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| For the Good of the Family by George Douglas Lee |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama. Domestic interior settings. |
| Synopsis | A family reunion becomes a fraught affair as Jack and Virginia's son can't resist bringing up the subject of the effect his profoundly disabled sister had on his childhood. The discord leads to an astonishing revelation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Further Education by Pete Barrett |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Frank and Anne are written with Geordie accents. |
| Run Time | Around 117 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedic play (backed by a bit of recent British history) with a single (scruffy student flat) setting. |
| Synopsis | In this very well observed play, set during the miners' strike in the 1980s, Essex University students, flat sharing Rachel, Emma and Claire invite Durham miner Frank to stay with them whilst he joins the picket line in the locality. The clash of working class and middle class values come to the fore during his stay and in amusing turns both sides learn from the other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gabriel-Ernest by Tony Best |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Either for a youth theatre company, or for a mix of adults and children. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act stage adaptation of a subversive Saki story - this one is edgy, verging on (gothic) horror. There are nine scenes, intended to be played seamlessley with the stage divided into one area for a house and one for all other scenes. |
| Synopsis | 'There's a beast in your woods.'
So it seems. Van Cheele's life is interrupted by the arrival of a strange boy, with disturbing behaviour and an unusual disregard for clothes.
(The author makes some suggestions about how to deal with this last point whilst remaining within the bounds of decency!) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Gardener's Tale by Mike Sparks |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Modern version of a medieval mystery play. One-act play, eight scenes, but no specific set requirements. A few simple props (including a wheelbarrow). |
| Synopsis | A gardener from Jerusalem tells her story of Holy Week and the odd bunch of characters she has run into. All of them have tales to tell about 'that Nazarene who's been causing so much trouble.' The story covers the time from Palm Sunday through to the burial of Jesus. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gerri And The Atrics by Charles Alverson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. One offstage voice, M or F |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy. |
| Synopsis | A group of entertainers nearing the end of their career prepare for yet another show, with friendly but sometimes barbed banter. This is interrupted not only by the call to go on stage, but the sudden death of one of their number. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Greatest Form of Flattery by Amelia Armande |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
| Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Heedless Spirits by Jenny Gilbert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Characters are older teenagers or young adults. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for teenagers. Single, simple set, few props. Contains mild swearing. |
| Synopsis | Six young people in a cinema, waiting for a film to start. Two were once an item and are trying to ignore each other. Two are attracted to each other, to the disdain of their friends. Two aren't sure why they're there. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Illusion/Delusion by David Pollard |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 78 minutes. [Estimated!] |
| Music | None. |
| Style | A collection of three one-act plays, all of which are also available separately. |
| Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In the Mood by Frank Gibbons |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (café) setting. |
| Synopsis | Jeanie's little café is struggling to survive and a pending family problem could easily prove to be the last straw. Also, her apparent reluctance to tackle issues such as poor hygiene, inferior cooking, power supply malfunctions and a mischievous deaf cat isn't helping the situation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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