|
Don't Look Back by Liz Dobson |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 55 minutes. [Estimated!] |
Music | None. |
Style | A drama of one-act play length (though structurally it's in three acts). Single domestic set. |
Synopsis | A young couple, John and Suzan, stranded in a remote village cut off from the outside world by blizzards are given warm hospitality in her charming little cottage by seemingly kind old lady, Mrs Latham. It is gradually revealed that, in the past, her cottage was the scene of an unsolved murder in which she may have been involved and that intriguingly Suzan bears an uncanny resemblance to the victim. This gives the play the germ of a Gothic feel and sets the scene for an exciting, at times gripping and ultimately heart-warming tale. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Don't Mention the Dream by Damian Trasler |
Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act play. Single set, modern realism, character, explores approaches to staging Shakespeare. Contains mild swearing. |
Synopsis | It's the annual meeting of the Drama Society, but they're a bit thin on the ground this year. Will Russell get his way and produce a period 'A Midsummer Night's Dream' or will Lucy put a spanner in the works? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Click here to read the script or Click here for more details. |
|
|
The Dreaming by Richard James Performance by Maidenhead Drama Guild won Best Play and Best Actor at the Henley Drama Festival, 2017. |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The characters are written male, but could be either. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act play, suitable for a bare stage presentation. |
Synopsis | Two men find themselves in a featureless room, with no memory of how they arrived there, or even who they are. Their only clues come from scraps of paper on the floor, that seem to mirror words they have spoken. Can it be true that they're just characters in an unwritten play? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Feedback | Click here to find out what other customers said about this script. |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
|
|
Duffy's Law by Louise Wade |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. The intention is for adults to play the adult characters and also their younger selves. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act drama, an exploration of childhood relationships and their adult echoes. Minimal set - various locations created with just a few stage blocks. |
Synopsis | Tom and Duffy have been friends since childhood, with Duffy taking the role of Sherriff to Tom's Deputy. Tom used to be the Outlaw, until a girl called Poppy joined their game one day... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Eleven Fifty-Six by Michael Pearcy |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 38 minutes. [Estimated!] |
Music | None. |
Style | One-act play (somewhere between drama and thriller) with a single sparse set. |
Synopsis | Nathan seems certain to remain in the hospital - found wandering naked and confused, he has no records, no identity, no money. Dr Caulfield thinks he's deluded, but there's something compelling about his claim to be a time traveller. Then there's his urgent desire to leave London... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The Emperor's Last Victory by Vithal Rajan |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. The characters are Ramanujan Varadachary, an old Indian story-teller - a sutradhari, as he is called in Indian drama tradition, an Indian museum curator, the Emperor Napoleon, Napoleon's Aide de camp and his wife. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A combination of Indian storytelling and chess! Simple props, but needs a means of displaying the chess moves to the audience. |
Synopsis | Game Two in the Varadachary Chess Cycle. Napoleon, exiled on St. Helena, uses a chess game with Bertrand, his aid de camp, to review his career, philosophy and military strategy. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The End of the Pier by Richard James |
Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Three generations - target ages, 20, early 40s and early 60s. (Whilst this is intended to be played 'to age', it might be within the compass of the older echelons of a youth theatre group.) |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Single set (enough to suggest the location). |
Synopsis | An exploration of the relationships and struggles of three generations of women. Cynthia has experienced a betrayal that changes her life dramatically and her daughter Mandy is determined to stay strong and pull her family back together. Billie, Mandy's daughter, is preparing to leave for university but has a secret to reveal before she goes. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The Endowment by Susan Scott |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. As written, the two characters have a playing age of around fifty, though this could be varied somewhat. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | One-act Drama, single domestic set. (Includes occasional swearing.) |
Synopsis | Linda receives a visit from her ex-husband, bearing unwelcome memories and unexpected news. Have their years of separation changed them enough to right old wrongs? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Enough Already by Iris Winston |
Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 21 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Two settings, but one is a pavement café - a table downstage - so really one main set and a little supplementary furniture.. |
Synopsis | Elsie's children put her in a retirement community. As she struggles to settle in, an overly cheery support worker and a visit from her son fail to lighten her mood. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Establishing Relations by David Craig Smith |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Playing ages: two parents, two in late teens. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Single domestic set. Contains mild swearing. |
Synopsis | John's very excited to be bringing Stella home to meet his Mum and Dad, but he's amazed by his Dad's reaction. Dad wants John to give Stella up, straight away, but naturally John wants to know why... Until he finds out. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|