|
| Keeping It Clean [Monologue] by Gill Medway |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy-drama - a prose monologue - with a minimal set. |
| Synopsis | Cleaner Violet tells the tale of her client Miss Gresham who clearly is not as innocent or as prim and proper as she appears but the lascivious goings on next door are not what they seem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Keeping it Clean [Three-hander] by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and an offstage female voice. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy-drama with a minimal set. |
| Synopsis | Cleaner Violet has a new client, Miss Gresham, who is clearly not as innocent or as prim and proper as she appears, but the lascivious goings on next door are not what they seem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Kit Kat Man by James Addis |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | An efficient spy drama - like a compact Le Carré. Realistic dialogue leading to a surprising but well-planted twist.
Simple set - another chance to wheel-out the park bench. |
| Synopsis | Moscow, near the end of the Cold War. Paula Wilson seeks to coax the defector Gerald Soames back to Britain, ostensibly as a means of undermining the intelligence Soames has given to the Soviets. In reality, her motives are more sinister. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Knock by Elisabeth Marrion |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | Dramatic monologue. |
| Synopsis | Alma Zenick moved from Germany to England in the 1870s to work as a furrier. Decades later, in the first year of World War One, she awaits news of her sixth son. The other five have died in action, and she dreads receiving bad news about her last boy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Last Birthday Party by Susie Casson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. All four characters are written female - a mother and her three adult daughters - but any could be changed to male with appropriate tweaks to the text. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A strong dramatic sketch with themes of grief, memories and mother-child relationships, which offers an opportunity for four actors to show some emotional range. Minimal set. |
| Synopsis | Jo, Chris and Sam are in the attic, sorting out the last box of their Mum's possessions on what would have been her birthday. They can’t figure out why she kept that strange old toby jug. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Last Duchess by Iris Winston
Won first prize in the Ottawa Little Theatre National Playwriting Competition. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short stage adaptation of Robert Browning's poem, My Last Duchess. |
| Synopsis | The spirit of a murdered wife steps from her portrait to try and warn the next fiancée of the fate that awaits her. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Last Thing On His Mind by Mike Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two elderly men and a cameo female nurse. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute (or so) play. Single set - a couple of chairs and a table to indicate the terrace of a retirement home. A wonderful piece of writing which, very indirectly, says a lot about the characters. Contains swearing. |
| Synopsis | Sitting in the sun outside his nursing home, Mr James is consumed by the memory of sex with a woman he can't remember the name of. His companion wishes he would change the subject, but Mr James chases the thought around and around. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Late Again by Bob Heather |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 13 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with a single (sitting room) setting. |
| Synopsis | Angela is annoyed when husband Richard is constantly late home from work. This time though it is a motorway pile-up which has detained him. Angela is devastated when a stranger comes to call for Richard. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Laura by Jonathan Edgington
A winning entry in the Chesil Theatre's 10x10 play writing competition, 2016. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A short play |
| Synopsis | A chance discovery in a second hand record store reveals the truth about a lost love. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Lie Detector by Peter Yates |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Thorpe and Beaulieu are written male and female respectively. That could, at a pinch, be altered. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A neat sketch (a long skit, or a short play), with an excellent twist. Single very simple (interrogation room) set. |
| Synopsis | It's not easy finding the truth, and Miss Beaulieu (if that is her real name) isn't having an easy time of it. Mr Thorpe is running rings around her and her lie detector, making her wonder if she needs a holiday. And with lies, things are not what they seem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|