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| A Straight Play by Natalia Knowlton |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama in a single (simple) set. Contains adult themes. |
| Synopsis | In Colorado, 2003, newly married Kate joins a support group for married women, and finds it less than supportive. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Strangers When We Meet by Scott Carpenter |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A ten minute play. |
| Synopsis | Malcolm and Eira are both in their sixties, and looking for love. As the two make awkward small talk, childhoods are revisited and memories are stirred. Perhaps they are not strangers at all |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sunshine on my Shoulder by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | One well-known song is suggested to be played at the ending. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full-length drama about a holiday to Tenerife - though able to be performed with minimal sets. |
| Synopsis | The final sale of the family business has just been confirmed, and Thomas is off on a golfing holiday with his wife Pru and their friends Guy and Sally. But things aren’t quite as they seem for Guy and Pru. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sweet Dreams by Peter Appleton |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act twisted psychological drama, verging on the melodramatic. |
| Synopsis | Plagued by nightmares after a mysterious accident, Anne has trouble telling reality from her dreams. Is her fiancé alive or dead? Is her father helping her, or holding her prisoner? Can she even trust her oldest friend? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Take-Away by Pat Edwards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two older teens and two middle-aged characters. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play of shorter length, split set - in two flats with a lift, set between them. |
| Synopsis | Gail and Josh share a flat, but their relationship has soured - Josh is harsh and demanding, and Gail is quiet and compliant. The Barnstables live in the flat across from them, an older couple with a happy marriage. But no one seems happy with the way things are between Josh and Gail - not even Josh. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Talking in the Library by Jackie Carreira |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 86 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with a single (library) setting. |
| Synopsis | The disparate group of regulars at the library along with the librarian and his assistant discover things about each other, and perhaps more importantly themselves and their relationships, over the course of a few weeks. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Taming of the Shrew [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Shakespeare's play efficiently cut down without damaging the flow of the story. A comedy in the renaissance sense of ordinary people, witty dialogue and a happy ending.
Contains Shakespearean insults. |
| Synopsis | Bianca has many suitors, but her father won't let her marry until he has also given away the hand of her hot-tempered and uncontrollable elder sister Katharina. While Lucentio concocts a plan to win Bianca as his wife, Petruchio decides to wed Katharina and subdue her shrewish nature. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ten Minutes Left by Bart Meehan |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with minimal set requirements. Some strong language. |
| Synopsis | A couple’s previously staid relationship blossoms as they wait, knowing there are only ten minutes before an unknown catastrophe arrives. Is there time to remember their first meeting? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| There's Always Time For Dancing by Helen Boyce |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | One song, to be played over the closing dialogue, is suggested in the producer's copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act drama on a single (living room) set. |
| Synopsis | After a lovely church service, Michael and his wife relax at home. He does his best to make her laugh, encouraging her to dance with him, though she’s tired. But a persistent noise distracts her, and leads her to a sad discovery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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These Are The Days by Shari Gledhill
TOPs (The Oldland Players) won 1st place at the Bristol One Act Drama Festival 2024 for their production of 'These Are The Days'. The group also won awards for Best Actress, Best Director, Best Lighting and the Audience Award. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act dramatic duologue with no set required. |
| Synopsis | Married couple Matt and Vicki re-live their relationship from its unlikely beginnings to its poignantly tragic end. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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