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| Relationships in Progress by Carl Zeitler |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 17. No chorus. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of six short plays linked by a theme, intended to be performed together, with various simple settings. US English. |
| Synopsis | Relationships in Progress is made up of six short plays portraying various people in relationships we all can relate to: first dates, co-workers, spouses, siblings, and friendship. Whether fun and light, serious and deep, or some combination of those, the characters deal with their relationships with one another as well as the world around them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Resurrectionist by Robert Hunter Allan
Winner of the Edinburgh SCDA One Act Festival competition.Awarded the Edith Frobes Trophy (Edin. winner), The Eric Bennett Trophy for highest mark in production, the Bobby Watt Cup for stage presentation and the Eastern Division trophy - Jin Brown Trophy |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act dark comedy with four simple sets. |
| Synopsis | Mary Tyrell, the brains behind the bodysnatching activities of Burke and Hare in 19th Century Edinburgh, finds herself facing execution but manages to ensure that Burke and Hare take the blame. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Retail Therapy by Cherol Filbee |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (shop) setting. |
| Synopsis | A wife employs retail therapy to take sweet revenge on her serial cheating husband and his gold-digging mistress. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Return Of Lady Bracknell by Graham Jones |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. One of the female characters is intended to be doubled (hence there are seven roles for six people). |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, messing with theatre and reality. The action takes place on a rehearsal stage, so little required in the way of set. Contains very mild swearing. |
| Synopsis | It's two weeks to the production of 'The importance of being Earnest' and Rebecca has flu, so there's no one to play Lady Bracknell. Except... this strange lady, dressed for the part, who knows all the lines and stays in character all the time... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Rhyme for Reason by Madeline A. Stringer |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (living room) setting. Some strong language. |
| Synopsis | Carrie is coping with caring not only for her gently demented mother but also for two teenage children and a useless husband. Her daily grind is brought to life and all ends in harmony as everyone starts to pull together. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Rhyming Diary Of Mrs Pepys by Carolyn Kain |
| Roles | Minimum Male roles = 2. Minimum Female roles = 7. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 52 minutes. [Estimated!] Original production ran to 70 minutes with suggested music. |
| Music | The producer's copy of the script contains suggestions for seven intermission pieces. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A rhyming historical comedy (lots of period detail and lots of laughs). Structurally in two acts, but possible to stage as a one-act in the sense of half an evening's entertainment. |
| Synopsis | Mrs Pepys takes her husband’s famous diary and reveals the legacy of King Charles II's womanising. The rivalries of his numerous mistresses are depicted with historical accuracy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Rhyming Treasure Island by Richard Coleman |
| Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 14. Minimum total without doubling = 14. Chorus. More major female roles than the original tale. (It should be noted that female pirates were not unknown!) There is a chorus of three pirates which could be expanded to as many pirates are aboard your ship. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Rhyming comedy (with some of the characteristics of a British panto). |
| Synopsis | Robert Louis Stevenson's classic tale of buried treasure adapted for the stage as a verse play. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Right on Cue by Barry Lambert |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Roles are written as 2 male, 2 female, but all could be played as either. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (police office) setting. |
| Synopsis | The Battersea Batterer is causing havoc for the understaffed local CID as he goes around the neighbourhood hitting people over the head with a billiard cue. The police are snookered at first but are assisted by a psychological profiler in solving the case. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Robin Hood and the King's Bling by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 16. Minimum total without doubling = 20. No chorus. There is no formal chorus, but it would be possible to add villagers and sheriff's guards. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy play for kids. Structurally in two acts, but of one-act length. Simple (minimal) sets (give or take the tree), and simple props (give or take the tree stumps). |
| Synopsis | Robin Hood's mission statement - Steal from the Rich, Give to the Poor - is wearing thin with the local villagers who haven't seen much of him doing either. The arrival in the area of King John, complete with a box of royal jewels and an underhand plan for them, presents Robin and his outlaw band with a chance to redeem themselves. Unfortunately for Robin, his arch-enemy, the brutal Sheriff of Nottingham, stands in his way. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Romantic Legend of Don Quixote - A Knight to Remember by Geoff Bamber |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. Don Quixote's servant is normally male (Sancho Panza), but here is written female (Sancha Panza), though could be played by either. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-Act comedy (verbal and physical). Single set. Written for a company of adults, but could be played by teenagers. |
| Synopsis | When the penniless nobleman Don Quixote arrives in the town of Guadalcar he falls in love with the beautiful daughter of Don Alvaro and Donna Madeleina, the town's rulers. Unfortunately Don Quixote doesn't fit their idea of a suitable match for their daughter and Don Quixote has to complete seven tasks to prove himself. Fortunately he has help from Sancha, his servant, Romana, a fortune teller, and Gonzalo, an artist with questionable honesty, who make up for Quixote's distinct lack of bravery and imagination! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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