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| Donegal Calling by John Peel |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 11. No chorus. Six on-stage characters, five off-stage voices. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama in a single set (which needs only furniture). |
| Synopsis | Roisin and Johnny, strangers, are thrown together one evening in the busy foyer of a hotel. They share a bottle of wine and conversation brings out major events in their lives. Both had fallen in love - both relationships ended tragically, for very different reasons - but Donegal keeps calling them back. One year later in the same hotel, the same busy foyer, they meet again as friends. More information about past events comes to light - enough to clear the way to give them a future together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Dracula by Damian Woods |
| Roles | Minimum Male roles = 8. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 62 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama adapted from the Bram Stoker novel. This has been written to be easily staged, by use of props, lighting and sound, rather than elaborate sets. |
| Synopsis | The classic gothic tale is authentically brought to life, as young lawyer Jonathan Harker is sent to a Transylvanian castle to meet with the mysterious Count Dracula, who is planning to move to England. But he doesn't realise that the Count has a taste for blood... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Emma by Jane Austen dramatised by Michael Baulch |
| Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 11. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 150 minutes. [Estimated!] A slick production should be able to reduce this considerably! |
| Music | None. |
| Style | Full-length period drama. Three locations created by simple variations on a single physical set. |
| Synopsis | Dramatization of Jane Austen's work, capturing the essence of the period as we see Emma's intriguing matchmaking unfold and her own marital future fulfilled. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Entrenched by Samantha Lierens |
| Roles | Minimum Male roles = 10. Minimum Female roles = 7. Minimum total with doubling = 17. Minimum total without doubling = 19. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | A song is suggested to be sung and accompanied on piano at beginning and end the performance. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length play, divided into three acts, with many short scenes in different locations. |
| Synopsis | A re-telling of a true story about Elsie Knocker and her friend Mairi Chisholm, who were instrumental in establishing and maintaining a hospital, close to the front line at Ypres during the First World War. They were both awarded the Military Medal, were decorated by the Belgian King, and probably became the most photographed women of their time. This play follows them from their first meeting to the irrevocable breakdown of their friendship in 1919. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Epic of Gilgamesh by Adrian Jarvis |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
| Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Exercise In Discretion by Geoff Fulford |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 125 minutes. [Estimated!] |
| Music | None. |
| Style | A full length drama with a single gym rest room setting. |
| Synopsis | Take 5 ladies of varying backgrounds and put them in the rest room at an exercise class. They talk about their lives, their hopes and fears openly and unashamedly. Add into the mix a young, single, male fitness instructor and see what happens. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Fairies at the Bottom of the Garden by Kieron Toner |
| Roles | Minimum Male roles = 6. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. Ravenscar (one of two fictional characters) is written male but could be played female. |
| Run Time | Around 94 minutes. [Estimated!] |
| Music | None. |
| Style | Dramatisation of the true story of the Cottingley fairies. |
| Synopsis | Elsie Wright and Frances Griffiths, now elderly ladies, recount to two investigators the events that took place in Cottingley in 1917, when as young girls they took photographs of fairies. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Family Matters by Juliet Devon |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. Cast includes 5 children (of secondary school age) and two offstage adult voices. |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | A fun script for a lively show that accommodates a number of younger actors. Structurally in two acts, but run-time on the boundary between full-length and one-act. Single domestic set. |
| Synopsis | Susan tries to steer her five children through a regular school day, while also dealing with her mother, her father, and her sister, as well as the helpful advice of her husband, who's out of the country for work. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Family Spirit by Pat Wollaston |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Play in two acts (in length, somewhere on the boundary between a one-act play and a full-length - that is to say, another shorter piece could be fitted in the same program if desired). Single domestic set. Contains swearing. |
| Synopsis | When Arthur dies, he's a little surprised to find that he's still in his old house. His guide angel, Simon, explains that he's being assessed to determine which way he goes next, but there are a few complications between Arthur's funeral and his final destination. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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| Family Ties by Mark Seaman |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. All characters are adults, with a range of ages. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama in three acts. Single domestic set. Contains swearing, intolerance and other forms of familial behaviour. |
| Synopsis | It's Ted's sixtieth birthday and Doris has planned a family get together. Son Ian and his wife Sally only live down the road, but Paul has been living away in London, and doesn't get on with his Dad. It was always going to be tough, but Paul lets slip a devastating secret. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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