|
| Captain Bluebeard's Monkey by David Pemberton |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 16. Chorus. Chorus size very flexible, at the Producer's discretion |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A one act piratical fantasy comedy. |
| Synopsis | The eponymous monkey uses his guile to thwart the late Captain Bluebeard's swashbuckling crew in their attempts to discover Bluebeard's treasure - which is not what it first appears to be. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Chariot by Chad Bearden |
| Roles | Minimum Male roles = 4. Minimum Female roles = 6. Minimum total with doubling = 10. Minimum total without doubling = 28. No chorus. The original production used adults to play the roles of Lenny and Margo. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | The producer's copy of this script suggests five pieces of background music to be used during the course of the play. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length play, intended for two young pincipal actors (and various adult roles). |
| Synopsis | Lenny and Margo are left orphaned when their mother dies, but their Uncle Joe sneaks them away from government care and takes them on a wild road trip towards San Diego (where he claims to have a job). The kids use their imaginations to stay calm and happy on the trip. The family meet various personalities along America's highways who try to help the lost siblings and the loyal Joe set aside their fantasies and confront reality. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Christmas Carol [Version 4] by Anthony Paul Lashley |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 18. Chorus. The number of carol singers is unspecified. The author suggests (but does not insist) that when Scrooge is reformed, he might be played by a different actor to emphesise the change! Something for productions to play with. |
| Run Time | Around 57 minutes. [Estimated!] |
| Music | Lyrics to a number of (out-of-copyright) carols are embedded in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play with songs. Multiple locations, but indicated by lighting and furniture rather than full-stage sets. |
| Synopsis | Dickens' Christmas tale of redemption is given a little comic twist and run at a smarter pace, but still delivers the required moral lesson along with the laughs. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Christmas Carol In 60 Minutes Or Less! by Martin Prest |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 29. No chorus. Various doubling alternatives suggested in the Producer's copy of the script. |
| Run Time | Around 51 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play in various settings. |
| Synopsis | Staying as true to the original Dickens story as time allows, it unfolds neatly through narration and action. Originally published in 2014, revised edition published September 2017. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| CosPlay by Damian Trasler |
| Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 6. Chorus. The chorus is optional, but could add a lot to the piece. |
| Run Time | Around 37 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Two settings but a simple set design will allow an easy switch between them. |
| Synopsis | The boss wants everyone concentrating on the big presentation, but excitement has gripped the office - this weekend is HeroCon, and people are planning their costumes! It soon becomes clear that what you wear on the outside can hide the real you. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Cowards by Stephen Gillard |
| Roles | Minimum Male roles = 11. Minimum Female roles = 1. Minimum total with doubling = 12. Minimum total without doubling = 22. No chorus. Four principal male roles plus one female cameo. All other roles can be doubled. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length drama set at the front during World War One (a cell block and General Haig’s office). Contains appropriately placed adult language. |
| Synopsis | Sixteen-year-old Private Harry Blaydon stands accused of cowardice and faces execution by firing squad. He is mentored by old sweat Sarge who acts as a father figure for him. Harry's predicament is compared with the situation General Douglas Haig finds himself in as their destinies play out. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Epic of Gilgamesh by Adrian Jarvis |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
| Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Fifty-Minute Duchess of Malfi by John Webster abridged by Bill Tordoff |
| Roles | Minimum Male roles = 11. Minimum Female roles = 5. Minimum total with doubling = 17. Minimum total without doubling = 25. No chorus. Characters include a small boy and optional non-speaking servants, etc. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of John Webster's 'The Duchess of Malfi', with the original text cut down to 50 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | The eponymous heroine is a rich widow. Her brothers - a duke and a cardinal - want control of her wealth and so have forbidden her from marrying. They set the loyal but troubled Bosola to spy on her, and he discovers that the duchess has, in secret, married Antonio, her steward. The news sets the Duke and Cardinal into such a rage that nobody escapes unscathed.
(Whilst the abridgement reduces the length of the text, all of Webster's gory details are preserved - which is more than can be said for the principals.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Fifty-Minute White Devil by John Webster abridged by Bill Tordoff |
| Roles | Minimum Male roles = 10. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 35. No chorus. Characters include a small boy and optional non-speaking attendants, etc. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of John Webster's 'The White Devil', with the original text cut down to 50 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | In his pursuit of Vittoria, the wife of old Camillo, Duke Brachiano abandons his wife, Isabella, then connives with Vittoria's brother, to have Isabella and Camillo murdered. Isabella's brother, the Duke of Florence, and his ally Cardinal Monticelso - Camillo's cousin - set out to get revenge.
(We're in Grand Guignol territory. This isn't going to end happily for anyone!) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| A Forty-Minute All's Well That Ends Well by Shakespeare, abridged Bill Tordoff |
| Roles | Minimum Male roles = 10. Minimum Female roles = 6. Minimum total with doubling = 16. Minimum total without doubling = 22. Chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'All's Well That Ends Well', with the original text cut down to 40 minutes or so.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | Following the death of the Count of Rousillon, his teenage son, Bertrand inherts his estate and departs for the French court with dreams of military glory. He leaves behind Helena, daughter of his father's physician, and desparately in love with Bertrand. Helena follows Betrand to Paris where she uses her father's medicines to cure the sick king. The king grants her a reward, and she claims marriage to Bertrand. He wants none of it, and heads off to war. How can Helena win him back? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|