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| Small Talk by Martin Ward |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 32 minutes. [Estimated!] |
| Music | One song suggested, to be played at rise. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act drama with a single (living room) setting. |
| Synopsis | Mark has invited Ian to his flat for a drink, but Ian doesn’t know why. In fact, they went to the same school twenty years before, and Ian was a bully who made Mark's life a misery. Now Mark has plans to gain revenge. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Smell of Burnt Feathers by Paul Gisby
Winner of the 1999 Royal Mail 'Write Now' play award.
Production by Penrhos Players won Best Drama in the Hale One-Act-Play festival, 2012. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The two characters are adult sisters of a similar age (assumed mid-thirties). |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Contemporary realism. One-act play, single modern set, simple props. (Contains swearing.) |
| Synopsis | Oriole is events manager for an important conference, and her detailed plans didn't involve the arrival of her sister Jenny, fresh from their father's funeral. However, Oriole has some surprises in store for Jenny. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Speak Your Mind by George Freek |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | A family drama (with comic moments). Single set. Structurally in two acts, but at 70 minutes, it offers the options of standing alone or being paired with a shorter piece. Contains mild swearing. |
| Synopsis | Ever since her father died, Ruth has been concerned about her mother Mildred. Ruth's husband Richard has his worries too, as Ruth's reverence for her father's memory seems to cloud her judgment. An unexpected guest in the form of Richard's boss Harry turns a simple dinner party into a stage for confessions and accusations. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Statement by David Morris |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A tense one act thriller with a single (balcony flat) set |
| Synopsis | James' opening monologue sets the scene for a tragic event - his girlfriend's daughter's death, and her Detective Inspector mother's reaction to it... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Substitute by Duncan Battman |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play in the form of a monologue. Dramatic content, though the direct action is minimal. Contains strong language and adult themes. |
| Synopsis | A long but dramatic monologue delivered by Frank, an ex-footballer who is now confined to a wheelchair. As he packs up his room he relates the ups and downs of his life, right up to the startling conclusion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Swan Queen by Frank Canino |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 3. No chorus. There is one speaking voice, Lenore. She addresses the audience as a friend, but also addresses two other people (1M, 1F) who might appear on stage. There is also an option for a group of male dancers. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | Two pieces (associated with classical ballet) are suggested as accompaniment. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Powerful, brilliantly-written one act play. Single set with simple furniture representing multiple locations. |
| Synopsis | A former Prima Ballerina navigates the final months of her life, balancing her health concerns with those of her stepson, an artist with AIDS. Despite some stark differences at first, the pair find common ground and become allies as they each cope with their diagnoses. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Take-Away by Pat Edwards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two older teens and two middle-aged characters. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play of shorter length, split set - in two flats with a lift, set between them. |
| Synopsis | Gail and Josh share a flat, but their relationship has soured - Josh is harsh and demanding, and Gail is quiet and compliant. The Barnstables live in the flat across from them, an older couple with a happy marriage. But no one seems happy with the way things are between Josh and Gail - not even Josh. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's Always Time For Dancing by Helen Boyce |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | One song, to be played over the closing dialogue, is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act drama on a single (living room) set. |
| Synopsis | After a lovely church service, Michael and his wife relax at home. He does his best to make her laugh, encouraging her to dance with him, though she’s tired. But a persistent noise distracts her, and leads her to a sad discovery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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These Are The Days by Shari Gledhill
TOPs (The Oldland Players) won 1st place at the Bristol One Act Drama Festival 2024 for their production of 'These Are The Days'. The group also won awards for Best Actress, Best Director, Best Lighting and the Audience Award. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act dramatic duologue with no set required. |
| Synopsis | Married couple Matt and Vicki re-live their relationship from its unlikely beginnings to its poignantly tragic end. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Tomboy by Stuart Smithers |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 36 minutes. [Estimated!] |
| Music | None. |
| Style | An efficient one-act drama with some well-placed twists. Deals sympathetically with the issues of bullying and gender transition. |
| Synopsis | Andy is attending his first school reunion since leaving 50 years ago, and meets reunion regulars Gerry and Val. Gerry has very fond memories of school, but doesn't remember Andy. Andy's memories aren't so fond, but he seems to know a lot about Gerry, and is determined to coax a secret out of him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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