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All the scripts described below can be read in full on the Lazy Bee Scripts web site (click on the titles).
However, all the scripts on this site are copyrighted. They may not be printed, quoted or performed without the permission of Lazy Bee Scripts.
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Scripts 151 to 160 of 164
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Up, Up and Away by John Peel
RolesMinimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. In addition to the four on-stage characters, there are five off-stage voices. Three male, two female. (These might be recorded but some sections would probably be better live.)
Run TimeAround 84 minutes. [Estimated!]
MusicNone.
StyleFull-length play with drama, emotion and humour. Contains mild swearing. Multiple locations, but achieved by lighting and a few props. Originally published 2015, revised 2019.
SynopsisIt all starts with the funeral - although to the grieving widows, Elsie and Mary, this seems a bit final. But, from their new vantage point, James and Clifford find that they are able to look down, as well as look back. However, it's looking forward that gives them the most concern...
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Wait... What? by Ted Evans
RolesMinimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 7. No chorus. Two (male) characters appear on stage, one of them only briefly. Two male and two female characters appear on a video shown on the stage.
Run TimeAround 30 minutes. [Estimated!]
MusicNone.
StyleOne-act comedy play, almost a monologue, in the style of a disjointed presentation. Some educational content about Attention Deficit Disorder. Includes opportunities for improvisation. Contains mild swearing
SynopsisAn Attention Deficit Disorder sufferer talks about his experiences with a new wonder-drug and ADD in general, but ends up saying a little too much for the drug manufacturer's liking.
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Warm Crayons by Ashley Harris
RolesMinimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus.
Run TimeAround 27 minutes. [Estimated!]
MusicNone.
StyleA one-act drama on a simple set.
SynopsisMr Hughes doesn't have the greatest patience as a schoolteacher but he does love his job. A routine student prank seems to be the trigger for a vile and immoral act. Is Hughes innocent or has he been hiding his evil ways all along? Warm Crayons questions the way the world looks upon physical and sexual abuse.
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Watch This Space [Comedy Play] by Karrena Dewhurst
RolesMinimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. One of the characters is the voice of the computer - conceivably recorded, but probably better live.
Run TimeAround 20 minutes. [Estimated!]
MusicNone.
StyleOne-act comedy play, set in space. (There is also a follow-up, 'Watch This Space Too', by Leo Finn, using the same characters.)
SynopsisRodney's just the cleaner on the spaceship, and he's the butt of everyone's jokes, even the shipboard computer. But when an Alien species threatens the ship, only Rodney's brain has the... spare capacity for telepathic communication. It's up to him to save the ship!
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Watch This Space Too by Leo Finn
RolesMinimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. FRED is a computer (and therefore presumably, present in voice only.)
Run TimeAround 20 minutes. [Estimated!]
MusicNone.
StyleShort comedy, set on the bridge of a spaceship. Uses (with permission) the characters from Karrena Dewhurst's 'Watch This Space'
SynopsisThe Captain, the Doctor, Number Two and FRED the computer helpt to bring Rodney the Cleaner 's Art of Air Guitar to an alien race.
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We All Make Plans, Don't We? by George Freek
RolesMinimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus.
Run TimeAround 11 minutes. [Estimated!]
MusicNone.
StyleA short, one act farce, with a single (living room) setting.
SynopsisEarl is devastated to learn that his very large investment in a financial scheme has been lost, when the scheme turns out to be a scam. His friend the vicar has also been swindled by the same scheme, in which he had invested the church funds. Earl's teenage daughter exacerbates Earl's distress with some news of her own involving the scheme's perpetrator.
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We Have To Talk by Don Lowry
RolesMinimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. If the three scenes were to be played separately, the three couples could be played by the same pair of actors with changes of costume and style.
Run TimeAround 12 minutes. [Estimated!]
MusicNone.
StyleShort play comprising three short sketches on one theme. Written to be played continuously, but the three could be spaced out through an evening of short pieces. No set, so could be played front-of-curtain.
SynopsisThree relationships have reached the point where the couples need to talk. It's curtains for two pairs, but the third might just make it... even if it's for the strangest of reasons.
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Whatta Nut! by Ethan Bortman
RolesMinimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus.
Run TimeAround 14 minutes. [Estimated!]
MusicNone.
StyleA short, light comedy play
SynopsisThe first and only rehearsal for a performed reading of a play entitled ‘The Nut’ is being held just a few hours before the performance. Hazel, the playwright, has invited the actors to her house to rehearse. The rehearsal does not go smoothly.
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Where's George by Gary Diamond & Ray Lawrence
RolesMinimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Character ages range from thirties to eighties.
Run TimeAround 35 minutes. [Estimated!]
MusicNone.
StyleOne-act play. Single set (living room). Contemporary realism.
SynopsisIt's Sunday afternoon. Arthur and Vera face the weekly ordeal of tea with Vera's mother, the fearsome Rose, and her carer-son, Edward. Rose is awaiting the arrival of her favourite son, George, but Edward has other surprises in store.
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Windmills and Millstones by Louise Wade
RolesMinimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. Four on-stage characters and the offstage voice of their author.
Run TimeAround 18 minutes. [Estimated!]
MusicNone.
StyleShort play, exploring the life of fictional characters in the great maybe - before they have been committed to the page. Contains mild swearing.
SynopsisThree characters wait in the mind of an author who has abandoned their stories. They are joined by a new character who doesn't know her name or story. They try to prepare her for her new existence, not knowing she knows more than she's telling.
PriceFor scripts and live performance rights, please click on the Price Link to find the cost.  For scripts and lockdown videos/streaming rights, click here
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Scripts 151 to 160 of 164
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17  7 8 9 10 11 12 13 14 15 16 17 

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