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Additional Dialogue by Catherine Shelton |
Roles | Minimum Male roles = 13. Minimum Female roles = 7. Minimum total with doubling = 24. Minimum total without doubling = 27. Chorus. All the characters are high school students. |
Run Time | Around 110 minutes. [Estimated!] |
Music | Music from Prokofiev's Romeo and Juliet is suggested (subject to the ability of the on-stage band!) Lazy Bee Scripts does not supply any sheet music with this script. |
Style | Full-length romantic comedy play. (Not strictly a musical or really a musical play, but requires an on-stage band, with a small share of the dialogue.) |
Synopsis | A rehearsal for a school production of Romeo and Juliet contains far more drama amongst the cast members than onstage, as friendships, new loves and old flames are tested, torn apart and reunited in a very busy afternoon. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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All's Not Well That Ends Well by Juliet Devon |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Written as a mix of children and adults, but could all be played by youth. The Head Teacher and Mrs Bloss are written as female, but could be changed to male. |
Run Time | Around 23 minutes. [Estimated!] |
Music | None. |
Style | One-act play set on a school hall stage. |
Synopsis | Despite a number of cast members being missing, Drama Teacher Nikki is pressing on with her rehearsal of 'All’s Well...' Unfortunately, she also has to contend with pupils sent to her for detention, the cleaner, and the Head. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Allergic Audience by Joan Greening |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 46 minutes. [Estimated!] |
Music | None. |
Style | A two-hander one act comedy with a single theatre setting. |
Synopsis | Aspiring actress Pandora is resting at the moment (a permanent state for her), and has volunteered to run front of house in a small theatre where she encounters Barbara, the regular front of house manager. The show is ‘At Home with Charlotte’, a ghastly historically inaccurate portrayal of Charlotte Bronte. No-one turns up so the lack of audience gives the women plenty of time to explore their likes and prejudices. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Amore by David Pemberton |
Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 11. Minimum total without doubling = 22. No chorus. Actors are intended to be doubled up across both acts. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | A two act play, adapted from the plays that in turn inspired Shakespeare’s Comedy of Errors and Twelfth Night. (Plautus’ The Menaechmi and Siena Academy's The Deceived Ones) |
Synopsis | When two sets of identical twins are separated, one of them weaves a sticky web of romance and deception in which the other becomes unwittingly entangled. In Act One, Deception, one of the twins is lost as a child and is discovered by his twin brother ten years later, leading a life of love and deceit in a far-off town.In Act Two, Disguise, a twin sister disguises herself as a boy to get the man she loves, only to find that when her identical twin brother shows up, he is mistaken for her. Each individual act is available separately. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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As They Like It by Nicholas Richards |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 23 minutes. [Estimated!] |
Music | None. |
Style | A light one act drama with a 17th Century Inn setting. |
Synopsis | William Shakespeare is struggling to get the approval of his company, who are adamant that the first draft of the 'Scottish Play' is lacking in a number of key characters. His friends are quite persuasive and he is encouraged by barmaid Meg. So the bard relents and the play - as we now know it - is born. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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As You Like It (60-minute abridgement) by Shakespeare abridged by Philip Schwadron |
Roles | Minimum Male roles = 8. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. There are optional roles for non-speaking lords and attendants. |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | Abridgement of William Shakespeare's 'As You Like It', with the original text pruned to 60 minutes. (The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
Synopsis | All the world’s a stage, And all the men and women merely players. Shakespeare's pastoral comedy pared down to around 60 minutes. A play, set in the Forest of Arden, for fans of romance, jesters, dukes, wrestlers, foresters, shepherds, exiles and cross-dressers. There. Who does that leave out? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Big Idea by Nigel Holloway |
Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
Run Time | Around 110 minutes. [Estimated!] |
Music | None. |
Style | A comedy satirising an amateur dramatic company. Minimal set but a variety of 'sound effects' props which are used live are essential. Notes include how to make a Wind Machine! |
Synopsis | Big Idea is a comedy about the members of the local amateur dramatic society, the Off-the-Wall Theatre Company (none of whom bears any resemblance to anyone you might have met). The 'Big Idea' in question is a new television series, where a lucky person gets the chance to fulfil a great ambition. In this case, the Off-the-Wall company's director, the egotistical Jonathan, has harboured a dream of writing a masterpiece for the stage. The TV series gives him the chance to have his play broadcast on national television - with the help of the other members of the Off-the-Wall Theatre Company, who do not necessarily share Jonathan's view of his abilities. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Bill & Ben by Richard James Performance by Tiger Theatrical Productions won Best Comedy and Best Actor at the 2014 Spelthorne and Runneymede drama festival. |
Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 38 minutes. [Estimated!] |
Music | None. |
Style | A one act play - a two hander involving playwrights. |
Synopsis | Ben Jonson is spending his last day in his condemned cell, after killing an actor in a duel. He has a surprise visitor - William Shakespeare, who comes to plead with him to perform a 'neck-verse' - reciting a Psalm, that may save him from the noose. But what does Shakespeare have to gain? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Birthright by Christine Steenfeldt |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 22 minutes. [Estimated!] |
Music | None. |
Style | A one act play in a single setting. |
Synopsis | An original storyline suggesting a question mark over Shakespeare's birthplace in a short dramatic comedy, with a twisting plot! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Blatant Disruptions by Robert Scott |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Whilst six of the characters are written male, they are representations of famous archetypes and there's no barrier to them being portrayed by women wearing fake beards (or other appropriate indicators of character). |
Run Time | Around 9 minutes. [Estimated!] |
Music | None. |
Style | Daft comedy sketch. No set requirements other than a semi-circle of chairs, but costumes would seem appropriate, given the nature of the characters. |
Synopsis | The newly combined groups of 'Blatant Confusions' and 'Archaeological Disruptions' have their first meeting to hear about the progress on Stonehenge and other plans for confounding historians and archaeologists of the future. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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