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Five Black Marks by Deborah Hugill
Production by Allerton Players won Best Production, Best Actress, Best Technical Achievement award and the Audience Award at Richmond Drama Festival 2014 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and one recorded voice. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | An atmospheric supernatural drama. |
| Synopsis | Three friends are spending the night in an abandoned school on Halloween. A teacher died in fire there, many years ago, and at least one of the girls is hoping the ghost will appear. What they don't know is how the fire started. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| The Fog of War by Joanne Higginson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 44 minutes. [Estimated!] |
| Music | One track, to be played from a stereo at the opening of the play, is suggested in the producer's script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act drama with a single (living room) setting. Strong language. |
| Synopsis | 21 year old Tanya has recently lost her husband in Afghanistan due to friendly fire. Her cousin Anna, who she hasn't seen for some time, visits from Canada for the funeral. As the cousins discuss the past, unexpected truths are revealed and Anna realises Tanya isn't the grieving widow the press expect her to be. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| For Both of Us by Peter Vincent |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The two characters are an ageing mother and her (adult) daughter. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Short play. Minimal set, minimal props. |
| Synopsis | Lisa tries to deal with her mother's increasing symptoms of Alzheimer's disease. A story of love, loss and compassion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Funeral for the Cat by B. G. Craig |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Elizabeth is written female, but could be played male (and renamed Elliot). |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A good mix of emotional drama and dark but gentle comedy. Easy to stage on a single living room set.
US English. |
| Synopsis | Judy, an elderly widow, is holding a funeral for her beloved and recently departed cat. Her daughter and granddaughter are alarmed to find that, since a pet coffin was too expensive, Miss Mopsy is lying on the coffee table. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Game by Mary Stone |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short sketch, highlighting relationships and friendships. |
| Synopsis | In different social circles at school, Gem and Katy are horrified to discover that their parents are dating. They resolve to break the couple up, but don’t seem to anticipate the results of having to work together on the project. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gentleman Moll by Gill Medway |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. This is essentially a female monologue, but there's an offstage male voice with a single line (probably a recording). |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen minute dramatic monologue. Single set (furniture only, and not much of that). |
| Synopsis | It is 1749, and young Moll Tyler sits in a prison cell on the eve of her execution. She reflects on her career as a highwaywoman. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Get to Dance by Frank Gibbons |
| Roles | Minimum Male roles = 0. Minimum Female roles = 8. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. The characters are 7 female youth actor-dancers (playing ages 14-16) and one 1 adult female actor (playing age aroung 50) |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for a youth-theatre company. |
| Synopsis | A window in to the lives of the members of a dance academy and their 'welcome' for new member Georgina, an overweight teenager who has decided to try dancing as a last resort in her determination to overcome her weight problem. This one act play deals with bullying in all of its forms with humour, music, dance and pathos as Georgina's journey progresses to its uplifting conclusion. Along the way her stoic strength of character enables her to peel away repressed emotions in others and helps them to come to terms with their own difficulties. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Getting On by Frank Gibbons |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | Short play for one actor - a good, subtle character piece. Minimal set requirements (a chair). |
| Synopsis | Sixty-something Joyce is a lonely widow, but she remains remarkably tolerant despite being neglected by her ambitious son. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Going Digital by E. C. Chapman |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A monologue set in an armchair surrounded by remote controls. |
| Synopsis | Patricia, in her eighties, struggles to adapt to the increasingly complex technology which threatens to leave her generation behind. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Good Old Days? by Liz Dobson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Care Home manager can be m or f. |
| Run Time | Around 31 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play with a single, Care Home lounge, setting. |
| Synopsis | Based on actual events, we see care home resident Ada relate her personal history to the rather flippant young cub reporter Claire, who at first is there on sufferance. As Ada's tragic story enfolds, Claire becomes increasingly interested and empathetic, and realises that her naïve impression of the old days belies the inherent prejudices which existed to shape and ruin people's lives. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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