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A Forty-Minute Richard II by Shakespeare, abridged Bill Tordoff |
Roles | Minimum Male roles = 14. Minimum Female roles = 2. Minimum total with doubling = 19. Minimum total without doubling = 32. No chorus. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | Abridgement of William Shakespeare's 'The Life and Death of King Richard II', with the original text cut down to under 40 minutes. (The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
Synopsis | King Richard II is approached by both Henry Bolingbroke and Thomas Mowbray, the Duke of Norfolk, who wish him to judge a duel between them. Both Richard and John of Gaunt oppose the duel, but Richard agrees to oversee it. As the duel commences Richard interrupts and banishes both men from England. Mowbray predicts this as the first act leading to Richard's downfall. Following John of Gaunt's death, Richard appropriates all his money and lands. As Richard plots a war on Ireland, the nobility seek to overthrow him and place Bolingbroke on the throne. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Forty-Minute Timon of Athens by Shakespeare, abridged Bill Tordoff |
Roles | Minimum Male roles = 10. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 31. No chorus. Lots of flexibility in numbers - lots of doubling is possible or, conversely, roles like the senators and lords can be shared out. Few specifically female characters, but many could be cast female. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | Abridgement of William Shakespeare's 'Timon of Athens', with the original text cut down to 40 minutes or so. (The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
Synopsis | Timon is berated by the sour philosopher Apemantus, but Timon ignores his advice, preferring to enjoy himself through banquets and acts of generosity. However, when Timon runs into debt his friends prove false and he leaves Athens in anger and disgust. In the wilderness his fortune changes. but not his view of his fellow man. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Forty-Minute Troilus and Cressida by Shakespeare, abridged Bill Tordoff |
Roles | Minimum Male roles = 16. Minimum Female roles = 3. Minimum total with doubling = 19. Minimum total without doubling = 34. Chorus. Plenty of scope for extras, as we have the population of Troy and the entire Greek army looking on (and occasionally getting involved in the fray - some of the spear carriers get to use their spears!) |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | Abridgement of William Shakespeare's 'Troilus And Cressida', with the original text cut down to 40 minutes or so. (The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
Synopsis | The Trojans are trapped in their city as Greek warriors like Ajax scour the battlefield. Troilus, youngest son of the Trojan King Priam, is distracted from the battlefield by his pursuit of the beautiful Cressida. Just when Cressida has submitted to his advances, she is used as part of a prisoner exchange and sent to join her father (who is camped with the Greeks). During one of the periodic truces, Troilus witnesses Cressida in a dalliance with Greek hero Diomedes. Enraged, Troilus takes to the battlefield in pursuit of Diomedes, whilst the petulant Achilles takes on the noble Trojan Hector. Shakespeare uses the siege to question notions of fidelity and chivalry. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Forty-Minute Two Gentlemen of Verona by Shakespeare, abridged Bill Tordoff |
Roles | Minimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus. There are two groups which give numerical flexibility - 'outlaws' and 'musicians'. This is the Shakespeare play with the dog. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | Abridgement of William Shakespeare's 'The Two Gentlemen of Verona', with the original text cut down to 40 minutes. (The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
Synopsis | The two gentlemen in question are Valentine and Proteus. Valentine wants Proteus to be his travelling companion on a tour, but Proteus wishes to stay behind and court Julia, a coy young lady who likes Proteus, but is too shy to admit it - at least until Proteus's father sends him away to join Valentine in Milan. However, in Milan, Proteus falls for Sylvia, whom Valentine is courting. There follows rivalry, betrayal, banishment, outlaws, cross-dressing and the occasional swoon before all ends happily! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Forty-Minute Winter's Tale by Shakespeare, abridged Bill Tordoff |
Roles | Minimum Male roles = 9. Minimum Female roles = 6. Minimum total with doubling = 15. Minimum total without doubling = 28. Chorus. The characters are adults plus one child and, famously, a bear, whose only role is to exit in pursuit of Antigonus (for an offstage lunch appointment - although only one of the parties is hungry.) |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | Abridgement of William Shakespeare's 'The Winter's Tale', with the original text cut down to 40 minutes. (The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
Synopsis | Leontes, King of Sicilia, suspects his wife Hermione of having an affair with Polixenes, the King of Bohemia. (Herminone and Polixenes are innocent.) Polixenes escapes Leontes' wrath, but Hermione does not and is imprisoned. Hermione gives birth to a daughter, but Leontes does not believe the child, Perdita, to be his and sends her abroad. She is abandoned on the coast of Bohemia (a feat which would be frowned upon these days, owing to Geography) and Perdita is brought-up by a Shepherd. Time (making a guest appearance) moves the play on sixteen years, and Florizel, son of Polixenes, meets and falls in love with Perdita, the shepherdess, thus setting-up the inevitable reconcilliation and happy ending. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Frankenstein's Last Chance by Geoff Bamber |
Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
Run Time | Around 42 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy melodrama, for school-age, youth performers. |
Synopsis | Having given up his medical practice to concentrate on his career as an inventor, Doctor Viktor Frankenstein desperately needs to raise funds to pay for his daughter's forthcoming wedding. Success at the annual Mad Scientists' Convention would be well-rewarded, but Viktor finds himself singularly short of inspiration until... No, that would be absurd - wouldn't it? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Free For Hall by Cheryl Barrett |
Roles | Minimum Male roles = 4. Minimum Female roles = 7. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | The producer's copy of this script contains suggestions for 2 songs, to be played during the comedy dance routines. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one act comedy with a single setting. |
Synopsis | The local amateur dramatic group are rehearsing their pantomime in the local village hall but the venue has been triple booked and no-one is prepared to budge. With Celeste getting her yoga knickers in a twist and conflict running high amongst the drama group members the chaos is eventually resolved. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Frying Nemo by Amelia Armande |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 33. No chorus. Enormous flexibility! The author presents a doubling table showing how the thirty-three characters can be played by 10 actors (with a lot of swift - and necessarily simple - costume changes). |
Run Time | Around 45 minutes. [Estimated!] |
Music | The producer's copy contains suggestions for (the style of) accompanying music. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one-act nautical comedy play (with opportunities for dance music). Written for minimal set - because it was originally performed in a sea-life centre! |
Synopsis | An old man in a care home is telling the story of his younger days - as the seafaring adventurer Captain Nemo! We see things that Jules Verne never got to write about in this stirring tale of derring do and mermaids, with a surprisingly affecting ending. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Get to Dance by Frank Gibbons |
Roles | Minimum Male roles = 0. Minimum Female roles = 8. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. The characters are 7 female youth actor-dancers (playing ages 14-16) and one 1 adult female actor (playing age aroung 50) |
Run Time | Around 60 minutes. [Estimated!] |
Music | None. |
Style | One-act play for a youth-theatre company. |
Synopsis | A window in to the lives of the members of a dance academy and their 'welcome' for new member Georgina, an overweight teenager who has decided to try dancing as a last resort in her determination to overcome her weight problem. This one act play deals with bullying in all of its forms with humour, music, dance and pathos as Georgina's journey progresses to its uplifting conclusion. Along the way her stoic strength of character enables her to peel away repressed emotions in others and helps them to come to terms with their own difficulties. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Ghost Walk by Gary Diamond |
Roles | Minimum Male roles = 6. Minimum Female roles = 8. Minimum total with doubling = 14. Minimum total without doubling = 15. No chorus. |
Run Time | Around 21 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy drama, with various settings. |
Synopsis | On a ghost walk in York various locations are visited - associated with ghostly happenings. Our guide is finally revealed... to be not the sort of person we thought he was. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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