|
Addiction by John Passadino |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | Dark, dramatic monologue. Minimal set. (US English.) |
Synopsis | Matthew talks to his wife, admitting his shortcomings as a partner and husband, but is finally overcome by rage. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The Affidavit by Janet S. Tiger THE AFFIDAVIT - 1st place (1983) cash award and full production WORLD PREMIERE |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | Fifteen-minute play. Single set (a pawn shop in New York in the 1940s). A brief glimpse into individual lives, set against the background of the holocaust. |
Synopsis | Hilda Gruenberg has to renew her father's visa affidavit to stand a chance of getting him out of Nazi Germany to join her in America, but it'll cost her $650. She believes her family heirloom ring is worth $10,000, so she's shocked when the pawnshop owner, Mr Meyer, only offers her $650 for it. Why is he taking advantage of her desperation, and is she too proud to accept? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Baggy Trousers by Gill Medway |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 19 minutes. [Estimated!] |
Music | None. |
Style | A short one act play. |
Synopsis | There's plenty of life left in Sid, although he’s approaching his eightieth birthday. But when Melanie arrives from the Cosy Comfort Care Agency, her blinkered patronising approach forces Sid to re-live scenes from his past. What will it take for Melanie to see - and appreciate - the real man? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Bank Holiday Mondays and Other Ways to Kill a Marriage by Lorraine Forrest-Turner |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | A short two handed play, containing swearing. |
Synopsis | Pippa and Jake are stranded in a traffic jam on their way home from Jake's parents' house. Worse, they don't have the bag with the baby things for little Josh. He's asleep for now, but surely things couldn't get worse? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Bench Mark 2 by Emma Wise |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | A short one act play with a single (park bench) setting. |
Synopsis | A man and a woman conduct an increasingly tense enigmatic conversation on a park bench, culminating in an abrupt, shocking ending. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Best Served Cold by Alan Robinson |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Reginald is described as being in his twilight years and should give the impression of being - how shall we put this? - well padded. |
Run Time | Around 10 minutes. [Estimated!] |
Music | None. |
Style | Ten minute play for a gastronome. Set simply a table, chair and napkin. |
Synopsis | In this bitter sweet monologue we have all the ingredients of an enthralling menu with a delicious twist for dessert. As food critic Reginald assesses another average meal, something has left a bad taste in his mouth - a taste that triggers memories of a sweet love, a bitter betrayal and a sour revenge. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Body Confident by E. C. Chapman |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 12 minutes. [Estimated!] |
Music | None. |
Style | Short dramatic monologue, with no set requirements (assuming that a pilates mat counts as a prop rather than set). |
Synopsis | Caroline, a Pilates teacher, attempts to counter ugly rumours which threaten to destroy her reputation and luxury lifestyle. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Coming of Age by Jack Oliver |
Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The teenage character is written as male but could be played as female. The middle-aged character can be played by a teenager if used for youth theatre, |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | A short drama with a single (bedroom) setting. US English. Some strong language. Suitable for youth theatre. |
Synopsis | Allan makes his best attempt to rekindle the relationship with his teenage son Jordan, as they suffer from an emotional disconnection after the death of Jordan's mother. Jordan finds himself struggling to balance schoolwork and a social life while maintaining his dwindling mental health. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Daily Habits Mask Pain by Mildred Inez Lewis Finalist in the Sky Blue Theatre International play-writing competition, 2013 |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 14 minutes. [Estimated!] |
Music | None. |
Style | A short one act play with a single (living room) set. |
Synopsis | Greta and Harry struggle with their differing feelings about their jailed son and his heinous crime. Their daily routines help them through their pain and help re-establish their fractured relationship. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Dance Before Dark by Karen Ankers |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 19 minutes. [Estimated!] |
Music | None. |
Style | A short one act drama with a single, simple setting. |
Synopsis | In a future world Anna has been imprisoned in solitary confinement for insisting that because of human abuse of the planet the world will end when the last leaf falls. Against regulations Robert, her guard, engages in conversation with her and they soon realise that they have more in common than they thought. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|