|
I Remember When by Dawn Cairns |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Three on-stage characters plus four off-stage (including two children) who might be recorded. |
Run Time | Around 44 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy in a single camp-site setting. |
Synopsis | John looks forward to re-visiting his childhood holiday campsite but his wife Sheila is not so sure, particularly when John insists his curmudgeonly mother come along too. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Kill-Joy by Mike Rouse Partington Theatre Glossop 2018, Best Actress award, Rachael Hope, under original title of Mirror Image. |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. In addition to the two on-stage characters, there is a radio announcer's voice at the start. This is likely to be a recording. |
Run Time | Around 22 minutes. [Estimated!] First production timed at 27 minutes. |
Music | None. |
Style | One-act thriller. Single set (which may be very simple). Contains swearing and adult themes. |
Synopsis | A man and a woman stumble into an alley behind a club. It’s clear what his intentions are, but she’s not going along with him. Not here, not now, not with a serial killer on the loose. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
|
|
A Load of Rubbish - Small Cast Musical by Sue Gordon |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 5. No chorus. The script is structured so that the five characters can be played by two actors. The characters are inanimate objects, so gender is flexible, though the script assumes, for some reason, that the beer can is male and the perfume box is female! |
Run Time | Around 60 minutes. [Estimated!] |
Music | Piano and vocal scores for eight original songs are supplied with the Producer's copy of the script. |
Style | One-act musical for a small cast (designed to be played by an adult touring company to school audiences) |
Synopsis | Life on an overspill rubbish dump takes a philosophical turn, with items of garbage asking 'why are we here?' - and making a song and dance about it! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show ** Soundtrack CD - vocal performances of songs from the show
|
Feedback | Click here to find out what other customers said about this script. |
Click here to read the script or Click here for more details. |
|
|
The Man From Clerihan by Paul Maher |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 40 minutes. [Estimated!] |
Music | None. |
Style | One-act comedy-drama in a single kitchen set. Themes from Chekhov's 'The Bear' elegantly reworked into modern day Ireland. |
Synopsis | Willie Cleary, a builder, calls on Mary Kate, the young widow of his recently deceased best friend, to collect money that is owing to him. Mary Kate is adamant that she owes him no money, so there is a high stakes stand-off. Mary Kate's fun-loving sister is only too happy to stoke-up the tension in a ferocious battle of wits between a very stubborn man and an equally stubborn woman. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Marigolds - Piling on the Agony by John Chambers |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Characters are a couple and their adult daughter. |
Run Time | Around 50 minutes. [Estimated!] |
Music | None. |
Style | A comedy of self discovery. Contains swearing and a verbally explicit exploration of sexual themes. |
Synopsis | Harry and Marigold have a rocky marriage, but it's not in as bad shape as his... posterior. After he gets his long-suffering wife to help him out, we follow Harry and his family through more pain to reconciliation. Not for the faint-hearted! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
A Meeting of Minds by Catherine Willacy & Andrew Bramble Production by Cairns Little Theatre Inc, Queensland won Best Drama in the FNQATA One Act Play Festival in May 2018, in the Open Section for plays of 16-45 minutes. |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | A one-act drama, well suited for festival performance. |
Synopsis | An unexpected reunion leads to hard truths and hilarious memories. But what exactly is their relationship, and where will it all end? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Awards | Click here to see the awards won by (productions of) this script. |
Click here to read the script or Click here for more details. |
|
|
Missing by Sue Bevan Finalist in the Sky Blue Theatre International play-writing competition, 2013 |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 9. No chorus. Voices of 7 parents may be off stage or recorded. |
Run Time | Around 43 minutes. [Estimated!] |
Music | None. |
Style | A gritty one act play for youth theatre. |
Synopsis | Tom's run away from home but finds he's spent his first night on Lizzie's 'turf'. Is she going to help him, or take his stuff? Perhaps Lizzie's idea of helping Tom isn't the same as his... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The Mixer by Glyn Blakeborough |
Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 4. No chorus. The two main characters are of retirement age, but by no means decrepit! Two of the characters are voices on the phone, so could, conceivably, be recorded. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | Short one-act play, single set (in theory a domestic kitchen, but could easily be done in a 'black box' presentation). Walks a careful line of bittersweet tragic-comedy. Contains mild swearing. |
Synopsis | Peter and Edna have been waiting for three weeks for their bins to be emptied. Peter helps old Mrs Thorburn by putting her rubbish into the correct bins for collection, but it turns out he's been getting it wrong, and Mrs Thorburn is under threat of legal action... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The Mother-in-Law by Ginny Davis |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 6. No chorus. 3 adult roles and 3 optional non-speaking roles for children. |
Run Time | Around 51 minutes. [Estimated!] |
Music | None. |
Style | A one act comedy with a three-part composite set (living room, bedroom, kitchen). |
Synopsis | Irene’s scheming elderly mother Grace needs to be cared for, so Irene persuades reluctant husband Peter that the best answer is for Grace to move in with them. What follows is a game of pig in the middle as the trio struggle to cope with the situation. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Moving On by Richard James Performance by Little Acorn Productions won the Adjudicator's Award, Leicestershire One Act Play Festival, 2010. |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
Run Time | Around 30 minutes. [Estimated!] |
Music | None. |
Style | An excellent three-handed, single-set one-act play on the subject of bereavement. |
Synopsis | Angela is packing up her things to move out of the house she raised her children in. Though her husband has been dead for a year, she hasn't come to terms with losing him. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|