|
| Love's Labour's Lost [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 10. Minimum Female roles = 5. Minimum total with doubling = 17. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | A 60-minute abridgement of the Shakespeare comedy.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but, because all the words are Shakespeare's and therefore out of copyright, performances are royalty-free.) |
| Synopsis | Ferdinand, King of Navarre, has decided that he and his court will devote three years to an ascetic life of studying, fasting, and forswearing the company of women. However, he has forgotten that the Princess of France and her retinue are due to visit. So, will the court pursue asceticism or pretty women? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Lucky Balls by Louise Roche |
| Roles | Minimum Male roles = 5. Minimum Female roles = 8. Minimum total with doubling = 13. Minimum total without doubling = 14. Chorus. The chorus is optional (bar staff and band members). The script includes an on-stage band. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | Suggested songs (titles only) are embedded in the script. These are intended to be played by the on-stage band. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Full-length comedy play. Single set (with various locations within a wedding reception indicated by lighting and set dressing). Contains mild swearing. |
| Synopsis | Nine wedding guests are the victims of a really bad seating plan. They try to get along, then one suggests they chip in to buy a lottery ticket. When they win all their masks slip away to reveal who they really are. The poor maitre d' tries to keep the reception on track but in the end he can only watch as relationships unravel. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Macbeth [a 60-minute abridgement] by Shakespeare abridged by Dwayne Lawler |
| Roles | Minimum Male roles = 8. Minimum Female roles = 2. Minimum total with doubling = 10. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Macbeth', with the original text of around three hours cut down to 60 minutes.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Witches, prophesies, murders, battles and ghosts. Shakespeare's Macbeth compressed to the compass of a small cast. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Magdalen Whitewash by Valerie Goodwin |
| Roles | Minimum Male roles = 2. Minimum Female roles = 11. Minimum total with doubling = 13. Minimum total without doubling = 21. Chorus. Optional female chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Multiple locations, but simple set requirements, with main scenes played on the full stage and smaller scenes downstage with a few pieces of furniture. |
| Synopsis | In 1946, teenage Nancy tracks down her birth mother Mary to one of the many 'Magdalen laundries' set up in Ireland to house women shunned by society for unmarried pregnancies. But why doesn't Mary want to leave with Nancy? Sixteen years earlier, during Mary's first days at the laundry, she and the other women deal with isolation, pregnancies, and mistreatment from the nuns and priests. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Magic Carpet by Andrew Yates |
| Roles | Minimum Male roles = 4. Minimum Female roles = 9. Minimum total with doubling = 17. Minimum total without doubling = 23. No chorus. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | Family entertainment, designed to fill a similar slot to a British panto (but not sharing all the features of pantomime - more story and less 'variety show'). |
| Synopsis | Ahmed, the Great Mufti of Itsnothatabad, is an old style Middle Eastern potentate whose main aim in life is to out-do his cousin Faisal, particularly when it comes to their wealth and wives. With a visit from Faisal imminent, Ahmed is determined to trump his cousin once and for all with a special new addition to his harem. Tired of brown-eyed beauties with dark hair he sends his hapless servant Saleem on a quest for a blue-eyed blonde. A magic carpet comes to Saleem's rescue and transports him to modern day London but the bombshell he returns with has no intention of fitting into Ahmed's plans. His life is turned upside down in this comedy of sexes and cultures with consequences he could never have imagined. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Mam, There's a Spaceship in Our Backyard by Sarah Cowan |
| Roles | Minimum Male roles = 6. Minimum Female roles = 5. Minimum total with doubling = 21. Minimum total without doubling = 21. No chorus. The men from the MOD are written as men. They might not be! The gender of the aliens is anyone's guess. (The numbers of MOD personnel, aliens and police could be treated flexibly.) Could be played by children or mixed adults and children. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One act play. Single set, complicated slightly by the arrival of the spaceship. Written in northern English with a northern English rude word (which could be excised if you are sensitive to such things.) |
| Synopsis | When a spaceship lands in their back yard, the Brown family aren't at all sure what to do about it. Until they discover there's a reward, that is. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Man of Quality by Richard Morris |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 15. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One act play, exploring slavery and its abolition in the West Indies. Multiple settings, but suitable for minimal staging, with location changes indicated mainly by lighting. |
| Synopsis | A historical drama based on the experiences of Janet Shaw and her father, the English Abolitionist James Shaw. Janet travels to Antigua to see for herself the treatment of slaves on the sugar plantations. She is impressed by the intelligent and gentle Robert, a house slave of her hosts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Man Walks Into a Bra by Jonathan Goodson |
| Roles | Minimum Male roles = 3. Minimum Female roles = 9. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length comedy-thriller with a single set (plus front-of-curtain prologue). |
| Synopsis | A pair of detectives investigate suspicious activity in Bar Harmony, uncovering fraud, theft, deceit, administering a noxious substance and very poor taste in trousers. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Master Shakeshafte by Peter Parkinson |
| Roles | Minimum Male roles = 8. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play, with a variety of settings, generally indicated by furniture and atmosphere. |
| Synopsis | There is much speculation over the 'missing years' of Shakespeare's life, and this play offers a glimpse into what may have happened if the bard of Avon really did spend time as a tutor in Hoghton Hall, before becoming a playwright in earnest. There are numerous nods to familiar plays and characters, and also lines or titles which may delight an alert audience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Matt Freeman's San Antonio by Sandy Radford |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
| Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|