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| Territorial Actors by tlc Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 7. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute skit, no set requirements. Single prop (a field telephone) |
| Synopsis | A drill sergeant takes a set of rookie part-time actors through their paces. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Theatrical Dead by Bart Meehan |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy with a single (theatre) setting. |
| Synopsis | A frustrated stage manager is desperately dealing with last minute frustrations as he prepares for opening night. However, the ghost of a famous actor appears quoting Hamlet on stage and proves impossible to remove. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's One in Every Show by George Douglas Lee |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. One of the characters is a young boy, the rest are adults (mainly over-the-top thespians). |
| Run Time | Around 115 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy, set around a struggling (American) theatre company. Contains very minor swearing. |
| Synopsis | For years Sheldon has held together his troupe of actors with the promise of a show, but now his accountant has signed up a producer, who's found a backer and they're going to have to perform at last. But the script is bad - worse than the actors themselves - and they have the Sponsor's idiot son involved too... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Thesps by Nigel Holloway |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 15. Chorus. Nucleus of 10 principals plus company of singers. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | Piano and vocal scores for the 13 Gilbert and Sullivan songs used in the script are supplied with the Producer's Copy. |
| Style | Full-length comedy play, using the music of Gilbert and Sullivan. The settings are a drama group's rehearsal room and the stage. |
| Synopsis | The thespians of The Off The Wall Theatre Company are trying to stage Gilbert and Sullivan's HMS Pinnafore. The chairman has hired-in Caroline, a professional director, to help them. Unfortunately, Barney, one of the company, has had a steamy affair with the director in the past. Barney wants to escape, whilst Caroline wants to resume where they left off. Of course, the rest of the company step in to help Barney out of his hole - unfortunately, their idea of help seems to involve even more digging! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Midi files of songs from the show
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| Click here to read the script or Click here for more details. |
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| To Be Hamlet by Olivia Arieti |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play. Simplest set - a bare stage - simple props. |
| Synopsis | An actor struggles with the role of Hamlet as Hamlet struggles with his destiny. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Toil and Trouble by Karina Fernandez |
| Roles | Minimum Male roles = 2. Minimum Female roles = 8. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, set backstage at a school production of 'The Scottish Play'. |
| Synopsis | Tensions mount as the young actors ready themselves for the impending curtain up, and things are made worse when the director announces that a West End producer is in the audience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tony and Bee-ing Cleopatra by Fiona Scott Patrick |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Lindsay is dressed in a bumble bee costume with a Cleopatra wig. (Just in case you need a hint about the provenance of the strange title.) The cast includes four numbered tourists. Others might drift through! |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute character-driven play, minimal set. (I realise that the residents of Edinburgh might be offended by the description of one of their streets as minimal, but it doesn't need to be a realistic set!) |
| Synopsis | Lindsay is handing out flyers for her show at the Edinburgh Fringe, but she feels she's too old to be there - she's a serious actress. Then she meets Tony, a little drunk and recently dumped by her boyfriend, and the pair find a new enthusiasm for acting. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tree Audition by Hugh Smith |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch with minimal set requirements. |
| Synopsis | An actress uses underhand tactics to put off a rival while waiting to audition for the part of Lady Macbeth. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Trouble 07 - Licensed to Panto! by Andrew Yates |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 20. Minimum total without doubling = 21. Chorus. |
| Run Time | Around 102 minutes. [Estimated!] |
| Music | Five songs are suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Full-length pantomime with two sets (office and street). |
| Synopsis | In this 'James Bond meets Dick Whittington' spoof, Agent 0007 must go undercover as Dick to thwart evil organisation SPHINCTER, whose aim is to bring an end to pantomime as we know it. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Under the Hood by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama (on the lower boundary of two-act length). Simple sets. |
| Synopsis | Rose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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