|
| The Acquisition by Henry P. Gravelle |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Three speaking roles and one non-speaking demonic arm. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act melodrama with a single (living room) setting. |
| Synopsis | Art collector Emory has acquired an ancient artefact of immense value and horrifying malevolence. He is eager for his niece Michelle to admire it, but she uses it as an instrument of revenge against her unfaithful husband |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| All Hallows Eve by Peter Harrison |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | A one act melodrama, with a single, kitchen setting. |
| Synopsis | Local priest Hugh is having difficulty in defending his deeply held faith against the views of his wife, Morwenna, and his goth daughter, Verity. At Halloween - when something takes place in the church graveyard, seen only by Hugh - the family are reconciled. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Black Widow by Helen Sharman |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Parody of a Victorian melodrama - all the exaggerated wickedness, innocence, heroism and coincidence, with added comedy! Several scenes, but sets implied rather than elaborate. Simple props. Contains mild innuendo. |
| Synopsis | Old lepidopterist, Squire Decrepit, is the wicked Vylene's fourth husband - and she's about to look for a fifth. All that stands between her and the dashing Mark Christmas is the sweet, innocent Abigail her strange uncle, Ivor and Squire Decrepit - who just happens to be in a wheelchair on a cliff-top. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Change Of Heart by Tony Frier |
| Roles | Minimum Male roles = 4. Minimum Female roles = 7. Minimum total with doubling = 11. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 47 minutes. [Estimated!] |
| Music | None. |
| Style | A one act Victorian melodrama-style thriller. |
| Synopsis | A tangled tale of bigamy and murder in 19th Century Manchester. Three girls from Ireland take up domestic service at the Chilterns' home. When Mrs Chiltern unexpectedly returns home one evening to find her husband dead, little does she imagine that she will be the one facing the gallows. Will a change of heart spare her? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Corruption of Patience Undercroft by Stuart Ardern |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage characters and an off-stage voice (that could be recorded). |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Modern pastiche of a Victorian melodrama (the same ingredients, but playing-up the comedy, rather than the Victorian sentimentality). Designed for a black-box set. Could easily be played as part of a Music Hall evening. |
| Synopsis | During a village celebration for Queen Victoria's jubilee, sweet, innocent Patience Undercroft has ventured out to a barn, summoned by a note from an admirer. She is hoping that it comes from her childhood sweetheart, Victor Knightly. Little does she know that it is the wicked Squire Grimly Blackheart who lies in wait... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Diabolical Duplication of Daisy by Ray Lawrence |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy. A modern take on the conventions of Victorian melodrama - innocent heroines, scheming wicked squires, that sort of thing. |
| Synopsis | Daisy, working with her mother in the kitchens, is trying hard to resist the grubby blandishments of Sir Odious Malpractice, who wants her to marry him. Unknown to Daisy, Victor Tallbody has arrived to tell her she has inherited a fortune, just in the nick of time. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Dracula - A Pain in the Neck by Daniel Krueger & Elwood Johnson |
| Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 23. Chorus. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | Sheet music for 18 original songs plus incidental music is supplied with the Producer's Copy of the script. |
| Style | Musical Gothic horror Melodrama! |
| Synopsis | A faithful translation of Bram Stoker's vampire classic to the musical stage, rendered in a melodramatic style! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Conductor's score and band parts (Perc., Bass, Cello, Violin, Reeds 1 & 2, Trumpet, Trombone, Piano & Synth) for Dracula - A Pain in the Neck. Music by Elwood Jay Johnson, orchestrated by Wade Clark.
|
| Click here to read the script or Click here for more details. |
|
|
Dracula - The Final Countdown by Geoff Bamber
Best Seller |
| Roles | Minimum Male roles = 3. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 35. Chorus. Very flexible cast, with a mixture of speaking and non-speaking parts, opportunities for doubling and opportunities for changing the gender of some of the characters. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | A comic and melodramatic retelling of Bram Stoker's story as a full-length play for kids. Sets can be relatively simple, but a fair number of props are required - coffins, that sort of thing. |
| Synopsis | Solicitor Jonathan Harker finds himself despatched to Transylvania to sort out a property deal for a mysterious Dr. Acula. On arrival, Harker realises that that he has been the victim of a misprint, but he is so charmed by his welcome that he fails to realise that he has become something of a prisoner. Harker's plight is made more acute by the attentions of the Brides of Dracula, a voracious trio, who appear to have less than honourable intentions. With the improbable assistance of Dracula's servant, Igoretta, Harker escapes and returns to England, where, shortly afterwards, his fiancé finds herself in the company of a mysterious foreign gentleman. Little does she realise what is at stake... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Drunkula by Archie Wilson |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (gothic dining room) set. |
| Synopsis | Drunkula and his weird manservant, Schnapps, meet their match when two young English ladies show their drinking mettle - with disastrous results for the drunken vampire. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Faith, Hope and Bertha by Daniel Krueger |
| Roles | Minimum Male roles = 5. Minimum Female roles = 8. Minimum total with doubling = 13. Minimum total without doubling = 14. Chorus. One character is deliberately doubled - playing twin brothers. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A temperance melodrama, complete with perfect heroines, mustachioed villain, exaggerated gestures and asides. A lot of comedy to be had from playing this straight! Two interior sets, plus front-of-cloth scenes. |
| Synopsis | In the wilds of the Yukon, dastardly villain, Ivan Mean has designs on the estate of Ben Upright - and he intends to get them by hook or by crook. That includes marrying Ben's daughter, Faith - but first he has to be rid of her intended, Ernest Noble... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|