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| Towards the Light by Judith Ezekiel |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 26 minutes. [Estimated!] |
| Music | One popular song suggested for diegetic use throughout the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act supernatural drama on a single set. |
| Synopsis | Twenty-year old Neil has given Poppy, a teenage runaway, shelter in his London flat. But Poppy senses the ghostly presence of a previous tenant and calls in a medium to exorcise the property. No-one quite realises the potency of Letitia, a heartbroken older spirit seeking reconciliation with her long-lost daughter. Love, laughter and dance bring in a final understanding between the two worlds and herald optimism for the future. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Train Ride Away by Frank Gibbons
Performance by Aiken High won The Garcia Theater Project, North Augusta 2010. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 10. Chorus. Characters are mainly adults with one young child. Could all be played by children. The chorus is optional, but there are several scenes where crowds would create atmosphere. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Intended to have figurative sets (possibly just lighting transitions), rather than realistic depictions of the locations. Props could be real or indicated by mime. Includes mild swearing. |
| Synopsis | The story of a family of Hungarian Jews being transported to Auschwitz-Birkenau in the holocaust of 1944. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Traitors, Cads & Cowards by Martin McNamara |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, though performing groups may wish to add an interval. Single prison cell setting, and some strong language. |
| Synopsis | During the Great War, an army deserter, a conscientious objector and an IRA soldier share a cell. They play out their respective journeys to prison and relate the horrors of the period. Liam, an Irish rebel arrested after the Easter Rising in Dublin, has been transported to the military wing of London's Wandsworth Prison for questioning. He is bunked in with Alfred, a shell-shocked veteran of the trenches up on desertion charges. Their other cell mate is Henry, conscientious objector, court martialed for refusing his call up papers. Can three very different 'Traitors to the King' find common ground? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Transfusion by Daniel Taylor-Brown |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama - adult themes, with various settings - compound set suitable. |
| Synopsis | Terminally ill Carol is being cared for at home by her trainee-nurse son, Ben. Their very close relationship stands up to the stresses and strains involved and they are also able to help Ben's boyfriend Max deal with his homophobic parents. Ultimately Ben has to take drastic steps to give Carol an optimistic future. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tremayne's Folly by John Garforth |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Three adult males, three females and a thirteen-year-old boy. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | None. |
| Style | A witty period script with some well-crafted characters. A single coastal setting. |
| Synopsis | In 1803, former soldier Parsons has taken up residence as the official hermit of Lord Tremayne's estate. But this simple life is threatened when he gets caught up in the extra-marital affairs of Sir William Pitt, and a dead Frenchman washes up on the beach. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Trick Or Treat [One-Act Play] by Ron Asher |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a simple set. US English. Adult content. |
| Synopsis | Tom reluctantly lets in a late trick-or-treater on Halloween. Felix is after more than candy, however, and Tom isn’t sure he’s ready. If Felix does intend to stay with Tom, there’ll be a price to pay, whether Felix wants to or not. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tricksilver by Rob Burbidge |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play based on a story by O. Henry - a tale of trickery and double-crossing. Two sets (or one composite set) plus front-of-curtain scene at a railway station. |
| Synopsis | As the twentieth century dawns, the United States of America is the land of opportunity. There are plenty of ways to make a quick buck, but the quickest and biggest bucks are made by the scam artists. Having a conscience is a bit of a handicap for confidence trickster Jeff Peters. He decides against the advice of his business partner to include a real woman in his marriage agency scam. Will he find out that women are the honest sex, or will he discover that a woman can be the equal of a man in dishonesty? Will he break the habit of a lifetime, and trust a bank? In this tale of cross and double-cross, who gets the loot? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Trifle Unwell by Jane Lockyer Willis |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set. Difficult to categorise, but plenty of scope for characterisation. Contains mild swearing. |
| Synopsis | Jo's hiding from the rest of the party out on the stairs, but she's disturbed by Flora, who's escaping with the trifle. The pair meet Phil, who shouldn't really be there and then the hostess comes along to ask some searching questions. A light drama with added custard and sherry. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Truth and Reconciliation by Cassandra Newman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | Emotionally-charged one-act drama set in a basement office. |
| Synopsis | Anita has come to the Baltimore Truth and Reconciliation Commission to tell the story of her son's death, only to find one of the people there to record her statement witnessed the death. The three characters struggle to find a path to peace and forgiveness in the aftermath of violence and fear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Truth Will Out by Lin Robinson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a compound (living room/rooftop) set. |
| Synopsis | Jack and his girlfriend Emma have just moved into their new student flat. Some friends arrive for an unexpected housewarming, and soon some deeply hidden secrets are brought out into the light. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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