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| Carrie's Lions by Amelia Armande |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 11. No chorus. 'Carrie' appears in three guises - as a narrator/protagonist, as a child and as an adult. 'Michael' appears as narrator/protagonist and as an adult. There are two small non-speaking roles. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with plenty of technical and acting challenges! Whilst it is not formally divided into scenes, there are five locations - indicated symbolically by props and furniture. |
| Synopsis | Through a series of conversations with her guardian angel, Carrie tries to come to terms with the death of her father. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Frying Nemo by Amelia Armande |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 33. No chorus. Enormous flexibility! The author presents a doubling table showing how the thirty-three characters can be played by 10 actors (with a lot of swift - and necessarily simple - costume changes). |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | The producer's copy contains suggestions for (the style of) accompanying music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act nautical comedy play (with opportunities for dance music). Written for minimal set - because it was originally performed in a sea-life centre! |
| Synopsis | An old man in a care home is telling the story of his younger days - as the seafaring adventurer Captain Nemo! We see things that Jules Verne never got to write about in this stirring tale of derring do and mermaids, with a surprisingly affecting ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Greatest Form of Flattery by Amelia Armande |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
| Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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