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Scene Six by Andrew McGuirk |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. The 'director' is an offstage voice and could be doubled by 'David'. The characters appear in a flashback as their childhood selves. |
Run Time | Around 55 minutes. [Estimated!] |
Music | None. |
Style | Character drama with plenty of acting challenges. Structured in two acts, but, at around 55 minutes, of one-act length. (Includes some swearing.) |
Synopsis | Two old friends and a new acquaintance decide to put on a play, but the assigned parts, emotional attachments, and the ruthlessness of the director cause rifts between the three. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Screw Your Courage by Keith Badham |
Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 22. Minimum total without doubling = 26. Chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | A five-act play for youth theatre in one-act! |
Synopsis | An enthralling new look at Shakespeare's Macbeth, set in the modern world of teenage gang culture, which loses none of the power and excitement of the original. The Bard's plot and characters are given new life in this masterful interpretation as contemporary themes merge with age old human emotions. The audience are welcomed in to the action with imaginative use of asides and stage directions. An ideal piece for Youth Theatre with exciting and challenging opportunities for all involved, 'Screw Your Courage' provides a theatrical experience which will be long remembered. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sealed With A Loving Kiss by Liz Dobson |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | One-act drama, single cottage living-room set. |
Synopsis | Don arrives on Jill's doorstep twenty one years after their relationship ended. Can he explain why he never came back from the army? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Second Chance by Jim Pinnock |
Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. One voice is an offstage announcer. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | A one act thriller - single set. |
Synopsis | Customers and staff are put through psychological torment as a man with a bomb holds them hostage, but all but one of them benefit from the experience. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** Poster template, illustrated by Dale French, for 'A Second Chance' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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Click here to read the script or Click here for more details. |
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The Second Floor by Robert Scott |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 27 minutes. [Estimated!] |
Music | None. |
Style | A one act drama with a simple setting. |
Synopsis | Chloe is a powerful businesswoman with a sharp tongue - she’s going to set the board straight before tearing through the rest of her appointments. But she ends up stuck in the elevator with her ex-husband, who has some important things to tell her. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Secret Testament of John Shakespeare by Martin Lytton |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | Historical drama (on the boundary between a one-act and a full-length play). Single set. Lots of historical detail amidst a passionate story. |
Synopsis | William Shakespeare's wife drops in on her in-laws to mind her Father-in-Law while his wife visits a friend. The Informer James Langrake, who was responsible for the fall in Shakespeare senior's fortunes, calls in unannounced and nearly finds evidence to bring death to the household. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Seeing Red by Karen Ankers Production by Dingwall Players won Best Play, SCDA One Act Festival (Moray Firth District) 2019 |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 36 minutes. [Estimated!] |
Music | None. |
Style | A one act drama with humorous undertones, with a single, park bench setting. |
Synopsis | With a strong touch of satire, we find Nellie brazenly committing the supposed heinous offence of knitting. Young Belinda is horrified as she discovers Nellie openly and defiantly knitting in such a public place... but is liberated as Nellie's past experiences come to light. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
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Self Centre by Jackie Carreira |
Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | One-act prose monologue. |
Synopsis | As she deals with a series of customers, Vivi, a receptionist at a new age health centre, reflects on the circumstances that brought her here and the loss of her brother. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Self Defence by Laura Belcher |
Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
Run Time | Around 43 minutes. [Estimated!] |
Music | None. |
Style | A one act drama with various settings - a split stage could be used. |
Synopsis | A victim of domestic abuse, Hannah decides to join a self-defence class - as much as for a social outlet as for a means of defending herself. With the support of her fellow class mates, whose light touch relieves the tense atmosphere she is living in, Hannah is empowered to assert herself. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sent Back Standing by Jenny Gilbert |
Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. An uneven distrubution of roles, with the play dominated with the director (though, unusually in these circumstances, the director is on stage). |
Run Time | Around 35 minutes. [Estimated!] |
Music | None. |
Style | One-act play, single set (pretty much a bare stage). |
Synopsis | A director struggles to keep her sanity through the stresses of a Tech rehearsal in a venue that's being rebuilt around the company. She's also haunted by her husband's affair, and trying to work through her private grief in a very public place. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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