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| Get to Dance by Frank Gibbons |
| Roles | Minimum Male roles = 0. Minimum Female roles = 8. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. The characters are 7 female youth actor-dancers (playing ages 14-16) and one 1 adult female actor (playing age aroung 50) |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for a youth-theatre company. |
| Synopsis | A window in to the lives of the members of a dance academy and their 'welcome' for new member Georgina, an overweight teenager who has decided to try dancing as a last resort in her determination to overcome her weight problem. This one act play deals with bullying in all of its forms with humour, music, dance and pathos as Georgina's journey progresses to its uplifting conclusion. Along the way her stoic strength of character enables her to peel away repressed emotions in others and helps them to come to terms with their own difficulties. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Ghost Of Sandy O'Grady by Richard Hills |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 53 minutes. [Estimated!] |
| Music | None. |
| Style | A ghostly one act drama with a single setting. |
| Synopsis | Ten years on from the disappearance of Sandy O'Grady, Toby is convinced that his ghost will return to his cottage each year on the anniversary of his death. Toby locks all windows and doors and remains indoors every 19 January, although this year the arrival of a stranded young married couple throw Toby’s routine into disarray. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Girls Are Back in Town by Jonathan Edgington |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 53 minutes. [Estimated!] |
| Music | One public domain song is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act drama set in both the present day and WW1. Seven different settings, though all can be portrayed with minimal furniture. |
| Synopsis | Four iconic suffragettes are mysteriously transported to modern-day London to finish what they started. 100 years earlier, as Alan learns the horrors of life on the Western Front, his girlfriend Beatrice carries out important work for the suffragettes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Glitz by Damian Woods |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama on a single theatre dressing room set. |
| Synopsis | When a former Hollywood star attempts a stage combeack, the young reporter sent to interview her finds the actress determined to put things right with the family she left behind in pursuit of fame and fortune. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Good For Something by George Freek |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Both in their seventies |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A short, one act play, set in a center for the retired. |
| Synopsis | Lizzie and Max meet regularly for a game of checkers during which they come closer together and are able to confide in and advise each other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Good Man by Megan Ott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, set in 1930s New England, with various settings. |
| Synopsis | Katherine and her husband Robert are apprehensive about the forthcoming visit of Katherine's sister Margaret, who has a psychological problem which may cause difficulties for them. Tension rises inexorably - as their worst fears are met. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Good Old Days? by Liz Dobson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Care Home manager can be m or f. |
| Run Time | Around 31 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a single, Care Home lounge, setting. |
| Synopsis | Based on actual events, we see care home resident Ada relate her personal history to the rather flippant young cub reporter Claire, who at first is there on sufferance. As Ada's tragic story enfolds, Claire becomes increasingly interested and empathetic, and realises that her naïve impression of the old days belies the inherent prejudices which existed to shape and ruin people's lives. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Grace - A Monologue by Frank Flynn |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act monologue. Single domestic set (which can be implied rather than fully built). Written in Canadian English. |
| Synopsis | Grace is sorting through the detritus of her life, and holds a rambling conversation with the audience about the people and places she has known. We finally come round with her to the realisation that her husband has died and she is packing up the house ready to sell. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Guernica Goodbye by William Campbell
A production by Progress Theatre won three awards at the Henley-on-Thames Drama Festival, including best production. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, with an imaginative living room set. |
| Synopsis | A powerful drama - in which Spanish refugees from the Guernica bombings, having settled in Chartres, find themselves once again embroiled in further conflict against Fascists. War torn France has been liberated, and recriminations and revenge are already setting in. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hansel and Gretel... and Sadie by Steven Stack |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play, with an imaginative twist to the classic tale. A companion (same style, different tale) to Ted (Of Edible Houses, Risky Bargains, and Other Grimm Happenings) |
| Synopsis | A quirky take on a classic tale. Hansel and Gretel have another child living with them - Sadie, who loves to read. This comes in handy when the children are taken deep into the forest and abandoned by the parents... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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