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One Hundred and Eighty! by Jonathan Edgington
Runner up in The Maskers Theatre's 2011 Humble Hamlet play writing competition. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute comedy, playing on Shakespearean themes. Contains swearing and adult themes (and a darts player). |
| Synopsis | Toby Hamlet is coming home, but his mother doesn't know why. She does know he's broken a promise he made to his dying father by becoming a pro darts player instead of a lawyer. What could he possibly want to speak to his mother about that he can't mention on the phone? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Solitary Line by Neil Walden
Winner of One-Act Play Writing Competition at Wexford Literary Festival 2017 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. One (gender non-specific) character is an offstage voice only. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch with a single (dressing room) setting. |
| Synopsis | Two actresses cast in a Shakespeare play bemoan the fact that the Bard gives so few opportunities for meaty female roles. This causes their relationship to become acrimonious. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Othello In Hell by Richard Gordon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play based on the Shakespeare classic. |
| Synopsis | Trapped in an invisible prison, the spirit of Othello is tormented by his own memories and visions of those he has known in life. He seems doomed to repeat a cycle of regret and blame and rage, even when granted Desdemona’s forgiveness. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Professor Thyme and the History Mystery - The Musical by Richard James with music by David Fisher |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 26. Minimum total without doubling = 36. Chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | Piano and vocal scores for seven songs and an overture are supplied with the producer's copy of the script. |
| Style | Musical Comedy Caper for Kids. Structurally in two acts. |
| Synopsis | When the dastardly Count Downe uses Professor Thyme's Time Machine to travel into the past and change history, it's up to the Professor and his gang to follow him and put things right before the damage is done...
and to sing in the process! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
** CD with piano accompaniment for all the songs from 'Professor Thyme and the History Mystery - the Musical' by Richard James with music by David Fisher
** CD with sung tracks for each of the eight songs from 'Professor Thyme and the History Mystery - the Musical' by Richard James with music by David Fisher
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| Click here to read the script or Click here for more details. |
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Professor Thyme and the History Mystery - The Play by Richard James
Best Seller |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 26. Minimum total without doubling = 36. Chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy Caper for Kids. Structurally in two acts. (A slick production could be run in the time of a one-act play.) |
| Synopsis | When the dastardly Count Downe uses Professor Thyme's Time Machine to travel into the past and change history, it's up to the Professor and his gang to follow him and put things right before the damage is done... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Rhyming Macbeth by Jeremy Tyburn |
| Roles | Minimum Male roles = 12. Minimum Female roles = 1. Minimum total with doubling = 26. Minimum total without doubling = 40. No chorus. There are 22 Non-speaking roles, but Narrators 1 and 2 could be further divided at the Producer's discretion. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A rhyming, modern language version, one act length - written originally as a Readers' Theatre piece. |
| Synopsis | A shortened adaptation of Macbeth in rhyming form, which could be performed with a very simple set, or no set. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Richard III - Has Anybody Seen My Horse by Geoff Bamber |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 15. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Historical comedy for kids. Structurally in four acts, but of one-act length. No specific set requirements. Simple props. |
| Synopsis | With the Wars of the Roses in full swing, Richard, Duke of Gloucester, finds himself on the right side when the House of York take the throne. Richard harbours an ambition to become King. Unfortunately his older brothers and his own nephews stand in his way. For a resourceful fellow with no principles this does not present a problem. Dark deeds inevitably ensue. Temporary success is achieved but a happy ending for the story of one of history's favourite villains (*) seems increasingly unlikely.
* This is only because this bit of history was written by the Tudors. (To the victor, the spoilers.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Romeo and Juliet by Geoff Bamber
Best Seller |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 12. Minimum total without doubling = 12. Chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Shakespeare's Romeo and Juliet as a modern language play (with modern irony and humour) for kids. One act and a single set, with simple props. |
| Synopsis | Two households, both alike in dignity, in fair Verona, where we lay our scene... Well, dignity if dignity includes Lady Montague and Lady Capulet scrapping in the streets. Basically a story of family fights family, boy meets girl and most of the principals meet an untimely death. (But there are a few laughs on the way.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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Romeo and Juliet - Sped Up! by Hannah Thomas
Best Seller |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 16. Chorus. Most of the speaking is done by the two narrators. There are six other speaking parts (some of whom have as much as a word) and other named roles played by people stepping out of the chorus (usually to be brushed-off or stabbed). |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute reduction of Romeo and Juliet. No set requirements, just a few props, love and death. |
| Synopsis | Shakespeare's tale of young love and tragedy given short shrift in this heavily condensed version. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Romeo and Juliet [75-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 8. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 23. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | A 75-minute abridgement of Shakespeare's tragedy.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | Two households in Verona are sworn foes
A pair of star-crossed lovers take their life.
Whose misadventured piteous overthrows,
do with their death bury their parents' strife. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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