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| Notice How Young I Look by Gerald P. Murphy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch. |
| Synopsis | A blind date turns into a commercial endorsement. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Oh Frabjous Day by Maeve Edwards |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama on a simple set. |
| Synopsis | Emma visits her ex Mark in a hospice to tell him she had his baby when she was eighteen and kept it a secret from him. The girl, Alice, had been adopted but has now come looking for her biological parents. Mark, whose life could possibly be saved if a bone marrow donor is found, is angry at Emma’s deceit, not getting the significance that Alice could possibly be his saviour. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| On A Street Corner by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The characters are 'Man, Boy and Girl' with an implication of relative ages, but not absolute ages! |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute play. Single set (representing a street corner, but no real set requirements). |
| Synopsis | Street corner preaching meets the Da Vinci code in a brief examination of religious truth and meaning. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One, Two... One by Alexis Coward |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act drama |
| Synopsis | Two homeless people are sleeping rough in an alleyway. They pass the time in conversation which becomes ever more intimate and emotional. Their relationship comes to an abrupt end when the immense value of their meagre possessions is brought to life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Out Of Print by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short two-hander drama with a simple living room set. |
| Synopsis | Erica Brightman was once a famous children’s author, and her books, The Adventures of the Lucky Sevens, once graced library shelves across the country. Now that her books are out of print, she is shown the door by suspicious librarians, and takes sanctuary with her imaginary young listeners. But all is not lost. Her last surviving fan, Colin Chadwell, is busy writing her a letter that she will never forget. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Over the Top by Geoff Parker |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short drama set in a First World War trench. |
| Synopsis | As a seasoned sergeant and a young recruit wait for the signal to go over the top they console each other about the position they are in. A sharp reminder of the folly of war with a very surprising ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Oxford English Destiny by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short prose monologue - charm and pathos rather than outright comedy. |
| Synopsis | Elderly Robert reminisces about a 'funny old game' he’s played on and off throughout his life, in which a word chosen at random from the dictionary determines one's destiny. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Parallelodram by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play providing acting challenges and philosophical insight! |
| Synopsis | The stage is divided into two parallel universes, the left reflecting the right. On both sides, four students discuss multiverse theory and, through a series of minor choices and actions, the two universes gradually diverge, affecting the relationship of mathemetician Rainier and his girlfriend Anna. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Peterloo Principle by William Campbell |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with minimal set requirements. |
| Synopsis | A manager is having trouble seeing past the firm’s regulations when it comes to a friend’s problems, so she takes him back to the Peterloo massacre in 1819 to give him some perspective. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Pilot's Thoughts at the End of the War by Philippa Roberts |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Whilst this is a monologue, there is an option for a group of mournful dancers. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Five minute serious monologue with no set or prop requirements. |
| Synopsis | The war in question is the Second World War, and the pilot is regretting participating in the bombing of Dresden. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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