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| Connie's Kitchen by Maureen Speller |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (kitchen) setting. |
| Synopsis | Connie has lived in the same house since World War Two and has no intention of passing it on to unsuitable occupants, even if it means coming back to haunt the kitchen. Exchanges between a harassed estate agent and Connie’s ghost make for confusion all round. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Corner Property by Iris Winston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. All three characters are written male. The character with the pack would be the easiest to change. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play. Single set (with no requirements - could easily be played front-of-curtain. Contains swearing. |
| Synopsis | Joe and Peter, two former soldiers, beg for change on a street corner and watch the world pass them by - whilst underneath, there's a power struggle going on. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Covered by Rachel Ihasz |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | Short play featuring three teenage girls in a single woodland camp setting. |
| Synopsis | Three friends are sharing their monthly camping trip but Trace feels left out. When Erin leaves, she confronts her old friend Marcy but learns more than she was prepared for. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Crime by Janet S. Tiger |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Christine is written female, but could become a male Chris at the discretion of a production |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama consisting of three connected monologues. |
| Synopsis | Three people talk about their connections to the same killings. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Daily Habits Mask Pain by Mildred Inez Lewis
Finalist in the Sky Blue Theatre International play-writing competition, 2013 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play with a single (living room) set. |
| Synopsis | Greta and Harry struggle with their differing feelings about their jailed son and his heinous crime. Their daily routines help them through their pain and help re-establish their fractured relationship. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dance Before Dark by Karen Ankers |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 19 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act drama with a single, simple setting. |
| Synopsis | In a future world Anna has been imprisoned in solitary confinement for insisting that because of human abuse of the planet the world will end when the last leaf falls. Against regulations Robert, her guard, engages in conversation with her and they soon realise that they have more in common than they thought. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Daniel and the Lion's Den by Connie Scott |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | A short rhyming play with minimal set requirements. Suitable for schools and youth theatre. |
| Synopsis | The classic Old Testament story of Daniel is updated to make him a football and media star, thrown to the 'lions' of a hostile press by scheming politicians. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Date by Franco Ambriz |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Filomena may be dead, but she has a speaking part! |
| Run Time | Around 15 minutes. [Estimated!] First staged reading ran to 25 minutes. |
| Music | None. |
| Style | A powerful, intriguing, American one act drama with a single (apartment room) set. Some strong, but appropriate language. |
| Synopsis | A psychological drama digging into a family's past and its effect on their present. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Dating by Jonathan Edgington
A winning entry in the Chesil Theatre's 10x10 playwriting competition, 2010. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play. Single (minimal set representing a corner of a wine bar). Lots of character work built from a very short script. |
| Synopsis | Eve and her friend Hope are comparing war stories of dating, even though Hope already has her man sorted. Just as Eve seems to have given up, she literally runs into Peter, an associate of her ex-husband. But is he too good to be true? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dawn of Remembrance by Damian Woods |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A nicely written single-set short with a good handle on the tragedies of war and how they affect the mind. |
| Synopsis | Two soldiers in France, during World War 2, discuss what they have been through and what they miss about home, ruminating on how war has changed them forever. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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