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| The Bags Of A Commercial Traveller by John Chambers |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play for a cast of two middle-aged ladies. Contains mild swearing. |
| Synopsis | Two women arrive for the funeral of a travelling salesman. One was his wife, the other was his mistress. After each realises who the other is, they exchange a few terse words, then come to realise they have more in common than just one man. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Baking Bread by Ashley Harris
Best Seller Finalist in the Cambridge Theatre Challenge (International play-writing competition) 2014 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act drama with a single (park bench) set. |
| Synopsis | Bella is back at the bench by the lake, ready to feed the ducks. Before long John arrives and she can share the bread with him. But all is not as it seems, and soon Robin is there to tell Bella it's time to come home. It is a short, but emotive story. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Bank Holiday Mondays and Other Ways to Kill a Marriage by Lorraine Forrest-Turner |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A short two handed play, containing swearing. |
| Synopsis | Pippa and Jake are stranded in a traffic jam on their way home from Jake's parents' house. Worse, they don't have the bag with the baby things for little Josh. He's asleep for now, but surely things couldn't get worse? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Bears Don't Cry by Charles Alverson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. The characters are a six-year-old girl (who might be played by any age!), a bear, a lion and two off-stage voices. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A charming short play for an audience of children with five woodland scenes and a theme of friendship. (The script might be performed by kids or by adults or by a mix!) |
| Synopsis | Young girl Shanni, separated from her bear hunter Daddy, is lost in the woods. She is befriended and cared for by Bear and a touching and deep friendship develops between the pair.
[Our editor wished to stress that this script is not a reliable guide to the behaviour of ursines.] |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Behind Closed Doors by Iris Winston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen minute play. Single set (three separate apartments, but could be done in a minimal way). |
| Synopsis | Michael is trying to get some Christmas commitment from his lover, Harry is waiting for his son to collect him for their meal, and Herta just wants her daughter to phone. Three lonely Christmasses along the same corridor. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Bench Mark 2 by Emma Wise |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play with a single (park bench) setting. |
| Synopsis | A man and a woman conduct an increasingly tense enigmatic conversation on a park bench, culminating in an abrupt, shocking ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Best Served Cold by Alan Robinson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Reginald is described as being in his twilight years and should give the impression of being - how shall we put this? - well padded. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play for a gastronome. Set simply a table, chair and napkin. |
| Synopsis | In this bitter sweet monologue we have all the ingredients of an enthralling menu with a delicious twist for dessert. As food critic Reginald assesses another average meal, something has left a bad taste in his mouth - a taste that triggers memories of a sweet love, a bitter betrayal and a sour revenge. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Body Confident by E. C. Chapman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short dramatic monologue, with no set requirements (assuming that a pilates mat counts as a prop rather than set). |
| Synopsis | Caroline, a Pilates teacher, attempts to counter ugly rumours which threaten to destroy her reputation and luxury lifestyle. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Bright - A Play About Heaven by David Webb |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play with a Christian theme delivered in a direct style. No specific set - requires only a bench. |
| Synopsis | A man suffering after his second heart attack meets a friend in a beautiful garden, where the air makes him feel better than the doctors have managed. Then he remembers that friend was badly hurt in an accident and begins to realise where he is. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Can We Stop It There? by Trevor Suthers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play/sketch. Bare stage set (could even be done front of tabs). Contains some swearing. |
| Synopsis | A play about a director directing a play about a director directing a play about a director directing a play about... er... well, that's not important really. Can I try that again from my cue? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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