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| Late Again by Bob Heather |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 13 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with a single (sitting room) setting. |
| Synopsis | Angela is annoyed when husband Richard is constantly late home from work. This time though it is a motorway pile-up which has detained him. Angela is devastated when a stranger comes to call for Richard. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Laura by Jonathan Edgington
A winning entry in the Chesil Theatre's 10x10 play writing competition, 2016. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A short play |
| Synopsis | A chance discovery in a second hand record store reveals the truth about a lost love. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Legion by Jonathan Edgington
Selected for and performed at the Pensive Federation Theatre Company's 2016 Collective Project Playwriting Festival at the Tristan Bates Theatre in London. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | The script includes one moment where characters dance, and the producer's copy suggests a song to be played at this point. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A dramatic sketch, suitable for a young adult company or youth theatre, with a single (railway platform) setting. Some strong language. |
| Synopsis | Thrown off the train for rowdy behaviour, a group of young friends are joined by a knowledgeable stranger who seems to be trying to 'recruit' them for an unknown purpose. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Let Me Finish! by Janet S. Tiger |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Short drama. |
| Synopsis | Liz is escorting her elderly father home after a hospital appointment. A debate about what to have for lunch turns into a shocking revelation about the family history. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Library by Shari Gledhill |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (library) setting. |
| Synopsis | Mature student Miranda is trying to catch up on her law assignment but is constantly distracted by Dan, a mysterious stranger. As their relationship develops over the library table, it becomes apparent that Dan knows more than first seemed, and then he claims to bring a message from Miranda’s dead husband. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lie Detector by Peter Yates |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Thorpe and Beaulieu are written male and female respectively. That could, at a pinch, be altered. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A neat sketch (a long skit, or a short play), with an excellent twist. Single very simple (interrogation room) set. |
| Synopsis | It's not easy finding the truth, and Miss Beaulieu (if that is her real name) isn't having an easy time of it. Mr Thorpe is running rings around her and her lie detector, making her wonder if she needs a holiday. And with lies, things are not what they seem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Little Cottage by Gerald P. Murphy |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute Irish folk tale. |
| Synopsis | The Doyle family have a perfect life, but then Margaret's parents move into their little cottage. They now feel crowded. Father Kelly's advice is to make the cottage even more crowded and has Dennis Doyle bring in goats and chickens, which make matters even worse. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Live by Robin Fusco |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A ten-minute play set in an underground bunker. |
| Synopsis | A makeshift family must decide whether to die in the bunker they have called home or to embrace change and brave the outside world. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lost and Found by Mike Smith |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The characters are labeled 'boy' and 'girl' because they have to be called something. This does not imply anything about their ages. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Very short play, structured in two acts (because there are definitely two phases to the action - with and without suitcase), but actually a bare stage or front-of-curtain script. Very snappy dialogue. Contains mild bad language. |
| Synopsis | Someone has lost a suitcase, and someone has found a suitcase. The pair meet up, trying to determine if the suitcase found is the same as the suitcase lost, despite mutual suspicion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Lottery Ticket by Anton Chekhov, adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play, adapted from a short story by Anton Chekhov. Single set, simple props (give or take a period telephone). |
| Synopsis | Sylvia's lottery ticket matches the published part of the winning number. A single phone call well tell her of success or failure, but meanwhile she and her husband contemplate what might happen if she has won... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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