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Catapult by David Lovesy
Best Seller |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. Two on-stage characters and an offstage voice. Roger and Geoffrey are written male but gender is unimportant and names can be changed to fit the gender of the available actors. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch with no set requirements. |
| Synopsis | Two medieval peasants try out a new, quick, cheap form of transport. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Catch As Catch Can by George Freek |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, in a single set. A comedy, which is not what one expects from Othello. |
| Synopsis | An alternative history of Othello, playing with our preconceptions of Shakespeare's characters. A worldly wise Iago is giving advice about women to a distraught Cassio, who cannot bear to see Desdemona married to Othello. But Iago's wife seems to be openly flirting with the General, and Desdemona isn't happy... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Catch by Stan Duncan |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. Two characters are offstage voices and can be pre-recorded. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act melodramatic thriller with various settings. |
| Synopsis | Paul, a patient in a psychiatric hospital, has something otherworldly about him. As he explains the reason he is in hospital to student nurse Yvonne, his strange and intriguing past is slowly revealed. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Catching Up by Frank Gibbons |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Whilst the two characters are women, they might be played as women by men in non-glamorous drag. (British people with long memories are invited to contemplate Les Dawson in this context.) |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch, set on a shopping centre bench. |
| Synopsis | A couple of 'mature' ladies meet in a shopping centre. Gossip follows. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Caterpillar Crawl by Raymond Blakesley |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 30. Chorus. Lots of flexibility. The cast are a mix of children and adults (assumed to be played by children) with options for dances and a chorus (the class) who chant rhymes. The caterpillar role can be played by actors or could be a puppet. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for a flexible cast of children in a mixture of prose and rhyme. Options for dances. Includes information about the butterfly lifecycle. |
| Synopsis | When Tom finds a talking, dancing caterpillar he thinks life is going to be easy, but Salome is almost as much trouble as his classmates. But he organises a concert for her anyway. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Caught By Christmas by Sharlee Glenn with songs by Erica Glenn
Best Seller |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 15. Minimum total without doubling = 15. Chorus. Whilst the children are named as boys and girls, this is flexible! Both classes can be expanded by the chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | Sheet music (for three original songs) is supplied with the Producer's Copy of the script. |
| Style | Short one-act (secular) Christmas musical for kids. School set (two classrooms) but minimal set requirements and simple props. |
| Synopsis | Mr Grump teaches class 4b and is ignoring the approach of Christmas, as usual. Miss Jingle and the jollier kids of 4a are celebrating, and they decide to take their party next door, with interesting consequences. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Caught Out by Steve Shaw |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute comedy play. Single, simple set. |
| Synopsis | Two burglars break into Mrs. Forester-Brown's House, but their noise attracts attention. Meanwhile, Mrs. Forester-Brown's husband has gone missing... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Cautionary Tale of Eva Bird by Ray Lawrence |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Rhyming monologue (with no requirement for set or props.) |
| Synopsis | The cautionary tale of Eva Bird - the Nuclear Nightingale. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Cautionary Tale of Georgie Porgie by Cheryl Barrett |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. The narrotor's lines could be split amongst several people. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | Rhyming morality play for kids. |
| Synopsis | The familiar tale of Georgie Porgie, whose bullying ways lead him to a grave end, is brought to life in an innovative manner. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Cautionary Tale of Humpty Dumpty by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. No specific gender requirement. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | A rhyming comedy monologue, with no set requirement. |
| Synopsis | The bullying Humpty Dumpty meets his deserved end, as the narrator reveals how he - or she - pushed him off the wall and describes the subsequent rejoicing. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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