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| Silas Marner by George Eliot adapted by Gerald P. Murphy |
| Roles | Minimum Male roles = 10. Minimum Female roles = 8. Minimum total with doubling = 18. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act historical drama, adapted from George Eliot's novel of the same name. A serious play, with a moral |
| Synopsis | Silas Marner has been cast out by his home community and has moved to Raveloe. He continues his weaving business, but becomes a recluse and a miser. His life is changed by two events - the theft of his fortune and the arrival on his doorstep of a foundling whom he names Eppie. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Silver Linings by Bob Hammond |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 23 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama with a single (clifftop bench) setting. |
| Synopsis | A young man has had an argument with his girlfriend and has spent the night on a bench. The old tramp who usually uses the bench, in a fatherly fashion, draws out the difficulties the young man has had throughout his life and identifies a silver lining for himself. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Single Moment by Tony Domaille
Runner up UK Community Drama Festivals Federation Geoffrey Whitworth competition for Best Original Script, 2015 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 29 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a single (Betting Shop) setting. Part I of the author's 'Changes' trilogy. |
| Synopsis | Danny's gambling has finally brought him to rock bottom. He has lost everything and now finds himself in the bookmaker’s shop learning lessons from a bag lady and a bookmaker. Whilst salvation is offered from surprising sources, it is a single moment that saves him when his most unlikely bet is won because on 5th June 2009 snow fell across parts of the UK. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Sitting Pretty by Paul Bovino |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. A couple and their recently-married daughter. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Drama (with elements of romantic comedy). One act in length, two acts in structure. Single New York apartment set. Contains swearing (and marriage). |
| Synopsis | A crisis for their newly-married daughter causes a couple to rediscover themselves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Sixpenny War by Allan Williams |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama set during World War Two in the staff restroom of a Woolworths store in London. |
| Synopsis | The horror of war (and the specific horros of the Second World War), seen through the eyes of a group of girls working at Woolworths each one of whom is personally affected, is dramatically evoked using contemporary political speeches as a background for the girls' experiences. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sleeping With Beauty by Stuart Ardern (devised by YT2) |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 23. Chorus. A small number of roles are written to be doubled, but otherwise the casting is very flexible. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Drama for the senior echelons of a youth theatre company. Multiple settings but done with just a single piece of furniture - a bed. Contains disturbing themes. |
| Synopsis | Rebelling against her secure upbringing, Mel suffers a major trauma. How will this affect her daughter's life?
A dark exploration of destiny as fairytale collides with modern life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Sleepover Secrets by Tony Domaille
Plockton Amdram Youth Society - Intermediate section trophy winner Scottish Community Drama Association one act play youth festival, Highlands 2018. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 5. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. One character is an offstage female voice. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama for youth theatre with a single (bedroom) setting. |
| Synopsis | Five sixteen-year-old girls are having a sleepover when they decide to share their most closely guarded secrets. Who has the biggest secret and who will believe whom? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Small Talk by Martin Ward |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 32 minutes. [Estimated!] |
| Music | One song suggested, to be played at rise. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act drama with a single (living room) setting. |
| Synopsis | Mark has invited Ian to his flat for a drink, but Ian doesn’t know why. In fact, they went to the same school twenty years before, and Ian was a bully who made Mark's life a misery. Now Mark has plans to gain revenge. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Smell of Almonds by Nigel Holloway |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. One (gender non-specific) character is an offstage voice only. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama with no set necessary, using cyclorama effects. |
| Synopsis | A play charting the dark and unexpected secrets which hide behind the disjointed memories and imaginings of an old man and his cat. Set during the Second World War, the play tells the story of Yitzhak, a migrant Jewish worker in the bulb fields near Amsterdam, his cat, Pushka, his son, Ibrahim, and his wife, Esther. Despite the apparently placid exterior of a man in the Autumn of his life, Yitzhak’s past has been dominated by violent and tragic events, both internal and external. What is the true nature of justice, and the price of survival? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Smell of Burnt Feathers by Paul Gisby
Winner of the 1999 Royal Mail 'Write Now' play award.
Production by Penrhos Players won Best Drama in the Hale One-Act-Play festival, 2012. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The two characters are adult sisters of a similar age (assumed mid-thirties). |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Contemporary realism. One-act play, single modern set, simple props. (Contains swearing.) |
| Synopsis | Oriole is events manager for an important conference, and her detailed plans didn't involve the arrival of her sister Jenny, fresh from their father's funeral. However, Oriole has some surprises in store for Jenny. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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