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| Traitors, Cads & Cowards by Martin McNamara |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, though performing groups may wish to add an interval. Single prison cell setting, and some strong language. |
| Synopsis | During the Great War, an army deserter, a conscientious objector and an IRA soldier share a cell. They play out their respective journeys to prison and relate the horrors of the period. Liam, an Irish rebel arrested after the Easter Rising in Dublin, has been transported to the military wing of London's Wandsworth Prison for questioning. He is bunked in with Alfred, a shell-shocked veteran of the trenches up on desertion charges. Their other cell mate is Henry, conscientious objector, court martialed for refusing his call up papers. Can three very different 'Traitors to the King' find common ground? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tremayne's Folly by John Garforth |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Three adult males, three females and a thirteen-year-old boy. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | None. |
| Style | A witty period script with some well-crafted characters. A single coastal setting. |
| Synopsis | In 1803, former soldier Parsons has taken up residence as the official hermit of Lord Tremayne's estate. But this simple life is threatened when he gets caught up in the extra-marital affairs of Sir William Pitt, and a dead Frenchman washes up on the beach. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Truth Will Out by Lin Robinson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a compound (living room/rooftop) set. |
| Synopsis | Jack and his girlfriend Emma have just moved into their new student flat. Some friends arrive for an unexpected housewarming, and soon some deeply hidden secrets are brought out into the light. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Twelfth Night [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Twelfth Night', with every word remaining Shakespeare's.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | A cross-dressing survivor of a shipwreck, separated from her twin brother, finds herself in the centre of a confusing love triangle. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two For The Price Of One by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a single (kitchen-dining room) setting. |
| Synopsis | Sarah is beginning to worry that her lorry-driver husband has a fancy woman in Coventry. Their daughter thinks 'augmentation' will help her keep a boyfriend, and Sarah wonders if it'll help her too. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Weddings and a Conference by Karen Doling |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Eleven speaking roles and an unspeakable photographer. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy play. Single (hotel reception) set. Structurally in two acts, but in length it's on the boundary between a one-act and a two-act (it could occupy a whole evening's theatre or be accompanied by a shorter piece.) Contains mild swearing. |
| Synopsis | A double-booked wedding reception at a hotel causes havoc for the brides, grooms, manager, receptionist, and the attendees of a conference that is supposed to be happening at the same time! However, it soon transpires that the double-booking is not the only coincidence they will have to deal with. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Under the Hood by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama (on the lower boundary of two-act length). Simple sets. |
| Synopsis | Rose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| An Unexpected Duty by Robin Wilson |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play which could be used as a full length play. |
| Synopsis | Charlie's rushing off to Home Guard duty, but takes time to warn his wife about their daughter's scandalous dress sense and his worries about her new man. Little does he know that before the night is out he'll be facing down an armed spy! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Unrelated Women by Daniel M. Wolpe |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | The production notes contain suggestions for six classical pieces of music that feature in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A two act drama (though could be performed in one). Set in the US, though the play explores universal themes. |
| Synopsis | At her husband’s funeral, hard-bitten widow Fiona meets Laura, her husband’s young pregnant mistress, having been previously unaware of her existence. Their relationship, at first bitter, evolves into a profound and loving affiliation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Vanity of Dorian Gray by Valerie Goodwin |
| Roles | Minimum Male roles = 3. Minimum Female roles = 8. Minimum total with doubling = 11. Minimum total without doubling = 20. Chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | The producer's copy of the script includes suggestions for 5 (public domain) songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Seventy-five minute adaptation of the Oscar Wilde novel, peppered with Victorian and Edwardian music hall songs and comedy. |
| Synopsis | The hedonistic young man Dorian Gray makes a wish that his portrait would age instead of himself, and the wish comes true. He takes advantage of his eternal youth to court and then dispose of a never-ending line of young women, but four decades later, his sins catch up with him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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