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God's Minstrel by Joseph P. Ritz |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Goldilocks, Three Bears and the Detectives by Juliet Devon |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | Family show, structurally in two acts, but run-time on the boundary between one-act and full-length. (Could be expanded with songs at the discretion of the production.) |
Synopsis | The Bears' cottage has been ransacked - porridge eaten, furniture wrecked, and someone looking a lot like Goldilocks fled the scene when the Bears came home. But is she really guilty? The detectives investigate. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Good King Richard by Ian Dixon Potter |
Roles | Minimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 13. Minimum total without doubling = 17. No chorus. |
Run Time | Around 108 minutes. [Estimated!] |
Music | None. |
Style | A full-length historical drama. (A lot of locations, but simple to stage, give or take the butt of malmsey.) |
Synopsis | After the death of Edward IV, his brother Richard becomes Lord Protector and then King. Richard III is determined to be a good king, but his principles - out of place in the royal court - enable challengers including Henry Tudor to plot his downfall. A counterpoint to Shakespeare's Richard III (which was based on the testimony of Richard's greatest enemy), Good King Richard sets the historical record straight. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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The Goodbridge Million by Sean Dooley |
Roles | Minimum Male roles = 5. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
Run Time | Around 80 minutes. [Estimated!] |
Music | None. |
Style | Full-length comedy play. One set, split between three distinct locations. |
Synopsis | After years of discussing the same old issues, the Parish Council of the hamlet of Goodbridge is suddenly handed the amazing news that a foreign benefactor is giving the village one million pounds to be spent according to the villagers' wishes. The councillors organise a meeting to allow people to present their proposals for the use of the money, then hold a secret ballot. Unfortunately for the nursery extension, the sports hall and the new church organ, there is an outbreak of tactical voting and the proposal to host the world Scrabble championships wins by a landslide. But never mind all that - the important questions are: can Will ever pluck up enough courage to ask Persephone to marry him? and how will his school play turn out? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Green Things in Space by Paul Gisby |
Roles | Minimum Male roles = 5. Minimum Female roles = 7. Minimum total with doubling = 12. Minimum total without doubling = 14. No chorus. In addition to the on-stage characters, two people appear on video and there are several voice-overs. |
Run Time | Around 105 minutes. [Estimated!] |
Music | None. |
Style | Full-length play. Simultaneously comic and poignant. Stage (and action) split between a modern hospital and the deck of a sci-fi spaceship! |
Synopsis | Stan is in hospital, suffering from the effects of years of working with asbestos, but he lives on in his unpublished science fiction epic - an unintentionally hilarious account of a galactic war. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Grimm Night for Hans Christian Andersen (Musical) by Sue Gordon |
Roles | Minimum Male roles = 8. Minimum Female roles = 10. Minimum total with doubling = 23. Minimum total without doubling = 40. No chorus. Lots of speaking parts, but few characters per scene so easy to structure small rehearsals. Whilst it does not require a chorus, there is scope for extra characters in a few of the scenes. Some of the characters sing! |
Run Time | Around 90 minutes. [Estimated!] |
Music | Sheet music for 7 original songs and 3 pieces of incidental music is provided with the producer's copy of the script. |
Style | Comic retelling of fairytales as a musical play. Many scenes, but using the same few pieces of 'set furniture'. Simple props. |
Synopsis | Hans Christian Andersen gets an unexpected visit from the Brothers Grimm - who seem to be upset over the matter of stealing story lines. A competition ensues, with characters from Andersen and Grimm stories taking the stage - often in unexpected ways. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show ** Backing tracks of songs from the show as MP3 files ** Soundtrack CD - vocal performances of songs from the show ** Backing tracks for the 7 songs and 3 pieces of incidental music for 'A Grimm Night for Hans Christian Andersen' ** Vocal tracks for the 7 songs (plus 3 pieces of incidental music) for 'A Grimm Night for Hans Christian Andersen' by Sue Gordon. (Arrangements by Dave Watt, vocals by Leanne Cooper and, Jonny & Stuart Ardern. Recordings by Dave Watt and Jonny Ardern.) ** A zip file of backing tracks for the 7 songs and 3 pieces of incidental music for 'A Grimm Night for Hans Christian Andersen' ** Vocal tracks for the 7 songs (plus 3 pieces of incidental music) for 'A Grimm Night for Hans Christian Andersen' by Sue Gordon. (Arrangements by Dave Watt, vocals by Leanne Cooper and, Jonny & Stuart Ardern. Recordings by Dave Watt and Jonny Ardern.)
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A Grimm Night for Hans Christian Andersen (Play) by Sue Gordon Best Seller |
Roles | Minimum Male roles = 8. Minimum Female roles = 10. Minimum total with doubling = 23. Minimum total without doubling = 40. No chorus. Lots of speaking parts, but few characters per scene so easy to structure small rehearsals. Whilst it does not require a chorus, there is scope for extra characters in a few of the scenes. |
Run Time | Around 80 minutes. [Estimated!] |
Music | None. |
Style | Comic retelling of fairytales - many scenes, but using the same few pieces of 'set furniture'. Simple props. |
Synopsis | Hans Christian Andersen gets an unexpected visit from the Brothers Grimm - who seem to be upset over the matter of stealing story lines. A competition ensues, with characters from Andersen and Grimm stories taking the stage - often in unexpected ways. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Guest House by P. B. Stenson |
Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 16. No chorus. Fifteen on-stage roles plus an offstage voice. |
Run Time | Around 87 minutes. [Estimated!] |
Music | None. |
Style | Full-length play in a single bedroom set. An episodic structure (because all the guests can't occupy the same bedroom at the same time.) |
Synopsis | Clara and Will have bought the Guest House at Number 13, a new business venture for them. They find that there is a lot of on-the-job learning to do - for example, they have to decide what to do with the stash of old twenty pound notes in the hidden wall safe, not to mention the peculiar behaviour of their guests. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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Happy Christmas Shirley by Louise Roche |
Roles | Minimum Male roles = 5. Minimum Female roles = 8. Minimum total with doubling = 13. Minimum total without doubling = 14. No chorus. Characters are adults, with a broad range of ages. The Auxiliary (who appears in two scenes) might double with Peggy. |
Run Time | Around 95 minutes. [Estimated!] |
Music | None. |
Style | Full-length comedy play (and tear-jerker) about a family Christmas. Single set (divided, largely by lighting, into several playing areas, for which there are stage diagrams in the Producer's copy of the script). |
Synopsis | It's Christmas Eve and the outside of Shirley's house looks like the Blackpool Illuminations. Inside, everything is ready and Shirley is determined to have the perfect Christmas day. But will she be able to keep a lid on family feuds? Will grumpy Nan go too far this year? Will heavily pregnant daughter Donna give birth? And how on earth will Shirley react when her other daughter tells her she has invited a lonely old man to share their Christmas dinner? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Hats Off! - The Musical by Sue Gordon |
Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 9. Chorus. A nucleus of seven actors, backed by a chorus (with no size limitations) singing the songs. |
Run Time | Around 60 minutes. [Estimated!] |
Music | Sheet music for seven songs (original lyrics to Victorian period music) is supplied with the Producer's copy of the script. |
Style | Musical for children (could also be staged by adults for kids). Whilst by length we would class this as a one-act play, it is split into two acts and an interval is advised so that the single set can be redressed to mark the passage of time! |
Synopsis | Mrs. Green is the real driving force behind 'Barker's Bonnets' a milliner's shop in Victorian England. However, she faces unemployment when Mr. Barker sells up to emigrate. A secret scheme is hatched to allow her to continue - and to thrive in the modern world of the 1870s. (The script tells an engaging story whilst exploring the novelties, inventions and social nuances of the Victorian world. This would fit well with the English National Curriculum Key Stage 2 History Topic, 'The Victorians'.) |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'rehearsal CD' with piano arrangements of songs from the show
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Click here to read the script or Click here for more details. |
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