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| Well-Read by Keith Badham |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A short play, set in the reference section of a library. |
| Synopsis | Bethany is in the library and trying to study, but Jason seems determined to engage her in conversation. Worse still, she's studying Shakespeare, to Jason's disgust. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| What A Way To Go! by Robert Black |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | A sketch for two men, with a simple set. |
| Synopsis | Two men are lost while orienteering. It turns out the one with the map is not quite as experience as he claimed, and it might be a long walk home... If they can find it. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| What Becomes of the Broken Hearted? by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short, biiter-sweet piece for a cast of one. No set, but a few simple props. |
| Synopsis | Anne is in her sixties and talking about how she coped with suddenly becoming single again. She's not letting a second man leaving her for another woman get her down, she's picking herself up and living life for herself. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| When Life Hands You Lemons by Kate Phimy |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. A mother and her teenage daughter. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | Short play. Single domestic setting (which need not be elaborate, but does involve a Christmas tree). Contains very mild swearing. |
| Synopsis | Chloe isn't that interested in decorating the tree this year, but her Mum is determined that they'll do things just as they always have. Chloe has a better idea for this year, though. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| When The Hurly-Burly's Done by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Male cameo - offstage voice - could be pre-recorded. |
| Run Time | Around 17 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedic play, with a 'blasted heath' setting. |
| Synopsis | Three very familiar hags are gathered around a cauldron on a blasted heath, but a certain Thane is running late. The ladies discuss their options and possible plans, before finally getting down to the business of the night. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| White Knight by P. B. Stenson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | An engaging horror drama which playfully explores the theme of gender-based assumptions. Some nicely written dialogue with an edge of dark comedy. |
| Synopsis | Ash is walking home from the pub when he passes a woman, Christina, sitting alone. He stops to check she is alright, but his assumptions about her are way off. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Windmills and Millstones by Louise Wade |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage characters and the offstage voice of their author. |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Short play, exploring the life of fictional characters in the great maybe - before they have been committed to the page. Contains mild swearing. |
| Synopsis | Three characters wait in the mind of an author who has abandoned their stories. They are joined by a new character who doesn't know her name or story. They try to prepare her for her new existence, not knowing she knows more than she's telling. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Yes, but how was the play, Mrs Lincoln? by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Philosophical argument, set in a scrap yard! Single simple set. |
| Synopsis | Does happiness come from going out and getting experiences or from appreciating what you have? (Or, come to that, from finding a distributor for a 1985 Ford Fiesta?) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You Should Have Told Me by Iris Winston |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Could be played by a mixed-age group or as a youth theatre piece. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A fifteen-minute drama for young audiences. (An issue-driven piece which might be used as a lead-in to classroom discusisons.) |
| Synopsis | Teri is excited at the prospect of being a bridesmaid at her aunt's wedding. Joy turns to misery when she finds out that she is adopted and learns the truth about her relationship to the bride. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| You'll Suit Just Fine [Short Version] by Cheryl Barrett |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy play, set in a tailor's shop. |
| Synopsis | Kevin is in training, but he's not quite up to speed yet. A difficult customer wants to return a suit so Mr Green, the owner, has to step in to save the day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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