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Heksejag by S. Ardern (vertaal deur Ronèl de Beer) |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 14. Chorus. Minimum mansrolle = 4. Minimum vrouerolle = 2. Minimum totaal met doeblering = 12. Minimum totaal sonder doeblering = 14. Koor. Alle karakters is volwassenes, maar die teks is geskryf vir tieners. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | 'n Eenakter met basiese rekwisiete en geen dekorvereistes nie. Baie koorwerk. |
Synopsis | Wanneer 'n ou tannie in haar gehuggie intrek, word sy eers met vyandigheid begroet. Mettertyd veroorsaak haar kennis van natuurlike medisyne egter dat sy die gemeenskap se respek wen. Die moeilikheid begin wanneer siektes en hongersnood uitbreek en die ou tannie van heksery beskuldig word. (Heksejag is an Afrikaans translation of Witch Hunt by Stuart Ardern.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Helping Hand by Peter Hale |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Two strong roles for 1M, 1F (though Mary could be changed to male with only a few small alterations). |
Run Time | Around 27 minutes. [Estimated!] |
Music | None. |
Style | A one-act comedy - wry, rather than laugh-out-loud, possibly more sinister undertones if subtly played. Easy to stage on one living room set. |
Synopsis | Mary, a harassed social services official, is visiting the old people in her district to update the database. George, an apparently lonely widower, is initially uncooperative. When Mary finds herself staying longer than expected, the barriers come down - and Mary is taught not to patronise the elderly. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Heretic Queen by Vithal Rajan |
Roles | Minimum Male roles = 5. Minimum Female roles = 0. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Two of the characters are boys (age unspecified). |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A combination of Indian storytelling and chess! Simple props, but needs a means of displaying the chess moves to the audience. |
Synopsis | Game Eight in the Varadachary Chess Cycle. The painter El Greco challenges the Lord High Admiral of the Spanish navy to a chess match on the eve of the launch of the Armada to invade Queen Elizabeth's England. (The other El Greco - the chess master - takes notes!) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Herself by Joanne Higginson |
Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | A one-act drama with a single (hospital room) setting. Some strong language and adult themes. |
Synopsis | Teenager Brooke is in a coma and family and friends are encouraged to talk to her but feel that she can’t hear them. On the contrary, she hears them clearly and is frustrated that she is unable to speak or react to them. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Highwayman by Martin Sims |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 22 minutes. [Estimated!] |
Music | None. |
Style | One-act ghost story. Single set of just a woodland camp fire. |
Synopsis | Two strangers meet by the road one dark and cold night in 1750. They talk of the legend of Black Tom, the ghostly highwayman said to haunt the area, and soon they are plagued by phantom noises and fears. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** Zip file containing two sound effects (with two options for one of them) for 'The Highwayman' by Martin Sims
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Click here to read the script or Click here for more details. |
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Hope - A Monologue by Frank Flynn |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | One-act monologue. Single outdoor set (which can be implied rather than fully built). Written in Canadian English. |
Synopsis | Young mother Hope waits in the park for a meeting that will change her life. She tries to comfort her tiny baby, though she has no new clothes, nor food for her. A very emotive piece. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Horseplay by Graham Jones The precursor full-length version of this play won the Drama Association of Wales playwriting competition in 1980. |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | Compelling one-act drama. Single set - just a committee room table and chairs. Contains adult themes. |
Synopsis | After a post-match celebration, three rugby players are accused of raping a girl. Through the old boys' network, the matter is dropped, but the club barmaid won't let it rest. Thanks to her persistence, one of the other members starts to see things in a different light too. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Hot and Sweet by Liz Dobson |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | One-act drama. Single domestic set. |
Synopsis | Janet is trying to persuade her mother Ivy, who is suffering from the first stages of Alzheimer's, to come and live with her. Janet's concerns are increased when she hears about a con man operating in the area. Ivy refuses to consider her daughter's request, stating that her late husband Harry will protect her. Janet responds by saying to her mother, 'He can’t look after you if he's not here'... but can he? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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How Did That Get In My Locker? by Andrew M. Frodahl |
Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 17. No chorus. |
Run Time | Around 63 minutes. [Estimated!] |
Music | None. |
Style | A one act school play - chiefly American in theme and content, though could be adapted for other audiences. |
Synopsis | When prom queen Emily goes missing and her bra turns up in Dullon Bland’s locker, only teen PI Ithaca Shue can help him. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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How Things Turn Out by Bob Hammond |
Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Three principal female roles and two small roles (1M, 1F). |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | An engaging single set one-act drama with good dialogue, this digs deep into the apparent relationships between three women before a couple of well-placed reveals make us reassess them. |
Synopsis | Judith and Sarah have been invited to a meeting with the solicitor of their sister Pauline, and don’t know why. Pauline’s neighbour and best friend Lisa is also invited. As the three wait to be called in to the conference room, tensions simmer. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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