Lazy Bee Scripts
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All the scripts described below can be read in full on the Lazy Bee Scripts web site (click on the titles).
However, all the scripts on this site are copyrighted. They may not be printed, quoted or performed without the permission of Lazy Bee Scripts.
Click on the "Price" links for details of the script prices and licensing arrangements.
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Scripts 11 to 20 of 126
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An Arrowing Experience by Ray Lawrence
RolesMinimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. The character is an arrow. (Presumably the acting style required is pointed - even barbed - but essentially wooden!)
Run TimeAround 4 minutes. [Estimated!]
MusicNone.
StyleShort comedy monologue, no set, no props. Might even be regarded as educational (English Key Stage 3 history topic 'The Normans')
SynopsisThe famous arrow that took King Harold in the eye at Hastings gives his (or her) side of the story. A humorous monologue with comedy accent.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.
Back in the Saddle by Janice Sampson
RolesMinimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus.
Run TimeAround 6 minutes. [Estimated!]
MusicNone.
StyleShort monody (a monologue with a little action and a few simple props) for a much-married middle-aged woman. Contains swearing.
SynopsisRita has had a somewhat chequered life when it comes to men. Four husbands with a few boyfriends thrown in along the way has given her a somewhat caustic view of weddings. Nevertheless she has accepted an invitation to her friend's nuptials despite the downmarket location at the local pub with a pork pie buffet. 'Back in the Saddle' is a comedy monologue in which Rita brings the wedding to life for us and we share in her surprise as her re-union with a long forgotten school friend at the reception has unexpected consequences for them both.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.
Best Foot Forward, Darling by Cheryl Barrett
RolesMinimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus.
Run TimeAround 3 minutes. [Estimated!]
MusicNone.
StyleShort rhyming monologue (though there is flexibility - the dancers could appear, as could the friend to whom Terence addresses his acid remarks).
SynopsisTerence, the highly strung choreographer watches and grumbles as dancers Monica and Jasper perform his creation. His mood swings from rage to praise and poor Monica feels the full force of his wrath.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.
Best Served Cold by Alan Robinson
RolesMinimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Reginald is described as being in his twilight years and should give the impression of being - how shall we put this? - well padded.
Run TimeAround 10 minutes. [Estimated!]
MusicNone.
StyleTen minute play for a gastronome. Set simply a table, chair and napkin.
SynopsisIn this bitter sweet monologue we have all the ingredients of an enthralling menu with a delicious twist for dessert. As food critic Reginald assesses another average meal, something has left a bad taste in his mouth - a taste that triggers memories of a sweet love, a bitter betrayal and a sour revenge.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.
Body Confident by E. C. Chapman
RolesMinimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus.
Run TimeAround 12 minutes. [Estimated!]
MusicNone.
StyleShort dramatic monologue, with no set requirements (assuming that a pilates mat counts as a prop rather than set).
SynopsisCaroline, a Pilates teacher, attempts to counter ugly rumours which threaten to destroy her reputation and luxury lifestyle.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.
Booted Out by Ray Lawrence
RolesMinimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Since the character is a football, the question of gender is academic.
Run TimeAround 8 minutes. [Estimated!]
MusicNone.
StyleMonologue (light comedy). Simple set (a table) and a few props.
Also available as part of the Diamond Jubilee 2012 collection.
SynopsisA wistful sporting reminiscence told from an unusual perspective.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.
Brian's Day Out in the Snow by Cheryl Barrett
RolesMinimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus.
Run TimeAround 3 minutes. [Estimated!]
MusicNone.
StyleShort, rhyming, humorous monologue.
SynopsisBrian goes out in the snow to meet Steven. (All we'll say about that is that there is some misdirection involved.)
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.
The Cautionary Tale of Eva Bird by Ray Lawrence
RolesMinimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus.
Run TimeAround 4 minutes. [Estimated!]
MusicNone.
StyleRhyming monologue (with no requirement for set or props.)
SynopsisThe cautionary tale of Eva Bird - the Nuclear Nightingale.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.
The Cautionary Tale of Humpty Dumpty by Cheryl Barrett
RolesMinimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. No specific gender requirement.
Run TimeAround 2 minutes. [Estimated!]
MusicNone.
StyleA rhyming comedy monologue, with no set requirement.
SynopsisThe bullying Humpty Dumpty meets his deserved end, as the narrator reveals how he - or she - pushed him off the wall and describes the subsequent rejoicing.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.
The Cautionary Tale of Miss Lucy Luckett by Ray Lawrence
RolesMinimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 2. No chorus. A monologue for two persons! The intention is that someone should recite the verse whilst the story is acted out in mime.
Run TimeAround 3 minutes. [Estimated!]
MusicNone.
StyleComedy monologue - a cautionary tale told in verse
SynopsisDesperate for a life on the stage, Lucy Luckett tragically over-stretches herself!
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
Click here to read the script or Click here for more details.
Scripts 11 to 20 of 126
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