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| Sin by C Henchley |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The play is written for two characters, but there is an option of adding a crowd of silent extras. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Unusual, short holocaust drama in a single minimal set. |
| Synopsis | Two men on their way to Belsen debate the morality of lying to a couple wanting to marry. Is the joy they can impart before the horror of the camps worth the cost to the liar’s immortal soul? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Small Talk by Martin Ward |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 32 minutes. [Estimated!] |
| Music | One song suggested, to be played at rise. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one act drama with a single (living room) setting. |
| Synopsis | Mark has invited Ian to his flat for a drink, but Ian doesn’t know why. In fact, they went to the same school twenty years before, and Ian was a bully who made Mark's life a misery. Now Mark has plans to gain revenge. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Soldiers by Louise Wade |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short WW1-set drama on a simple set, suitable for adults or teens. |
| Synopsis | Three soldiers find themselves in a holding cell as dawn breaks during the First World War: one on a drunk charge, one held for assaulting an officer, and one a conscientious objector. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Stan and Tony by Clive David Lloyd Williams |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 54 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy drama on a single (living room) set. |
| Synopsis | One afternoon in the 1960s, two giants of British comedy met briefly, when Tony Hancock visited Stan Laurel at his home in Santa Monica. Hancock was a very successful radio and TV star of the 1950s and 60s whilst Laurel’s slapstick movies with Oliver Hardy were top box office in the 1920s-40s. This is a play suggesting events which may have taken place during their unpublicised encounter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Thick and Thin by Johnny Grim |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play - the philosophy of the relationship between sport and life. The characters are in stadium seats, so could be a very simple set. Contains very strong language. |
| Synopsis | Three football (soccer!) fans are watching the fourth rematch in a cup game and discussing the benefits of tactics, the importance of buying season tickets over paying rent, the influence of women and what to eat during the match. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Three Sons by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Sketch, contemporary, minimal set, one simple prop. |
| Synopsis | Waiting for a connecting flight, three men find they have something in common, though one is keeping a secret... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Traitors, Cads & Cowards by Martin McNamara |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, though performing groups may wish to add an interval. Single prison cell setting, and some strong language. |
| Synopsis | During the Great War, an army deserter, a conscientious objector and an IRA soldier share a cell. They play out their respective journeys to prison and relate the horrors of the period. Liam, an Irish rebel arrested after the Easter Rising in Dublin, has been transported to the military wing of London's Wandsworth Prison for questioning. He is bunked in with Alfred, a shell-shocked veteran of the trenches up on desertion charges. Their other cell mate is Henry, conscientious objector, court martialed for refusing his call up papers. Can three very different 'Traitors to the King' find common ground? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Trapped by Ian Cowell |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act mystery with a single set, strong language and adult themes. |
| Synopsis | Two mysterious callers to a house are on a mission. As the mystery unfolds, it becomes clear that the mission will have dire consequences for one of the callers. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Trick Or Treat [One-Act Play] by Ron Asher |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a simple set. US English. Adult content. |
| Synopsis | Tom reluctantly lets in a late trick-or-treater on Halloween. Felix is after more than candy, however, and Tom isn’t sure he’s ready. If Felix does intend to stay with Tom, there’ll be a price to pay, whether Felix wants to or not. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ugly Duckling by Ann Taylor |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play for schools with a single (playground) setting. |
| Synopsis | This anti-bullying play tells the story of a child who is bullied because he looks different. A resolution is reached when classmates step in to help. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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