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| Tourney by Paul Gisby |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 9. No chorus. All the characters are adults. There are two non-speaking males (who dance in mediaeval armour!) who could be doubled by two other characters. |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy drama (visual, physical, verbal). Simple sets - two basic locations. Simple props (if your idea of simple is swords and battleaxes). Fun for the wardrobe mistress, including armour! |
| Synopsis | It's a Mediaeval Re-enactment Society, so the constitution is based on feudalism. King Duncan is about to abdicate (to nurse his hernia) and has the right to appoint a successor. The choice comes down to Sir Roger, who has a pedantic obsession with the detail of mediaeval combat and Sir Eric, who wants to be Errol Flynn playing the Black Prince. And, with the connivance of Queen Veronica, it comes down to trial by combat. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Traitors, Cads & Cowards by Martin McNamara |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, though performing groups may wish to add an interval. Single prison cell setting, and some strong language. |
| Synopsis | During the Great War, an army deserter, a conscientious objector and an IRA soldier share a cell. They play out their respective journeys to prison and relate the horrors of the period. Liam, an Irish rebel arrested after the Easter Rising in Dublin, has been transported to the military wing of London's Wandsworth Prison for questioning. He is bunked in with Alfred, a shell-shocked veteran of the trenches up on desertion charges. Their other cell mate is Henry, conscientious objector, court martialed for refusing his call up papers. Can three very different 'Traitors to the King' find common ground? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Treasure of Adrian Caesar by Marcus Grollman |
| Roles | Minimum Male roles = 8. Minimum Female roles = 6. Minimum total with doubling = 18. Minimum total without doubling = 18. No chorus. A mixture of children and adults (assumed to be played by children). |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act adventure play for children, with a little light history thrown in! |
| Synopsis | 'The Eagle of the Ninth' meets 'The famous five' as a group of schoolchildren on a history field trip to Hadrian's wall foil a gang of jewel thieves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tremayne's Folly by John Garforth |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Three adult males, three females and a thirteen-year-old boy. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | None. |
| Style | A witty period script with some well-crafted characters. A single coastal setting. |
| Synopsis | In 1803, former soldier Parsons has taken up residence as the official hermit of Lord Tremayne's estate. But this simple life is threatened when he gets caught up in the extra-marital affairs of Sir William Pitt, and a dead Frenchman washes up on the beach. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tresses by Peter Harrison |
| Roles | Minimum Male roles = 7. Minimum Female roles = 4. Minimum total with doubling = 11. Minimum total without doubling = 12. No chorus. Contains one non-speaking male role and one pre-recorded voice. |
| Run Time | Around 109 minutes. [Estimated!] |
| Music | None. |
| Style | A full length historical drama, set in an ornate Victorian room and a graveyard. |
| Synopsis | The Brotherhood of the Pre-Raphaelites has recruited a new sitter, the dazzling but uncultured Elizabeth Siddal. She becomes Rossetti's wife and a friend to his sister, but the unequal marriage takes a terrible toll. Contains a scene with partial female nudity. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Troy Story by Graham Milton |
| Roles | Minimum Male roles = 6. Minimum Female roles = 2. Minimum total with doubling = 16. Minimum total without doubling = 16. Chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A short play for schools - ideal as a classroom or assembly piece. |
| Synopsis | A comic take on the story of the Trojan War, with a rapping and bloodthirsty Greek chorus keeping the audience up to date. This short play covers argument between Achilles and Agamemnon over two captive women, through Achilles' sulk and Patroclus' sacrifice, through Hector's and Achilles' death, to the destruction of Troy via Odysseus' stratagem of the Wooden Horse. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Trumpet Major by Thomas Hardy (adapted Peter John Cooper) |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 8. No chorus. The piece is interspersed with the reminiscences of the old Anne Garland. (Her role coulde be doubled by her younger self.) |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length period drama. The scenes flow continuously, so intended to be performed with stage areas and levels rather than a formal set. |
| Synopsis | Thomas Hardy's novel of life in the Napoleonic era, with soldiers massing to repel invasion, and village life in turmoil as a result. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tudor Times by Richard Morris |
| Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 28. Chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | Some song suggestions are made in the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Rhyming play for schools (designed for the English National Curriculum Key Stage 2 topic 'The Tudors'). No set requirements. Simple props (as long as you don't take the cook too seriously). |
| Synopsis | A rhyming romp from the last Henry to the first Elizabeth. Wives, discoveries, the Armada and an introduction to Elizabethan cookery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tudors Rich and Poor - Assembly by Sue Russell |
| Roles | Minimum Male roles = 14. Minimum Female roles = 8. Minimum total with doubling = 27. Minimum total without doubling = 78. No chorus. Very flexible cast size! |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | A list of musical suggestions is included in the Producer's Copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act assembly piece for a large cast of children. No specific set required, but ideally lots of props representing historical artifacts! |
| Synopsis | A romp through the world of the Tudors, meeting Shakespeare, royalty and commoners, talking about housing, entertainment, health and employment, amongst other things.
Based on the English National Curriculum History Syllabus, Key Stages 1 & 2, Unit 8: 'What were the differences between the lives of rich and poor people in Tudor Times?' |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tudors Rich and Poor - Mini-Plays by Sue Russell |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 30. No chorus. Five plays with six characters in each. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A set of five mini-plays (with run times around 6 minutes) for a school class studying The Tudors (English National Curriculum Key Stage 2, Unit 8, contrasting the lives of rich and poor). No set requirements. Producer's Copy includes a quiz. |
| Synopsis | Five short plays looking at different aspects of life in the Tudor Age, covering the country, the city, life at court, fashion and the theatre. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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