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| Sarah by Mark Seaman |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Pat and Sarah are 21 but the actors also play them as children. Pat's parents change age in step with her. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | A touching, well-crafted one act play that uses monologues and flash-backs to achieve a fine balance between sensitivity and sentimentality as the story of Pat's relationship with her father and her friend Sarah unfolds. Single set. Mild swearing. |
| Synopsis | Pat is about to mark her twenty first birthday in a very different way. Her best friend Sarah will be there, but this year their relationship will change and things will never be the same again, for either of them, as the true nature of their friendship is revealed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Saving The Planet, Maybe by Eric Scott |
| Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. All characters are high school students aged thirteen plus. |
| Run Time | Around 37 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play suitable for youth theatre, with a simple set. |
| Synopsis | Allison has written a play she's planning to direct, but her cast are a mixed bunch - either too professional or not nearly professional enough. Her would-be boyfriend David is on hand to help, but real environmental issues get in the way of this play about environmental issues. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Scabs by Naomi Elster |
| Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 43 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a flexible set. |
| Synopsis | The 1913 transport strike in Dublin, its harrowing consequences and the rise of women’s political participation is vividly brought to life through the eyes of one activist working class family. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Scarlett by Robert Scott |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 73 minutes. [Estimated!] |
| Music | None. |
| Style | A one act, ghost story drama, with a single set. |
| Synopsis | The passengers from a crashed bus take shelter from a dreadful storm, in an old barn. Unable to find rescue, they huddle together, but one of them is beginning to see visions of her dead sister. Has Scarlett come to haunt Grace, or someone else? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Sound Effects CD specifically for this show
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| Click here to read the script or Click here for more details. |
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| Scene Six by Andrew McGuirk |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. The 'director' is an offstage voice and could be doubled by 'David'. The characters appear in a flashback as their childhood selves. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | Character drama with plenty of acting challenges. Structured in two acts, but, at around 55 minutes, of one-act length. (Includes some swearing.) |
| Synopsis | Two old friends and a new acquaintance decide to put on a play, but the assigned parts, emotional attachments, and the ruthlessness of the director cause rifts between the three. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sealed With A Loving Kiss by Liz Dobson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama, single cottage living-room set. |
| Synopsis | Don arrives on Jill's doorstep twenty one years after their relationship ended. Can he explain why he never came back from the army? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Second Chance by Jim Pinnock |
| Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. One voice is an offstage announcer. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A one act thriller - single set. |
| Synopsis | Customers and staff are put through psychological torment as a man with a bomb holds them hostage, but all but one of them benefit from the experience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Poster template, illustrated by Dale French, for 'A Second Chance' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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| Click here to read the script or Click here for more details. |
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| The Second Floor by Robert Scott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with a simple setting. |
| Synopsis | Chloe is a powerful businesswoman with a sharp tongue - she’s going to set the board straight before tearing through the rest of her appointments. But she ends up stuck in the elevator with her ex-husband, who has some important things to tell her. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Self Defence by Laura Belcher |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 43 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama with various settings - a split stage could be used. |
| Synopsis | A victim of domestic abuse, Hannah decides to join a self-defence class - as much as for a social outlet as for a means of defending herself. With the support of her fellow class mates, whose light touch relieves the tense atmosphere she is living in, Hannah is empowered to assert herself. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sent Back Standing by Jenny Gilbert |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. An uneven distrubution of roles, with the play dominated with the director (though, unusually in these circumstances, the director is on stage). |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set (pretty much a bare stage). |
| Synopsis | A director struggles to keep her sanity through the stresses of a Tech rehearsal in a venue that's being rebuilt around the company. She's also haunted by her husband's affair, and trying to work through her private grief in a very public place. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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