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| Cold Case by Barry Lambert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Written as 3M, 2F, but the waiter could easily become a waitress, with a few minor tweaks. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | Short, one-act comedy (with a crime drama lurking in the background). Single simple restaurant/bar setting. |
| Synopsis | Emma and Simon are celebrating their wedding anniversary in Tenerife when Emma recognises a man from a jewellery store robbery she investigated for the police thirty years ago. Tom was an employee at the store, but Emma always thought he knew more than he let on. She plucks up the courage to finally confront him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Collateral Damage by George J. Bryjak |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A one act-drama with a single setting of a car, which can be suggested and performed by the actors. Strong language, emotional adult content, US English. |
| Synopsis | A US Army captain returns from his second tour of duty in Afghanistan, and is met by his wife at the airport. During the drive home, the initial joy of this reunion is shattered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Colour of Love by Karen Ince |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act exploration of mental health issues. Single set with doorway. |
| Synopsis | Housewife Sarah is sometimes obsessed with spreading colour around the house, and sometimes can't get out of bed for days on end. These mood swings are a source of distress for husband John and daughter Laura. John's refusal to admit his wife needs help has led to Laura developing coping mechanisms that may be just as unhealthy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Comedy of Errors [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 19. No chorus. Speaking roles - 4M, 4F, 8 either, plus at least 3 non-speaking townspeople. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'The Comedy of Errors', with every word remaining Shakespeare's.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Antipholus of Syracuse has come to Ephesus with his servant, Dromio. Unknown to them, their identical twin brothers, also called Antipholus and Dromio, have been living in Ephesus for many years. There is a heap of comic confusion until their true identities are at last revealed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Connection by Graham Jones |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play. Not so much a whodunnit as a 'what on earth is going on'? As it morphs from a comedy of mistaken identity to thriller and back. Single (simple office) set. |
| Synopsis | Five strangers, with five very different problems, are called to a certain office to meet Mr Hargreaves... But he isn't there! Is there a more sinister reason for them being locked in together? Can they find out what connects them? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Consequences by Duncan Battman
Production by CHADS won the Best Senior Production award at the Wilmslow One-Act Festival, 2017 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single interior set. A very theatrical presentation, without being melodramatic. Contains unsavory language (and murder, and policemen). |
| Synopsis | A young policeman and his older sergeant discover a dead body, along with a letter that casts new light on a long closed case. A case that the sergeant worked on a young PC, which may have resulted in the wrong man being jailed and dying in prison. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Consulting an Ancient Doctor by Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short educational scenes. The narration is in English and the dialogue in Latin. Suitable for Latin classes and assemblies. |
| Synopsis | A series of comic scenes set in Roman times in which an ancient doctor deals with various patients - in Latin. Narrators bind the scenes together, explain the Latin for those who need it, and provide some elementary background information on ancient medicine. The piece is designed as an educationally useful but recreational activity for Latin classes, and could make an entertaining Assembly or be interspersed with other pieces in an end-of-term show. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Controlling Interest by D.S. Warner |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. The characters are all young adults. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Single interior set (could easily be done as a 'black box' presentation). |
| Synopsis | Ryan brings his new girlfriend back to the house he shares with his university student friends, James and Charlotte, setting off a chain of events with, ultimately, tragic consequences. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Copperfield by Geoff Bamber |
| Roles | Minimum Male roles = 8. Minimum Female roles = 4. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy treatment of Dickens' David Copperfield. Multiple locations, but can be done with very simple sets. |
| Synopsis | David Copperfield's life takes a turn for the worse when his widowed mother takes up with the unscrupulous Mr Edward Murdstone. David is packed off to a nasty school and subsequently finds employment in Murdstone's factory. Employment is short-lived as David's friend and co-worker Mr Micawber is unjustly jailed for embezzlement and David seeks a new life with his eccentric Aunt. This lasts until her maid elopes with an old school friend of David's, and he sets off back to London on a rescue mission, during which he rediscovers Micawber and they find the true identity of the embezzler, and, indeed, a happy ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Corner's Last Case by Martin Ward |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy whodunnit in two short acts. (In length it's on the boundary between a one-act play and a full-length play.) Three remarkably similar office sets. |
| Synopsis | The legendary, brilliant Inspector Corner is not only up against the dastardly Butcher of Baker Street but also has to contend with his superior the mysterious Superintendent Marsha Mallow. This jolly ripping yarn sees the Inspector solve more than just the murder of Sir Newell Post as he comes up against the Russian Mafia in the shape of the Sodov brothers (one of whom is female). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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