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| Toil and Trouble by Karina Fernandez |
| Roles | Minimum Male roles = 2. Minimum Female roles = 8. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, set backstage at a school production of 'The Scottish Play'. |
| Synopsis | Tensions mount as the young actors ready themselves for the impending curtain up, and things are made worse when the director announces that a West End producer is in the audience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tony and Bee-ing Cleopatra by Fiona Scott Patrick |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Lindsay is dressed in a bumble bee costume with a Cleopatra wig. (Just in case you need a hint about the provenance of the strange title.) The cast includes four numbered tourists. Others might drift through! |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute character-driven play, minimal set. (I realise that the residents of Edinburgh might be offended by the description of one of their streets as minimal, but it doesn't need to be a realistic set!) |
| Synopsis | Lindsay is handing out flyers for her show at the Edinburgh Fringe, but she feels she's too old to be there - she's a serious actress. Then she meets Tony, a little drunk and recently dumped by her boyfriend, and the pair find a new enthusiasm for acting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tragedie of Macbreth by Robert Hunter Allan |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A short parody of Shakespeare's Macbeth with a single (dark moor) setting. |
| Synopsis | Macbreth encounters three witches, who can satisfy his avaricious ambitions if he complies with their demands for unpalatable tasks. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tree Audition by Hugh Smith |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch with minimal set requirements. |
| Synopsis | An actress uses underhand tactics to put off a rival while waiting to audition for the part of Lady Macbeth. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tudor Times by Richard Morris |
| Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 28. Chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | Some song suggestions are made in the Producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Rhyming play for schools (designed for the English National Curriculum Key Stage 2 topic 'The Tudors'). No set requirements. Simple props (as long as you don't take the cook too seriously). |
| Synopsis | A rhyming romp from the last Henry to the first Elizabeth. Wives, discoveries, the Armada and an introduction to Elizabethan cookery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tudors Rich and Poor - Assembly by Sue Russell |
| Roles | Minimum Male roles = 14. Minimum Female roles = 8. Minimum total with doubling = 27. Minimum total without doubling = 78. No chorus. Very flexible cast size! |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | A list of musical suggestions is included in the Producer's Copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act assembly piece for a large cast of children. No specific set required, but ideally lots of props representing historical artifacts! |
| Synopsis | A romp through the world of the Tudors, meeting Shakespeare, royalty and commoners, talking about housing, entertainment, health and employment, amongst other things.
Based on the English National Curriculum History Syllabus, Key Stages 1 & 2, Unit 8: 'What were the differences between the lives of rich and poor people in Tudor Times?' |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tudors Rich and Poor - Mini-Plays by Sue Russell |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 30. No chorus. Five plays with six characters in each. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A set of five mini-plays (with run times around 6 minutes) for a school class studying The Tudors (English National Curriculum Key Stage 2, Unit 8, contrasting the lives of rich and poor). No set requirements. Producer's Copy includes a quiz. |
| Synopsis | Five short plays looking at different aspects of life in the Tudor Age, covering the country, the city, life at court, fashion and the theatre. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Twelfth Night [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Twelfth Night', with every word remaining Shakespeare's.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | A cross-dressing survivor of a shipwreck, separated from her twin brother, finds herself in the centre of a confusing love triangle. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Two Gentlemen of Verona by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 16. No chorus. Flexible numbers of soldiers and outlaws |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A humorous retelling of Shakespeare's story as a modern-language one-act play. |
| Synopsis | When Proteus follows his best friend Valentine to fashionable Milan, he finds himself attracted to the Duke of Milan's daughter, Silvia, upon whom Valentine has already set his sights. Hatching a plot to remove Valentine from the scene and move in on Silvia, he does not realise that he is being followed by Julia, the girl he left behind in Verona and to whom he has sworn everlasting devotion. Will the faithless scoundrel succeed with Silvia or will his efforts founder? A no-brainer, really. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Urban Hymns by Keith Badham
Performance by Up-Stage Theatre Company won Best Youth Actress award in the Bedfordshire One Act Play Festival, 2011 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 65. No chorus. The nine scripts have casts ranging from two to twenty, however the author expects that some groups will reorganise the twenty-character script for a smaller group - his estimated minimum cast is six. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short scripts for teenagers. Simple to set, but with plenty of performance challenges. Contains swearing. |
| Synopsis | Nine short scripts:
Introduction (Nominally twenty roles)
Bittersweet Symphony (Seven roles)
The Drugs Don't Work (Four roles)
Sonnet (Four roles)
Juliet (Two roles)
Romeo (Two roles)
There Is A Light That Never Goes Out (Five roles)
24 Minutes From Tulse Hill (Six roles)
Lucky (Nominally 15 roles) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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