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| Scripted by Brenna McBride |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Quirky comedy short on a coffee shop set. |
| Synopsis | Coffee house waitress Jenny has written her own happy ending for herself and her favorite customer, Kevin - and she's hired the perfect director, Linda, to make her fantasy a reality. But what happens if life refuses to imitate art? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Securing the Sponsor by TLC Creative |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Whilst Leonard and the director have masculine names, any of the characters could be played female. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch with a theatrical bent. |
| Synopsis | For many shows, securing a sponsor to help finance the production is a crucial task. It doesn't always go as well as this... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sent Back Standing by Jenny Gilbert |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. An uneven distrubution of roles, with the play dominated with the director (though, unusually in these circumstances, the director is on stage). |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, single set (pretty much a bare stage). |
| Synopsis | A director struggles to keep her sanity through the stresses of a Tech rehearsal in a venue that's being rebuilt around the company. She's also haunted by her husband's affair, and trying to work through her private grief in a very public place. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Set to and Build by Peter Appleton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy during which parts of the set are built on-stage - sort of. |
| Synopsis | An AmDram crew meets ahead of the new show to build the set. Arguments over creative vision versus available materials, colours and building techniques, not to mention accidents, strain relations. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Seven Ages of Love by Robert Burns |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One act play with an interesting structure. (As our reviewer remarked, 'It's what you'd get if MC Escher was a playwright'.) Several locations, but can be done with indicative sets. Contains a mild swearword. |
| Synopsis | Mike's written a play about his failed love, telling the story in reverse for the benefit of his friend Phil. If you run a sad love story backwards, you end up with a happy ending, don't you? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Shadows In The Middle by Patti Veconi |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 11. Minimum total without doubling = 34. No chorus. Contains scenes altered for either predominantly male or female casts. |
| Run Time | Around 51 minutes. [Estimated!] |
| Music | None. |
| Style | A Shakespearean themed play for youth theatre (American English). |
| Synopsis | Puck's final monologue from A Midsummer Night's Dream is dramatically examined in the context of modern school life and everyday teenage angsts and relationships. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Smoke and Mirrors by E. C. Chapman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Dramatic monologue recounted by a theatre director. |
| Synopsis | A director talks through the trials and tribulations on an outdoor production of one of Shakespeare's most celebrated plays. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sword Game by David Dean |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch on a single (office) set. |
| Synopsis | Grace's agent Tony got her a role on the TV series Sword Game, but she’s not happy, despite the awards that have come her way. She wants something that will stretch her a little more, but Tony thinks she needs pushing... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tabbed by Bob Tucker |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 12. Chorus. The script is about a group performing a British Pantomime, therefore Widow Twankey is intended to be played by a man, and Aladdin by a young woman. The chorus is optional (the chorus part could probably be doubled by a couple of the principals.) |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy, set in the middle of a (disastrous) pantomime performance. |
| Synopsis | It's Panto time again for the Witherington Over Mired Brook Amateur Theatrical Society (WOMBATS), but things aren't going well... Aladdin's had a nasty accident and had to be replaced at short notice, the script is illegible, the stage crew are in revolt and the lights and curtain aren't behaving themselves either. Can Widow Twankey hold things together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Talky Bits by TLC Creative |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 7. Minimum total without doubling = 37. No chorus. Many of the characters are written with a specific gender, but most can be changed! |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of ten comedy sketches requiring little in the way of set or props (the most complex sketch requires a table, chairs and a few pieces of paper.) Most could be run front-of curtain. |
| Synopsis | Ten comedy sketches with a theatrical theme, designed to be interspersed between other material in a drama and dance showcase. The sketches cover the theatrical process from pitching a show concept through to first night nerves.
Most of the sketches are available individually. This collection is available at a discount to the sum of the individual prices. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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