters. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Poster template, illustrated by Dale French, for 'The Cabbage Consortium' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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| Click here to read the script or Click here for more details. |
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| A Cabinet Meeting by Seán Lang |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. All characters are written as elderly men, but can be played by actors of any gender. |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | A small historical backwater provides the backdrop for a moving, compelling drama. One-act play in a single setting (a dining room used for a formal meeting). |
| Synopsis | The President of Poland and his cabinet fled to London after the Nazi occupation. Fifty years later, they are still living in exile, and holding regular meetings, despite having no control over what's going on in their homeland. Some of the ministers believe it is time to end it, but the senile President doesn’t want to move on. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Café Fear by Paul John Matthews |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | The producer's copy of this script contains suggestions for three pieces of intermission music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act play, with elements of tragicomedy and strong language. |
| Synopsis | Two newspaper reporters, Angela and Jim, are following up reports of an escaped patient from a local secure mental hospital. Stopping off at a café to ask directions, they are joined by Adriana, a prissy germaphobe and Roger, an annoying smart Alec. They soon realise that they have ended up in a very strange place. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Café Society by Colin Calvert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The characters are vaguely middle-aged (whatever that means). |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single cafe setting. A romantic comedy of an unexpected kind. Contains swearing. |
| Synopsis | Pauline is enjoying a long wait for her lunch in the rather run-down cafe that Luigi has inherited from his mother. When Patrick enters, she's not sure she wants to be disturbed, but they fall into an easy conversation - or so she thinks, until he disappears without any explanation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Caiaphas by Mike Sparks |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play which can be produced with minimal staging (so could easily be done within a church). |
| Synopsis | The events of the last few days of Holy Week are shown from the viewpoint of High Priest Caiaphas and his family. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Call To Duty by Nettie Baskcomb Brown
The original production won the Five Counties and Mercia division trophies and was a semi-finalist in 2014 All England Theatre Festival, winning adjudicator's award for excellence. |
| Roles | Minimum Male roles = 10. Minimum Female roles = 5. Minimum total with doubling = 16. Minimum total without doubling = 31. No chorus. |
| Run Time | Around 54 minutes. [Estimated!] |
| Music | None. |
| Style | Award winning One Act play for youth theatre with various (simple) settings. |
| Synopsis | Sam is bored by his school history and drama lessons about the First World War, but through his brother's console games, he learns more than he expected.
The play vividly brings to life the bravery of ordinary soldiers who fought in World War One by merging modern virtual war games with the shocking reality of the WW1 trenches and using comedy and tragedy to take actors and audiences on an emotional, thought provoking journey. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Camelot - The Knights of the Square Table by Richard Coleman
Performance by Hyde Little Theatre won the Greater Manchester Youth One Act Festival, 2014 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 19. Minimum total without doubling = 19. No chorus. Characters include various knights (one of whom is definitely female, and others who could well be) and a dragon. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A comic compilation of Camelot characters in a rhyming romp round the realm. |
| Synopsis | Camelot is under attack from the Black Knight - not only that, there's the dietary requirements of a dragon to take into consideration. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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